The ASAP conference theme “Not a Luxury,” (10/17-10/19 in New York City) borrows Audre Lorde’s assertion that in times of crisis, poetry and creative expression are not extraneous to survive but necessities. Known for her community building and work with Kitchen Table Press, Lorde positioned her sense of self as developing from and within her social and artistic circles. This panel asks what contemporary  forms of community building--for example: edited collections, across-campus coalitions, unions, friend groups—are necessary for Black feminist survival and thriving in precarious times.

National Institute of Technology Patna, India

in collaboration with

University of California, Davis, USA

May 17-18, 2024

Call for Submissions

Movement Beyond Limit(s): CCLPS Postgraduate Conference 2024

“We live in an age of movement. [...] which huge amounts of materials are now in wide circulation around the globe. There are more humans, circulating and consuming more [...] Portions of the planet are literally moving more quickly and more unevenly– around axes of gender, race, and class.” (Thomas Nail, “Forum 1: Migrant Climate in the Kinocene” 2019: 375)

Special Issue Call for Papers

Planetary Fiction: African Literature and Climate Change

Guest Editors: Nedine Moonsamy (Johannesburg) and David Shackleton (Cardiff)

Deadline for Submissions: 1 February 2025

Watermark is dedicated to publishing original critical and theoretical papers concerned with the fields of rhetoric, composition, and literature of all genres and periods. As this journal is intended to provide a forum for emerging voices, only student work will be considered. (https://cla.csulb.edu/departments/english/watermark-journal/)

ReFocus: A Series of International Film Studies Anthologies

Full name / name of organization:
Edinburgh University Press

contact email:
Dr. Robert Singer, rlsngr99@gmail.com

Call for Chapters: IRB, Human Research Protections, and Data Ethics for Researchers

Proposal submissions due date extended to March 31, 2024

Chapters in this collection will present information relevant to new investigators for IRB, Human Research Protections, Data Ethics, and Data Privacy for Human Subjects. As an essential guide for new researchers, the book audience is also appropriate for new investigators such as doctoral students, dissertation mentors, and doctoral research supervisors.

For details and submission link, visit https://www.igi-global.com/publish/call-for-papers/call-details/7175

This guaranteed panel of MLA Committee on the Status of Graduate Students in the Humanities (CSGSH) seeks presentations  on the problems faced by non-STEM graduate students for starting their careers in the US, including visas, mentoring, and job search. How do they handle their 1-year OPT as opposed to the 3-year STEM OPT? 

The 2025 MLA Annual Convention will be held from 9 to 12 January in New Orleans, LA. 

Please send 250-word abstracts with a short CV to jahidul.alam1@louisiana.edu by Wednesday, 20 March 2024

The cinematic horror genre depends on a system of oppression, domination, and subordination. Although horror is deeply embedded within the politics of representation and social subjugation, we recognize an explicit lack within its scholarship (across disciplines) regarding class and historical materialism. This collected volume, which has emerged after years of collaboration and collective conversations, wishes to remedy this absence: we call for a comprehensive examination of horror as it intersects socio-economic class issues, brutal capitalism, cultural systems of excess, and rugged individualism. 

Following methodological interventions in ecocriticism's nostalgic appeals to "nature," this session invites formal analyses and other close readings of texts that gesture toward, illuminate, or articulate liberatory socio-environmental futures. Any period, genre, language.

Please send 250-word abstracts to Sarah-Nelle Jackson, sarah-nelle.jackson@ubc.ca, by March 22, 2024. Graduate students and early-career scholars are encouraged to apply.

Conference: 25-26 April 2024 (online - via Zoom)

Scientific Committee:
Professor Wojciech Owczarski – University of Gdańsk, Poland
Professor Polina Golovátina-Mora – NTNU, Norwegian University of Science and Technology

CALL FOR PAPERS:

​

The Cultural History panel seeks to revivify the political or social intersections that exist between text and context, including interdisciplinary aspects of culture. While papers that explore the continuities between history and film, history and literature, or history as it interweaves with marginalized aesthetic traditions would receive preference, excerpts of longer, ongoing projects that examine how cultural formations are “translated” or subsumed into historical trajectories would be particularly welcome. Submissions that not only practice cultural history by invoking the liminality of borderlands, but also critically reflect upon that practice are also encouraged.

***Please see  link to full CFP for more information.***

What is the Young Rhetoricians' Conference?

The Young Rhetoricians’ Conference (YRC) began in 1985 at San Jose State University. From its inception, YRC has been a place for those who teach rhetoric at the university level to share research about teaching rhetoric and techniques for teaching rhetoric. “Young” refers not to the age of the rhetoricians but refers instead to rhetors with a willingness, in the mind, to dance whenever possible. You can learn more about YRC at our website.

General Issue: Queer Resistance

Special Topic Trans Violence in Contemporary Latin American Culture

Mester has extended the deadline for the call for submissions for its 53rd issue. We are the graduate student academic journal of the Department of Spanish and Portuguese at UCLA. Our scholarly magazine publishes academic articles, interviews, and book reviews on Iberian, Latin American, Brazilian, Luso-African, Latinx, and Chicanx literature, culture, and linguistics. Mester is seeking submissions that shape and inform queer resistance and the challenges it encounters in contemporary literary representation and cultural production. As a critical praxis of resistance, what do writing, filming, performing, and reading queerly (re)present?