CFP: Narnia Edited Collection (11/15/06; collection)
Deadline: November 15, 2006
CFP: Through the Wardrobe: Essays on C. S. Lewis's Chronicles of
Narnia
Call for Papers:
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Deadline: November 15, 2006
CFP: Through the Wardrobe: Essays on C. S. Lewis's Chronicles of
Narnia
Call for Papers:
Deadline: November 15, 2006
CFP: Through the Wardrobe: Essays on C. S. Lewis's Chronicles of
Narnia
Call for Papers:
CFP: Wide Open Spaces (grad) (12/1/06; 3/30/07)
City University of New York Graduate Center
English Student Association Conference
Conference Date: March 30, 2007
Call for Papers
"Wide Open Spaces"
FOR IMMEDIATE RELEASE - 5 September 2006
M/C - Media and Culture
http://www.media-culture.org.au/
is calling for contributors to the 'jam' issue of
M/C Journal
http://journal.media-culture.org.au/
M/C Journal is looking for new contributors. M/C is a crossover journal
between the popular and the academic, and a blind- and peer-reviewed
journal.
CFP: A Lacan Primer (10/5/06; Narrative '07, 3/15/07-3/18/07)
Society for the Study of Narrative Literature
2007 International Conference on Narrative
Washington D.C.
March 15-18 2007
A Lacan Primer: Children's Narrative Through Lacan, Lacan through
Children's Narrative
CFP: A Lacan Primer (10/5/06; Narrative '07, 3/15/07-3/18/07)
Society for the Study of Narrative Literature
2007 International Conference on Narrative
Washington D.C.
March 15-18 2007
A Lacan Primer: Children's Narrative Through Lacan, Lacan through
Children's Narrative
CFP: A Lacan Primer (10/5/06; Narrative '07, 3/15/07-3/18/07)
Society for the Study of Narrative Literature
2007 International Conference on Narrative
Washington D.C.
March 15-18 2007
A Lacan Primer: Children's Narrative Through Lacan, Lacan through
Children's Narrative
Indigenous Film and Media in an International Context
Wilfrid Laurier University
Waterloo, Ontario, Canada
May 11-12, 2007
Indigenous Film and Media in an International Context
Wilfrid Laurier University
Waterloo, Ontario, Canada
May 11-12, 2007
Delivering the Story: The Canons of Rhetoric
***Open to faculty, graduates, and undergraduates***
The Federation Rhetoric Committee of the Federation of North Texas Area
Universities
Texas A&M University-Commerce
February 23, 2007
The Rhetoric Symposium is now accepting proposals for papers and panels
dealing with contemporary issues of the five canons of rhetoric--invention,
arrangement, style, memory, delivery—which we define broadly to incorporate
a wide variety of research interests.
Delivering the Story: The Canons of Rhetoric
***Open to faculty, graduates, and undergraduates***
The Federation Rhetoric Committee of the Federation of North Texas Area
Universities
Texas A&M University-Commerce
February 23, 2007
The Rhetoric Symposium is now accepting proposals for papers and panels
dealing with contemporary issues of the five canons of rhetoric--invention,
arrangement, style, memory, delivery—which we define broadly to incorporate
a wide variety of research interests.
Delivering the Story: The Canons of Rhetoric
***Open to faculty, graduates, and undergraduates***
The Federation Rhetoric Committee of the Federation of North Texas Area
Universities
Texas A&M University-Commerce
February 23, 2007
The Rhetoric Symposium is now accepting proposals for papers and panels
dealing with contemporary issues of the five canons of rhetoric--invention,
arrangement, style, memory, delivery—which we define broadly to incorporate
a wide variety of research interests.
CFP: Resentment In/Of Women's Studies (due 12/31/06; held 2/23/07)
CFP: Resentment In/Of Women's Studies (due 12/31/06; held 2/23/07)
CFP: Resentment In/Of Women's Studies (due 12/31/06; held 2/23/07)
CFP: Resentment In/Of Women's Studies (due 12/31/06; held 2/23/07)
CFP: Resentment In/Of Women's Studies (due 12/31/06; held 2/23/07)
Thomas Otway collection
Dr Sandro Jung invites contributions (5000-7000 words) for a collection of essays on the Restoration dramatist Thomas Otway. Textual and contextual studies of the life and works of Otway are welcomed and should reach the editor by 1 March 2007. Please contact the editor for any questions or suggestions for papers. The collection will be published by the end of 2007.
Submissions should be made by email in Word or RTF format. Contributions should follow MLA style, using endnotes rather than footnotes
==========================================================
From the Literary Calls for Papers Mailing List
Thomas Otway collection
Dr Sandro Jung invites contributions (5000-7000 words) for a collection of essays on the Restoration dramatist Thomas Otway. Textual and contextual studies of the life and works of Otway are welcomed and should reach the editor by 1 March 2007. Please contact the editor for any questions or suggestions for papers. The collection will be published by the end of 2007.
Submissions should be made by email in Word or RTF format. Contributions should follow MLA style, using endnotes rather than footnotes
==========================================================
From the Literary Calls for Papers Mailing List
Thomas Otway collection
Dr Sandro Jung invites contributions (5000-7000 words) for a collection of essays on the Restoration dramatist Thomas Otway. Textual and contextual studies of the life and works of Otway are welcomed and should reach the editor by 1 March 2007. Please contact the editor for any questions or suggestions for papers. The collection will be published by the end of 2007.
Submissions should be made by email in Word or RTF format. Contributions should follow MLA style, using endnotes rather than footnotes
==========================================================
From the Literary Calls for Papers Mailing List
CRASH CINEMA 6
BRADFORD FILM FESTIVAL
Weds 21 March 2007, Cubby Broccoli Cinema, Free Entry
NATIONAL MUSEUM of PHOTOGRAPHY, FILM and TELEVISION (UK)
CALL FOR PAPERS
Proposals are invited for papers that engage with issues of
representation within film and videographic media: the mainstream
(Hollywood/Bollywood), fine art, cult or the edges of popular
culture. 200 words synopses should be sent by 1 December 2006 to:
Jill Good, MA Visual Culture, Bradford School of Art, Bradford College, Carlton
Street, BD7 1AY. Tel: (+44)1274 431660; email: j.good_at_bradfordcollege.ac.uk
Ask for details of Vols. 1-5, Crash Cinema: The Proceedings (ISSN
1743-4459)
CRASH CINEMA 6
BRADFORD FILM FESTIVAL
Weds 21 March 2007, Cubby Broccoli Cinema, Free Entry
NATIONAL MUSEUM of PHOTOGRAPHY, FILM and TELEVISION (UK)
CALL FOR PAPERS
Proposals are invited for papers that engage with issues of
representation within film and videographic media: the mainstream
(Hollywood/Bollywood), fine art, cult or the edges of popular
culture. 200 words synopses should be sent by 1 December 2006 to:
Jill Good, MA Visual Culture, Bradford School of Art, Bradford College, Carlton
Street, BD7 1AY. Tel: (+44)1274 431660; email: j.good_at_bradfordcollege.ac.uk
Ask for details of Vols. 1-5, Crash Cinema: The Proceedings (ISSN
1743-4459)
Call for papers
Joking Apart: Gender, Literature and Humour 1850-Present
28th-29th June, 2007
Hosted by the Centre for Modernist Studies, University of Sussex, UK.
Confirmed Keynote Speakers:
Prof Maria DiBattista (Princeton University, author of Fast-Talking Dames,
2001.)
Prof Christopher Reed (Lake Forest College, author of Bloomsbury Rooms,
2004.)
Call for papers
Joking Apart: Gender, Literature and Humour 1850-Present
28th-29th June, 2007
Hosted by the Centre for Modernist Studies, University of Sussex, UK.
Confirmed Keynote Speakers:
Prof Maria DiBattista (Princeton University, author of Fast-Talking Dames,
2001.)
Prof Christopher Reed (Lake Forest College, author of Bloomsbury Rooms,
2004.)
Call for papers
Joking Apart: Gender, Literature and Humour 1850-Present
28th-29th June, 2007
Hosted by the Centre for Modernist Studies, University of Sussex, UK.
Confirmed Keynote Speakers:
Prof Maria DiBattista (Princeton University, author of Fast-Talking Dames,
2001.)
Prof Christopher Reed (Lake Forest College, author of Bloomsbury Rooms,
2004.)
Call for papers
Joking Apart: Gender, Literature and Humour 1850-Present
28th-29th June, 2007
Hosted by the Centre for Modernist Studies, University of Sussex, UK.
Confirmed Keynote Speakers:
Prof Maria DiBattista (Princeton University, author of Fast-Talking Dames,
2001.)
Prof Christopher Reed (Lake Forest College, author of Bloomsbury Rooms,
2004.)
*CALL FOR PAPERS*
Annual Convention of the Northeast Modern Language Association
March 1-4, 2007 Baltimore, Maryland
Sponsored by Johns Hopkins University
*Special events in the works:*
* Welcome Reception, featuring readings by novelist Madison Smartt Bell
and poet Elizabeth Spires;
* Keynote Speaker Professor Amanda Anderson, Caroline Donovan Professor
of English Literature at Johns Hopkins University,
author of *The Way We Argue Now: A Study in the Cultures of Theory*;
* Plenary Speaker Professor Sante Matteo, on the influence of Marco Polo
and the Silk Road;
The New England Saga Society (NESS) has extended its due date for the following two panels at the 42nd International Congress on Medieval Studies to be held at Kalamazoo, MI from May 10th through May 13th, 2007. The new submission deadline is Sept. 15, 2006.
CALL FOR PAPERS
42nd International Congress on Medieval Studies
Western Michigan University, Kalamazoo, MI USA
May 10-13, 2007
Special session: "Reading the Breast: Medieval Writers and Artists."
This session focuses on secular materials, since so much work has already
been done with the breast in religious writing and art. Papers dealing
with one or more texts, visual or written as well as non-fictional secular
records, are welcome.
Presentations examining Medieval women "reading women's breast(s)" are
particularly sought; however, the session also open to papers focused on
secular texts with male or anonymous attribution.
CALL FOR PAPERS
42nd International Congress on Medieval Studies
Western Michigan University, Kalamazoo, MI USA
May 10-13, 2007
Special session: "Reading the Breast: Medieval Writers and Artists."
This session focuses on secular materials, since so much work has already
been done with the breast in religious writing and art. Papers dealing
with one or more texts, visual or written as well as non-fictional secular
records, are welcome.
Presentations examining Medieval women "reading women's breast(s)" are
particularly sought; however, the session also open to papers focused on
secular texts with male or anonymous attribution.