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It is our conviction that existing models of criticism privilege and sustain prevailing hegemonies—and thus that critical form is in urgent need of intervention and innovation.
— Jenny Cookson and Emma Gomis
This panel explores the potential convergences between 1960s psychedelia and medieval material culture, including surreal imagery, animation, bright colors, and the cross-pollination of disparate media attempting to evoke a hallucinogenic or heightened response in the viewer.
Using examples from various national literatures, we would like to investigate the key concepts behind a “faithful translation”: what are the obligations of the translator to the source text, and what is the relationship between the original and the translation? Papers focusing on self-translations done by bilingual authors are also welcome. Please submit your abstract through the official Nemla portal only at https://cfplist.com/nemla/Home/S/21947
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