CFP: South Asian Popular Culture (UK) (2/26/06; 6/27/06-6/28/06)
Journal of South Asian Popular Culture
3rd International Conference - Call for Papers
The University of Manchester, UK, Tues 27 and Weds 28 June 2006
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Journal of South Asian Popular Culture
3rd International Conference - Call for Papers
The University of Manchester, UK, Tues 27 and Weds 28 June 2006
Journal of South Asian Popular Culture
3rd International Conference - Call for Papers
The University of Manchester, UK, Tues 27 and Weds 28 June 2006
Journal of South Asian Popular Culture
3rd International Conference - Call for Papers
The University of Manchester, UK, Tues 27 and Weds 28 June 2006
Journal of South Asian Popular Culture
3rd International Conference - Call for Papers
The University of Manchester, UK, Tues 27 and Weds 28 June 2006
Sage of Consciousness E-zine
ISSN 1555-192X
An international online thematic ezine and journal created by a volunteer
group of writers and artists.
Theme for Volume 2 Issue 1:
Dialogue: Musical Voices
This theme features dialogue in all its colorful and musical forms. This is
not a stringent theme that blasts you with phonetic demands or clarion
stipulations that stagnate the creative flow of words, shots, or paint.
Free and open like the vastness of the blue above. Write, design, snap,
brush onto canvass what your creative mind decides in whispers into the left
or right ear saying what dialogue means to you in your deepest
thoughts-tapping ever so gently onto your soul.
Winter 2006: Deadline for submissions 12/20/06
Gender in the Classroom
Winter 2006: Deadline for submissions 12/20/06
Gender in the Classroom
Winter 2006: Deadline for submissions 12/20/06
Gender in the Classroom
Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
Creative Writing/Media in Context
Can a moment in time be captured? Please submit your writing/mixed media
expressing the attempt/desire/accomplishment/impossibility of
recreating/describing/capturing a moment in time.
Do we know ourselves? Can we know anyone else? Do we instead create
ideas/impressions/representations of ourselves and others? If so, what do/can these
accomplish? What are they meant to accomplish? Please submit your
Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking paper=
s=20
for our 2006 conference to be held February 17 and 18, 2006. We are =20
interested in papers/presentations for the following suggested panel:
=20
=20
Binary Busting in Non-fictionConsidering Derrida=E2=80=99s idea of =E2=80=
=9Cplay=E2=80=9D as a=20
suggestion that multiple meanings of writing be considered together to brin=
g out=20
the relationships between them, in tandem with Foucault=E2=80=99s idea that=
all=20
writing is discourse, how does non-fiction writing function? For example, w=
hat=20
Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
Creative Writing/Media in Context
Can a moment in time be captured? Please submit your writing/mixed media
expressing the attempt/desire/accomplishment/impossibility of
recreating/describing/capturing a moment in time.
Do we know ourselves? Can we know anyone else? Do we instead create
ideas/impressions/representations of ourselves and others? If so, what do/can these
accomplish? What are they meant to accomplish? Please submit your
Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
Setting in Art
How does setting function in art? Is a city, region, building, room, meadow,
mountain, garden, ocean, or other space a character, a part of plot, a
marker of genre, an economic/cultural boundary, or other function/sign? How does
the space shape the work? What effect/affect does such use create?
We are accepting completed paper submissions only, no abstracts, please.
Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking papers
for our 2006 conference to be held February 17 and 18, 2006. We are
interested in papers/presentations for the following suggested panel:
Setting in Art
How does setting function in art? Is a city, region, building, room, meadow,
mountain, garden, ocean, or other space a character, a part of plot, a
marker of genre, an economic/cultural boundary, or other function/sign? How does
the space shape the work? What effect/affect does such use create?
We are accepting completed paper submissions only, no abstracts, please.
Acacia Group's 2006 Conference: Politicizing texts
The Acacia Group of California State University, Fullerton is seeking paper=
s=20
for our 2006 conference to be held February 17 and 18, 2006. We are =20
interested in papers/presentations for the following suggested panel:
=20
=20
Binary Busting in Non-fictionConsidering Derrida=E2=80=99s idea of =E2=80=
=9Cplay=E2=80=9D as a=20
suggestion that multiple meanings of writing be considered together to brin=
g out=20
the relationships between them, in tandem with Foucault=E2=80=99s idea that=
all=20
writing is discourse, how does non-fiction writing function? For example, w=
hat=20
I am seeking proposals for an edited collection tentatively entitled
“Brecht, Broadway, & American Theater†to be submitted to Cambridge
Scholars Press.
I am seeking proposals for an edited collection tentatively entitled
“Brecht, Broadway, & American Theater†to be submitted to Cambridge
Scholars Press.
I am seeking proposals for an edited collection tentatively entitled
“Brecht, Broadway, & American Theater†to be submitted to Cambridge
Scholars Press.
Call for Papers
Issues in Writing Special Issue: Writing Interviews and Oral
Histories
Deadline: May 1, 2006
Call for Papers
Issues in Writing Special Issue: Writing Interviews and Oral
Histories
Deadline: May 1, 2006
Call for Papers
Issues in Writing Special Issue: Writing Interviews and Oral
Histories
Deadline: May 1, 2006
MELUS CONFERENCE UPDATE:
The deadline for the submission of abstracts and panels for the 2006
MELUS conference has been extended.
The new deadline is now Friday, December 2, 2005.
----------------------------------------------------------------------
MELUS, The Society for the Study of Multi-Ethnic Literatures of the
United States, announces its 20th Annual Conference,
from April 27-30, 2006.
Call for Papers and Panels
Conference Theme
Crosscurrents: Navigating the Mainland and the Margins in U.S. Ethnic
Literatures
Host: Dorothy F. Schmidt College of Arts and Letter, Florida Atlantic
University, Boca Raton, FL
MELUS CONFERENCE UPDATE:
The deadline for the submission of abstracts and panels for the 2006
MELUS conference has been extended.
The new deadline is now Friday, December 2, 2005.
----------------------------------------------------------------------
MELUS, The Society for the Study of Multi-Ethnic Literatures of the
United States, announces its 20th Annual Conference,
from April 27-30, 2006.
Call for Papers and Panels
Conference Theme
Crosscurrents: Navigating the Mainland and the Margins in U.S. Ethnic
Literatures
Host: Dorothy F. Schmidt College of Arts and Letter, Florida Atlantic
University, Boca Raton, FL
12th Annual Graduate Conference on Language and Literature McGill
University,
Montreal
Theme: Permeability and Selfhood
March 11-12, 2006
This call for papers is for a panel to be held at Permeability and Selfhood,
the McGill Graduate Conference on Language and Literature, which will take
place March 11-12 at McGill University, Montreal, Quebec, Canada.
Please email paper abstracts of approximately 300 words.
You can direct submissions to melissa.fink_at_mail.mcgill.ca by January 5,
2006.
Thanks for your interest, please let me know if you have any questions.
Melissa Fink
(Panel Chair)
CALL FOR PAPERS
University of Washington Graduate Conference for Interdisciplinary Studies
May 4-5, 2006
Submission Deadline: February 10, 2006
*****************************************************
Faith, Knowledge and the Interface of Epistemologies
Speaker: Robert Michel Pyle
*****************************************************
CALL FOR PAPERS
University of Washington Graduate Conference for Interdisciplinary Studies
May 4-5, 2006
Submission Deadline: February 10, 2006
*****************************************************
Faith, Knowledge and the Interface of Epistemologies
Speaker: Robert Michel Pyle
*****************************************************
12th Annual Graduate Conference on Language and Literature McGill
University,
Montreal
Theme: Permeability and Selfhood
March 11-12, 2006
This call for papers is for a panel to be held at Permeability and Selfhood,
the McGill Graduate Conference on Language and Literature, which will take
place March 11-12 at McGill University, Montreal, Quebec, Canada.
Please email paper abstracts of approximately 300 words.
You can direct submissions to melissa.fink_at_mail.mcgill.ca by January 5,
2006.
Thanks for your interest, please let me know if you have any questions.
Melissa Fink
(Panel Chair)
This conference on Comedy and Identity has been organized by Liverpool
Hope University and the Liverpool Comedy Trust to coincide with the
Liverpool Comedy festival in July 2006. The intention is to stimulate
multi- and interdisciplinary debate, controversy and publication on the
themes of humour, laughter and the comic in its various aspects as they
pertain to all permutations of human identity. Examples of identity
might include those associated with social, political, religious,
cultural or national identity, as well as those aspects more
specifically centred on gender, class, ethnicity, queerness and
(dis)ability, and post-identity areas such as difference, becoming,
This conference on Comedy and Identity has been organized by Liverpool
Hope University and the Liverpool Comedy Trust to coincide with the
Liverpool Comedy festival in July 2006. The intention is to stimulate
multi- and interdisciplinary debate, controversy and publication on the
themes of humour, laughter and the comic in its various aspects as they
pertain to all permutations of human identity. Examples of identity
might include those associated with social, political, religious,
cultural or national identity, as well as those aspects more
specifically centred on gender, class, ethnicity, queerness and
(dis)ability, and post-identity areas such as difference, becoming,
To whom it may concern:
Paper proposals are being accepted for the upcoming Graduate Student
Conference "Alles in Ordnung?", to be held April 1st, 2006, at Columbia
University's Germanic Languages Department. The organizers would be most
appreciative if you would post the following on your graduate student
list-serve. The deadline for abstract submissions is February 1st, 2006.
For further information, please contact Patrick Gallagher at
columbia.ordnung_at_gmail.com.
___________________________
*Grad Student Conference*
*Columbia University, April 1st, 2006*
*"Alles in Ordnung?" : Civil Order and Its Breakdowns*
Art and Politics in Nineteenth-Century Britain and America: A Transatlantic
Exchange
Deadline for Proposals: January 15th, 2006
Conference Date: 14. April. 2006
University of Michigan, Ann Arbor
The Nineteenth Century Forum (NCF), an interdisciplinary group comprised of
faculty and graduate students at the University of Michigan, invites
proposals for panels and individual papers for its graduate student
conference "Art and Politics in Nineteenth-Century Britain and America: A
Transatlantic Exchange."