Deadline extended:
 
Tempus Fuget: CALL FOR PAPERS

Film & History
at
Southwest/Texas PCA/ACA in Albuquerque

The Southwest/Texas Popular Culture
Association/American Culture Association
invites papers examining all aspects of Film & History
for its annual conference to be held February 8-11, 2006
at the Hyatt Regency in Albuquerque, New Mexico.
Last year, this area was very popular and brought
like-minded scholars together on a topic of common interest.

Possible Areas for consideration include,
but are not limited to:

THE UPSTART CROW: A SHAKESPEARE JOURNAL

Call for Papers: "SHAKESPEARE ACROSS THE ARTS"

THE UPSTART CROW is currently accepting submissions for Volume XXV (2005),
on "Shakespeare Across the Arts." Diverse critical approaches to this
subject are welcome, especially performance-based, historical, and
theoretical methodologies.

Papers might investigate interdisciplinary contexts for the study of
Shakespeare, including visual and performance arts; film and other media;
and scientific and practical arts. Submissions focusing on the thematizing
of the arts in Shakespeare's writings, as well as those focusing on
adaptations / appropriations of Shakespeare across the arts, are
encouraged.

(Please help circulate this email.)

Dear Colleagues,

The Canterbury Centre for Medieval and Tudor Studies, University of Kent =
at Canterbury, UK, is hosting an interdisciplinary conference: Medieval =
Children 1200-1500, on 17-18 June 2006. Keynote and featured speakers =
include Prof. Nicholas Orme (History, Exeter, UK), and Prof. Peter =
Beidler (English, Lehigh, US).

(Please help circulate this email.)

Dear Colleagues,

The Canterbury Centre for Medieval and Tudor Studies, University of Kent =
at Canterbury, UK, is hosting an interdisciplinary conference: Medieval =
Children 1200-1500, on 17-18 June 2006. Keynote and featured speakers =
include Prof. Nicholas Orme (History, Exeter, UK), and Prof. Peter =
Beidler (English, Lehigh, US).

Please note update: Keynote Speaker announced.

Panel sponsored by the Edith Wharton society

Physicality in Edith Wharton's Writing and Life

Papers on all aspects of physicality (eroticism, food, pain, pleasure,
addiction, smell, temperature etc.) are welcome.
Please send 300-400 word abstracts by January 5, 2006 to:

Prof. Hildegard Hoeller
Associate Professor of English
College of Staten Island--City University of New York
e-mail: hilhllr_at_aol.com
mail: 29 Gail Court, Staten Island NY 10306

American Comparative Literature Association Conference 2006 (Princeton
University, March 23-26)

Ecocriticism and its Postcolonial Futures
Seminar Organizer(s): George Handley, Brigham Young University; Elizabeth
DeLoughrey, Cornell University

CHARCOAL CANONS

Race and Faith in African American Literature

Call for Submissions

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

CHARCOAL CANONS

Race and Faith in African American Literature

Call for Submissions

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

CHARCOAL CANONS

Race and Faith in African American Literature

Call for Submissions

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

CHARCOAL CANONS

Race and Faith in African American Literature

Call for Submissions

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

THE SOCIETE DES PROFESSEURS FRANÇAIS ET FRANCOPHONES D'AMERIQUE
                                                                    (SPFFA)

                            Announces its Eighth International Colloquium

                                  "Creation and Reality in the French Idiom
                                                                 and
                                    The Centennial of Léopold Sédar Senghor"

THE SOCIETE DES PROFESSEURS FRANÇAIS ET FRANCOPHONES D'AMERIQUE
                                                                    (SPFFA)

                            Announces its Eighth International Colloquium

                                  "Creation and Reality in the French Idiom
                                                                 and
                                    The Centennial of Léopold Sédar Senghor"

We invite submissions to a collection of essays (already in progress)
entitled Anomalous Eyes: Postcoloniality and the Detective. Essays should
address such questions as: In what ways do societies in the throes of
decolonization or postcoloniality resist or transform the epistemological
"truth quest" conventionalized in the structure of the detective narrative?
Can the detective novel operate independently of national, imperial, or
global ideologies? How have authors worked with the figure of the detective
in ways that complicate the narrative or ideological stances typically
associated with modernism and postmodernism? And what happens when authors