The Witch and Queer Possibility
This special section of Whatever: A Transdisciplinary Journal of Queer Theories and Studies will function as a critical retrospective on Robert Eggers’s 2015 film The Witch. While much has been written on the film in relation to feminist theory, this special section seeks to excavate the queer possibilities of Eggers’s now iconic film. Taking a broad view of queer theory, we imagine queerness as that which challenges binaries and hierarchies. In this way, The Witch might be understood as queer in terms of the challenges it poses to heteronormative, patriarchal structures, as well as through its dismantling of the boundaries between self and other, human and animal, nature and culture.
