ACLA Online Panel: Case Studies in Feeling: Toward New Theories of Emotion Across Media
This panel is proposed for the American Comparative Literature Association (ACLA) VIRTUAL 2027 Annual Meeting on May 15 & 16, 2027.
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This panel is proposed for the American Comparative Literature Association (ACLA) VIRTUAL 2027 Annual Meeting on May 15 & 16, 2027.
This seminar is about wonder. Specifically, we want to explore how wonder might enliven and invigorate our profession in a time of many pressures, if not crises, in higher education. Why wonder? From the ancients, who claimed that philosophy begins in wonder, to contemporary philosophers like William Desmond, who articulates wonder as a primal experience of “astonishment at the too-muchness of being,” wonder has been identified as a starting point from which to think, and therefore—as we might more closely consider—read, write, and teach.
In 1996, Carl Sagan warned us of a time when people would lose their ability to question, “when awesome technological powers are in the hands of a very few . . . when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide, almost without noticing, back into superstition and darkness.” Maybe Mr Sagan was somewhat pessimistic when writing The Demon-Haunted World. But then again, in times of conspiracy theories, Ancient Aliens, Antivaxxers, and Holocaust Deniers, the Age of Information appears just as capable of spreading dangerous frauds and charlatans as it is of disseminating reliable scholarship.
48th Annual Conference, February 17-20, 2027
Marriott Albuquerque
Albuquerque, New Mexico
Submissions open: September 1, 2026
Proposal submission deadline: October 31, 2026
In literary fiction, the representation of consciousness has often been understood through what might be called the thought of looking: the ways narrative cognition renders a work into a perceptive, embodied, and self-reflexive experience through language. In cinema, by contrast, cognition typically becomes the look of thought: a mental interiority suggested through framing, editing, gesture, movement, and performance. Interactive stories told in videogames complicate this distinction through their intermedial nature. Games must not only represent what characters think, but also account for the player's "will to activity", translating the audience’s intentions into feedback, movement, and action.
Education is continually evolving as technologies, theories, disciplines and social contexts reshape how we teach and learn. Focus on Pedagogy 2026: Across Teaching, Theory, Technologies & Times explores this changing landscape across art, design, social sciences, STEM, health, media, humanities, environmental sciences and beyond. We welcome papers examining both innovative and established pedagogies, including AI, studio-based teaching, problem-based learning, flipped classrooms, ungrading, socially engaged pedagogy and peer learning.
The Global Southern Gothic
58th Northeast Modern Language Association Convention
March 6-9, 2027
Newport, RI
The US South, representative of the nation, has long been associated with gothic forms and tropes in part as a result of the suppression of violent histories. According to Sheri-Marie Harrison, the use of gothic tropes in American literature reveals “how ideologies of American exceptionalism rely on repressing the nation’s history of slavery, racism, and patriarchy.” Like the return of the repressed, what hasn’t been reckoned with in the nation’s history, such as slavery, racial oppression, and cisheteronormative expectations, reemerge in weird or haunted ways.
Seeking papers on queer poetics and criticism for a supple program on "other traditions" and (punning) "queeries". Contributors might consider models such as: Eileen Myles, whose essays and lectures construct a literary history inseparable from aesthetic inheritance; the New Narrative Writers; Anne Carson; Heather Love; José Muñoz; Elizabeth Freeman; the New York School poets and painters; and Wayne Koestenbaum, whose work models engagements with cultural history that amount to queer methodology in practice. Papers on related topics or their complications are enthusiastically sought.
Shakespeare Here, Shakespeare Now 27-30 May 2027, Cape Town, South Africa
This conference, held as part of the thirteenth triennial congress of the Shakespeare Society of Southern Africa (SSOSA), invites delegates to reflect on and utilise the axes of space and time in making new contributions to the field of Shakespeare Studies.
Keynote Speaker: Farah Karim-Cooper (Director of the Folger Shakespeare Library, Washington DC)
CALL FOR PAPERS
In 1900, the Boston-based Colored American Magazine launched its inaugural issue, convinced of the “immediate need of a Race Journal, otherwise than our current local periodicals.” Within a year, Hopkins’s zeal would direct much of the publication. She quickly became the magazine's best-known literary contributor and one of the few Black women editors from the era. Hopkins continued to publish, lecture, and write after new management relocated the Colored American Magazine to New York City and severed the magazine’s relationship with the opinionated editor.
Aging & Social Change: Seventeenth Interdisciplinary Conference, University de Navarra, Pamplona, Spain, 3-5 November 2027
Seventeenth International Conference on Food Studies, Université Paris 1 Panthéon-Sorbonne, Paris, France, 9-10 September 2027
Founded in 2011, the Food Studies Research Network is brought together around a common interest to explore new possibilities for sustainable food production and human nutrition, and associated impacts of food systems on culture. We seek to build an epistemic community where we can make linkages across disciplinary, geographic, and cultural boundaries. As a Research Network, we are defined by our scope and concerns and motivated to build strategies for action framed by our shared themes and tensions.
The Seventeenth International Conference on Food Studies calls for research addressing the following themes.
Twentieth Global Studies Conference, Sorbonne Université, Paris, France, 15-17 July 2027
Call for Papers
SPORTS AND POPULAR CULTURE
Southwest Popular / American Culture Association (SWPACA)
48th Annual Conference, February 17-20, 2027
Marriott Albuquerque
Albuquerque, New Mexico
Submissions open: September 1, 2026
Proposal submission deadline: October 31, 2026
Call for Papers
Medievalisms Area
Southwest Popular / American Culture Association (SWPACA)
48th Annual Conference, February 17-20, 2027
Marriott Albuquerque
Albuquerque, New Mexico
Submissions open: September 1, 2026
Proposal submission deadline: October 31, 2026
The plantation’s agribiopolitical reorganization of environmental and (enviro-)racial relations has remained a focus of scholarship concerned with the afterlives of its logics. Yet, as Sylvia Wynter has argued, other narrative sites produced by and in dialogue with the plantation, such as the provision grounds, offer a means to think beyond the plantation’s hegemonic, monocultural narrative. In the Caribbean context of Wynter’s work, the provision grounds were found at the edge of the plantation hidden away from the main house, serving as a subsistence refuge for enslaved peoples to cultivate food on Sundays.
Call for Papers
Southwest Popular / American Culture Association (SWPACA)
Annual Conference
48th Annual Conference, February 17-20, 2027
Marriott Albuquerque
Albuquerque, New Mexico
Submissions open: September 1, 2026
Proposal submission deadline: October 31, 2026
A Writer’s Palette: Colour in Late Modernist Literature
Special Issue CfP for Textual Practice
‘A Writer’s Palette’ examines the role, relevance, and relational representation of colours
within late modernist literature. It asks how authors use colour in their work and what this use
of colour contributes to an author’s creative process, a work’s meaning, and to broader
literary movements. By extension, this special issue helps both literary and visual arts
scholars understand how an interdisciplinary text is formed and the effect this aesthetic has
on the creative milieu. In doing so, it expands upon recent research on colour in literature by
In her resolute commitment to telling stories about Black life without the white gaze, Toni Morrison articulated a model of community empowerment grounded in local knowledge, intra-communal collaboration, and the self-reflexive narration of Black worlds. While Morrison remains one of the most visible public advocates of this aesthetic and ethical orientation, practices of Black worldmaking across African and diasporic literatures have long exceeded mere response to anti-Blackness. Even under conditions structured by racial violence, coloniality, displacement, and social rupture, Black communities have continually generated modes of life, relation, memory, and imagination that assert the possibility of worlds otherwise.
In the present digital era, the public sphere, as defined by Jürgen Habermas—a space where citizens negotiate power through collective discussion and political participation—has shifted on digital platforms.
Step right up! Circus and sideshow have long occupied a distinctive place within popular culture, functioning as community sites for entertainment, business, logistics, spectacle, performance, and insider culture. Circus and sideshow continually shape how we view the extraordinary.
(ONE WEEK LEFT) The 98th annual SAMLA Conference is taking place Thursday, November, 5, through Saturday, November, 7, 2026, at the Wyndham Atlanta Buckhead Hotel & Conference Center in Atlanta, GA. For more information, see https://southatlanticmla.org/.
The organizers of the PCA’s special topic on UFOs, Cryptids, Conspiracies, and the Paranormal welcome proposals for papers and presentations from an interdisciplinary range of fields, including sociology, literature, media studies, anthropology, folklore, religion, history, political science, medieval studies, rhetoric, education, and bibliography. Papers in this area will not seek to prove or disprove the reality of any of the stigmatized subjects under discussion; instead, they will explore the cultural forces at work in their origin and development, their form and content, and the audiences that receive them.
Proposals for 15-20 minute papers responding to the following call for papers are invited for the Dickens Society's panel at NeMLA 2027 (March 6-9, Newport, RI).
Call for Papers_Entanglements_Volume 3, Issue 1 (Open Issue) Manuscript Submission Deadline: 30.10.2026
Tentative Publication Date: 30 January 2027
CFP link: https://www.entanglements.in/call-for-papers-docs/CFP_Entanglements%203.1_Aug-2026.pdf
Special call for specific chapters on the subject of Vampires and Fashion, for a volume under contract at Peter Lang.
For the last 100 years vampires have graced screens large and small, dressed in clothing that has become part and parcel of their appeal. From drab gray and black German frock coats to full formal tuxes, from diaphanous gowns to sleek, form-hugging dresses, from haute couture to jeans and leather jackets, and from wing-collared capes to Middle Eastern chadors, vampire fashion is varied and exciting, yet has, to date, received little academic attention.
The Institute for Medieval Studies at the University of New Mexico invites proposals for three
sponsored sessions for ICMS 2027. Proposals must be submitted through the ICMS Confex
Portal (https://shorturl.at/d05So) by 15 September 2026, including title, 300 word abstract and
50 word description.
The Institute for Medieval Studies at the University of New Mexico invites proposals for three
sponsored sessions for ICMS 2027. Proposals must be submitted through the ICMS Confex
Portal (https://shorturl.at/d05So) by 15 September 2026, including title, 300 word abstract and
50 word description.
Conference online (via Zoom)
8-9 October 2026
Deadline for proposals: 18 September 2026
CFP:
CALL FOR PAPERS/AMERICAN LITERATURE
COLLEGE ENGLISH ASSOCIATION ANNUAL CONFERENCE
APRIL 1-3, 2027 / ST LOUIS, MO
SUBMISSION SITE IS OPEN: https://www.conftool.pro/cea2027
DEADLINE: 11/01/2026
For its 2027 annual conference,the College English Association (CEA) invites proposals for papers and panels that explore the theme of “Gateways” and their significance in literature, criticism, and pedagogy. we also encourage proposals on GENERAL TOPICS, including AMERICAN, BRITISH, AND WORLD LITERATURES.
DON'T KNOW CEA? YOU SHOULD!
Through an interdisciplinary approach drawing from rhetorical, gender, and literary studies, this panel explores how immigrant and diasporic communities, who are often socially marginalized in the West, create hospitality for each other. In particular, food sites and practices make belonging possible in otherwise displaced circumstances. For example, Michelle Zauner’s memoir Crying in H Mart (2021) shows how ethnic grocery stores and restaurants are material spaces in which cultural memory is archived especially across generations. Similarly, Chithra Banerjee Divakaruni’s novel The Mistress of Spices (1997) showcases how food stores can offer healing and sanctuary for a community.
Call for Papers | Chronologies
The Velvet Light Trap, Volume 100 (to be published fall 2027)
Submission deadline: September 20, 2026
Modern Language Association sessio Los Angeles
Staging Endings:Cultural Representations of Ageing, End of Life, and Care
Framing the Human in the Nineteenth Century
48th Annual Conference
Nineteenth-Century Studies Association
Philadelphia, PA
March 11-13, 2027
Conference website: https://ncsaweb.net/2027-conference-information/
Call for Proposals
Submission Deadline: October 31, 2026
Notification of Acceptance: January 2027
Please submit proposals via this Google Form
Questions? Email the conference organizers at ncsa2027conference@gmail.com
This is a final call for papers for the Journal of Beat Studies' 14th volume, welcoming new and renewed contributions on any Beat Generation or Beat Generation-adjacent relevant subject (including the New York School, Black Mountain College, San Francisco Renaissance, Umbra Writers Workshop, etc.). The journal is interested in essays that reconsider familiar figures, recover overlooked ones, and explore the connections as well as any frictions between these overlapping scenes and their legacies.
CALL FOR PAPERSDHARTI 2026 Biennial ConferenceDecolonising the Digital: Social Justice, Inclusion, and Equitable Knowledge Production
18–20 December 2026
KIIT Deemed to be University, Bhubaneswar, Odisha, India
Hosted by KIIT Deemed to be University in collaboration with the Digital Humanities Alliance for Research and Teaching Innovations (DHARTI).
Conference Theme
The interdisciplinary field of Interactive Digital Narratives (IDNs) combines immersive technologies with the timeless art of storytelling. IDN offers transformative ways to engage audiences, preserve cultural heritage and address social and educational challenges. From branching narratives in video games, to immersive virtual reality experiences and interactive installations, IDNs push the boundaries of how stories can be created and experienced.
This panel seeks to examine the profound significance of food as a central narrative element in literature and its broader implications for literary scholarship. Inspired by this year's conference theme, Empowering Communities, the panel explores moments in which food transcends its culinary function to become a source of cultural knowledge, communal identity, and collective agency. Whether gathered around a dinner table, preserving family recipes, or cultivating food traditions in the face of displacement or oppression, literary communities frequently use food to sustain memory, foster belonging, and resist erasure.
This roundtable seeks to put in conversation Blue Humanities from around the world, exploring how literature, cultural texts, and film can inform, reveal, or create new ideological perspectives on water. Informed by Blue Humanities, as well as a global movement to protect water’s right to flow and be free from pollution (Ecuador Constitution of 2008: Rights of Nature, Policy Brief: Water rights in Chile, Canada Water Act of 1985, among others), this timely roundtable connects directly with NeMLA’s 58th Annual Convention theme of Empowering Communities. As the theme specifies, cultural knowledge serves as a source of empowerment, and literature, cultural texts, and film are primary ways that cultural knowledge is shared amongst communities.
Coaching, Psychology and the Art of Leadership
A Transdisciplinary Conference Inspired by Ted Lasso
Conference page: https://labrc.co.uk/2026/08/17/coaching-psychology/
Date: November 27-28, 2026
Location: Nov 27: Duke Street Church Richmond, London, United Kingdom (and online)
Nov 28: Online
Fees (for both attendees and presenters):
£180 (In person participation)
£100 (Online participation)
Prices exclude Eventbrite fees
West Coast Review (SDSU Press) is seeking art, flash fiction, short stories, and any creative prose that falls in-between. This includes creative non-fiction, memoires, craft essays and experimental prose pieces. We accept all genres--we just want pieces that are bold and embrace the diversity found on the west coast!
Guidelines:
We are currently accepting flash fiction, short stories, and any creative prose that falls in-between (this includes creative non-fiction, craft essays, and experimental work). Our maximum word count is 5000 words. For flash fiction, we accept up to three stories in a single submission.
While the Gothic has long been associated with monsters, haunted houses, unstable hierarchies, and hidden knowledge, the servant's specific connections to the genre's core dynamics of space, affect, and plot have been critically undertheorized. Yet Gothic narratives fundamentally depend upon servant figures to produce narrative tension, mediate hidden knowledge, and expose the instability of domestic, social, and political order. This panel therefore positions the Gothic servant not as a supplementary character but as a central Gothic mechanism and epistemological problem worthy of scholarly attention and analysis.
What strategies can paper ephemera teach us in the digital age? This panel invites conversations by writing instructors, educators, poets, and artists exploring the work that happens at/within the margins of writing. Both literally and figuratively, we take an expansive scope to the term “margins,” imagining not only the writing that appears on the space of the printed page, but writing that would normally be scrapped, discarded, remixed, or ephemeralized. This can include digital ephemera, such as “disappearing” messages in Instagram or other communication services. At another angle: margins can also mean the liminality of writing, the furthermost edges of what’s often standard and visible.
The Ralph Waldo Emerson Society invites proposals for a panel on “Emerson and Poetry” at the American Literature Association’s 38th Annual Conference, to be held May 26–29, 2027, in Boston at the Westin Copley Place, 10 Huntington Avenue, Boston, MA 02116.In “Circles” (1841), Emerson describes “the poet” as a representative seer who breaks the reader’s “whole chain of habits” while opening up new possibilities.
We are seeking chapter proposals for a new edited collection entitled Modern Meta Myths, examining intersections of mythic adaptation/reception with critical self-awareness. The collection aims to bring together a diverse array of chapters, working through different methodologies, generic focuses, and analyzing adaptations/receptions of various world mythological traditions. We define “myth” broadly, to include legends, fairy tales, religious stories, even folk tales, in addition to more traditional bodies of mythology. In particular, we’re excited to read proposals about world mythic engagement beyond the Euro-American tradition.
Consuming US Popular Culture: Media Aesthetics, Ethics and Literacy
Virtual Conference | 27–28 November 2026
In his seminal and final film Black Is…Black Ain’t, the documentarian Marlon Riggs utilizes a pot of gumbo to articulate his thesis that Blackness necessitates an identity built on multiplicity, complication, and depth, a production requiring expansiveness in its sustained attention (Riggs 1995). Such a vision contests and destabilizes narratives depicted within the film that sought to limit Black identities and identifications, and it cuts against the second half of his title, which suggests Blackness in terms of negation, evasion, and minimization. The title to this conference continues a conversation with Riggs and also with Ralph Ellison, Ama Ata Aidoo, Toni Morrison, Stuart Hall, and centuries of international Black thought.
Postcolonial thinking has often been defined by questions of cosmopolitan and pluralist living in the decolonizing world: through figurations of exile and unrootedness (Edward Said, Eqbal Ahmad), poetics of identity, hybridity, and relation (Frantz Fanon, Homi Bhabha, and Édouard Glissant), intimacies across racial and colonial differences (Lisa Lowe, Leela Gandhi, Rahul Rao), or the territorial and planetary entrapments of multiculturalism and globalization (Rey Chow, Sylvia Wynter, Gayatri Spivak). We ask, how do postcolonial and subaltern subjects excluded by global elites make claims of cosmopolitan (non/)belonging?
Society for Reformation Research (SRR) welcomes 20 minute papers across the disciplines for our four Virtual Sessions at the 62nd Medieval Congress May 13-15, 2027. Focus on the Long Reformation (medieval roots to current iterations).
Sessions are: