*EXTENDED DEADLINE* BRITISH COMMONWEALTH AND POSTCOLONIAL STUDIES CONFERENCECALL FOR PAPERS  BACK IN-PERSON AGAIN!     FEBRUARY 12-13 2024     DESOTO SAVANNAH, SAVANNAH GA

Themed issue of Current Writing: Text and Reception in Southern Africa, Volume 36, Issue 2 (2024)

Link to the CFP: https://bit.ly/_RCWR

Issue Editor

Goutam Karmakar, Rachel Carson Center for Environment and Society, Germany; University of the Western Cape, South Africa
goutamkrmkr@gmail.com

We invite submissions for the third issue of Theatre Academy: A Journal of World Theatre which will be published electronically in March.

* Deadline is the end of January and we strongly advise the potential writers to send their manuscripts in as soon as possible.

* Original works related to theatre in any context will be considered for publication. For the third issue, alongside established academics, we would like encourage graduate students to submit their work.

You can submit your manuscript simply by clicking on the link: https://dergipark.org.tr/en/journal/3958/submission/step/manuscript/new

The PopMeC Research Blog (https://popmec.hypotheses.org/, ISSN 2660-8839) is a peer-reviewed academic blog publishing short articles on a rolling basis.

ECRs and PGR students are very welcome to send their papers, as well as scholars at any stage of their career.

Full papers (about 3000 words, bibliographic references excluded) on topics related with popular culture, including (but not limited to):

>       the representation of specific ethnic / religious / gender / etc. groups in the US popular media and culture (including mainstream, alternative, and self-representations)

Department of English, Jadavpur University and

 The School of Culture and Creative Arts, University of Glasgow present

A One-Day Symposium (funded by Carnegie Trust Research Incentive Grant)

Queer Cinema & Festivals in India: Production, Circulation & Politics

12 December 2023

Venue: Department of English, Jadavpur University

The Early Modern Center at the University of California, Santa Barbara, invites paper proposals for its 2024 conference, “Body Matters!: Disability in English Literature to 1800,” to be held at UCSB on March 1 and 2, 2024. Attending to the presence of disability in the premodern world, this interdisciplinary conference invites proposals that address medieval, early modern, and eighteenth-century literary and cultural texts. We are thrilled to announce our keynote speakers, Dr. Rachael King (UCSB), Dr. Bradley Irish (Arizona State University), and poet Jos Charles. 

Sacred Cultures in Politics, a collection of scholarly articles, seeks to reveal sacred and/or religious rhetoric serving as persuasive tools in the vast arena of political activism. In his Homo Sacer: Sovereign Power and Bare Life, Giorgio Agamben challenges religious institutions to use their persuasive powers not for priestly privilege but “to make a new possible” for humanity. In a similar spirit, this collection seeks to make transparent both the rhetorical systems and their use in local, national, regional, or global political arenas.

CALL FOR PAPERS             FRAME 37.1 “Get Lit: A Celebration Issue”

The Representation of Famines in Indian literatures

The Proposed work will be submitted to Routledge under its ongoing series “South Asian Literature in Focus”

We are falling short of a couple of chapters for this edited work, kindly send your proposal/abstract by November 30, 2023.

The organizing committee of the 2024 ELLAK International Conference invites submissions for the special session titled The Global Bard in Asia: Teaching Shakespeare. The conference will be held at Seoul National University, Seoul, Korea, on December 12-14, 2024, under the theme of “Rethinking the Global English Studies.”

Note: Springer has shown interest in publishing this book subject to high standard of content and positive review

Concept Note:

International Conference of Three Societies on Literature and Science
University of Birmingham, 10-12 April 2024

Trajectories of Global CapitalismFrom Cultural Economy to Creative Industries

Bhabani Shankar Nayak

What cultural objects and phenomena are designated to be ugly, bad, unacceptable, and monstrous, especially in relation to gender, sexuality, disability, race, class, and caste? Whose histories are marginalized or overlooked because of their perceived bad taste, abject existence, and the taint they leave on supposedly beautiful, grand narratives of nationhood, well-being, or progress? How do kitsch, camp, and excess function in the realms of activism in contemporary politics? How do nasty, revulsive art, literature, and performances act as sites that engender questions that push boundaries of societal mores and cultural hierarchies?