International Journal of Education (IJE)

https://flyccs.com/jounals/IJENG/Home.html

***June Issue *** 

Submission System

Scope

An international conference titled PLASTIC TURN will be held on 3rd and 4th of August, 2023, at the University of North Bengal, India. The keynote speakers are: Haun Saussy (University of Chicago), Karen Thornber (Harvard University), and Olga Solovieva (University of Chicago). Although the title of the conference is PLASTIC TURN, following on Ranjan Ghosh’s book The Plastic Turn and how he introduces this term into our critical discourse, this international conference broadens the ambit of intervention by emphasizing on plastic studies from a variety of fields and perspectives. Engagements and critiques of Ghosh’s book are welcome but also papers ranging across a variety of subjects incidental to plastic will be entertained.

A Critical Companion to Jane Campion

Edited by Elsa Colombani and Eurydice Da Silva

Part of the Critical Companion to Popular Directors series

edited by Adam Barkman and Antonio Sanna

[Extended deadline]

EXTENDED DEADLINE (30 June for abstracts, 30 October for full articles)

Global Folios: Books about Shakespeare from around the World

NALANS Journal (Special Issue) https://nalans.com/index.php/nalans

Guest Editors: Amrita Sen, Anna Forrester and Murat Öğütcü

Contact email: turkishshakespeares@gmail.com

Call for Articles

Pratiques de l’hésitation : pour une observation des tremblements 

Si, p. ex., quelqu’un disait « je ne sais pas s’il y a là une main », on pourrait dire : « Regarde de plus près ». – Cette possibilité de se convaincre de quelque chose fait partie du jeu de langage. (Wittgenstein 1969, 16) 

Depuis, j’ai tout oublié de l’inconnu, mais le timbre de sa voix, au creux de cette houle, résonne encore en moi. Émoi définitivement présent :

 – Ma main en tremble encore, disait-il, regardez!  (Djebar 1985, 162)

*

The past six years have seen a resurgence of the radical right. In this resurgence, art and literature have played a prominent role. Senior advisors to the Trump administration cited novels as specific influences on federal policy; Jordan Peterson has disguised right-wing manifestos as self-help volumes, hoodwinking young men to the tune of millions; the internet has seen an overwhelming explosion of white supremacist digital art. Walter Benjamin’s dictum that fascism seeks to “aestheticize politics” endures. 

2023 marks one-hundred years since Italo Calvino’s birth in 1923. Even before his death in 1985, he was considered a classic of 20th century literature; his career spans various crucial historical moments, from the Resistance to the Years of Lead, and encompasses various genres and modes of writing, from Neorealism to postmodernism.

(Deadline Extended)

In 2022, about 35.04 million printed books were sold that classified as Young Adult Literature (Curcic 2023). In fact, it’s the fastest growing category since 2018, with almost a 50% increase in sales to date (Curcic 2023). And, if trends hold, the numbers will continue to rise, making the YA category a multibillion dollar opportunity for publishers. It’s also no surprise that media adaptations of popular Young Adult novels have become big business, raking in millions of dollars, skyrocketing actors to celebrity status, and providing another mediated experience for fans to embrace.

The 48th European Studies Conference, which will be held on October 5-6, 2023, both online and in person at the University of Nebraska Omaha, welcomes papers on European topics in all disciplines.

 Founded in 1975, our interdisciplinary conference draws every year participants from colleges and universities in the United States and from abroad.

Areas of interest include art, anthropology, history, literature, current issues and prospects in cultural, political, social, economic, or military areas; education, business, international affairs, religion, foreign languages, philosophy, music, geography, theater, and film.

 This year we will also offer special panels on the following topics:

As the “Crisis in the Humanities” continues to witness a decline in all things humanities courses throughout post-secondary curricula under the echoing waves of COVID, teachers of English survey courses are left to do some cleaning up with regard to what we teach as far as the surveys go. In addition to the COVID slope, the number of English majors continues to wane, and some colleges are even restructuring semester scheduling. When the dust settles, where does that leave the last vestibule of the formal introductory map to English studies, the venerable “survey course” – the one, staunch and steadfast bastion of the once bustling English departments?

Call for Papers

ReFocus: The Films of John Singleton

Editor: Daniel Dufournaud

Discourse surrounding issues related to the transgender and feminist communities currently dominates contemporary cultural conversation globally. Against this backdrop, Femspec calls for submissions exploring speculative approaches to gender, and particularly to transgender identity and embodiment; the rise and use of what some liken to Orwellian doublespeak; and projections extrapolated from our present into the future. 

Femspec is an interdisciplinary, peer-reviewed feminist journal dedicated to science fiction, fantasy, magical realism, surrealism, myth, folklore, and other supernatural genres.  

Call for Participation

Fan Studies Network North America Conference 2023 (virtual)

October 11-15, 2023

RE: FANDOM

Fan Studies Network North America 2023

The 2023 Conference

This special edition of Interdisciplinary Humanities will investigate how performance shapes our experience of the humanities. In the four decades since NYU offered the first degree in “Performance Studies,” the advent of the internet and social media has changed the way we study, create, teach, learn, and identify ourselves. Performance forms and platforms have multiplied and facilitated one of the most contentious political cycles in American history, public upheavals demanding social justice, and new thresholds of mis and disinformation. How are these performance platforms shaping our experience and understanding of the world?