all recent posts

CFP: Un/worldly bodies (8/21/06; journal issue)

updated: 
Saturday, July 1, 2006 - 11:12am
Julie Barr

        
eSharp: electronic social sciences, humanities
and arts review for postgraduates

CALL FOR PAPERS

eSharp is the online journal for social sciences, arts and humanities postgraduates based at the University of Glasgow. It is a peer-reviewed journal that aims to provide a critical but supportive entry into the world of academic publishing.

The first seven issues are currently online at www.sharp.arts.gla.ac.uk and we are now looking for submissions for the eighth edition to be launched in November 2006. We welcome papers from postgraduates working in all areas.

The theme of the eighth edition is:

Un/Worldly Bodies

CFP: Un/worldly bodies (8/21/06; journal issue)

updated: 
Saturday, July 1, 2006 - 11:12am
Julie Barr

        
eSharp: electronic social sciences, humanities
and arts review for postgraduates

CALL FOR PAPERS

eSharp is the online journal for social sciences, arts and humanities postgraduates based at the University of Glasgow. It is a peer-reviewed journal that aims to provide a critical but supportive entry into the world of academic publishing.

The first seven issues are currently online at www.sharp.arts.gla.ac.uk and we are now looking for submissions for the eighth edition to be launched in November 2006. We welcome papers from postgraduates working in all areas.

The theme of the eighth edition is:

Un/Worldly Bodies

CFP: Questioning Colonialism (10/15/06; 2/22/07-2/24/07)

updated: 
Saturday, July 1, 2006 - 11:12am
Merideth, Aaron James

February 22-24, 2007. Questioning Colonialism. The Sixteenth Annual Medieval, Renaissance, and Baroque Interdisciplinary Symposium at the University of Miami invites abstracts for papers on topics dealing with colonization and its aftermath in the Americas, Africa, the Mideast, and the Far East. Topics may include indigenous cultures and their reaction to colonization; navigation; cartography; visual and literary representations of the colonized and the colonizing; the transformation of European world views; and the effects of empire in North and South America. We welcome a variety of conceptual and methodological approaches.

CFP: Questioning Colonialism (10/15/06; 2/22/07-2/24/07)

updated: 
Saturday, July 1, 2006 - 11:12am
Merideth, Aaron James

February 22-24, 2007. Questioning Colonialism. The Sixteenth Annual Medieval, Renaissance, and Baroque Interdisciplinary Symposium at the University of Miami invites abstracts for papers on topics dealing with colonization and its aftermath in the Americas, Africa, the Mideast, and the Far East. Topics may include indigenous cultures and their reaction to colonization; navigation; cartography; visual and literary representations of the colonized and the colonizing; the transformation of European world views; and the effects of empire in North and South America. We welcome a variety of conceptual and methodological approaches.

CFP: Questioning Colonialism (10/15/06; 2/22/07-2/24/07)

updated: 
Saturday, July 1, 2006 - 11:12am
Merideth, Aaron James

February 22-24, 2007. Questioning Colonialism. The Sixteenth Annual Medieval, Renaissance, and Baroque Interdisciplinary Symposium at the University of Miami invites abstracts for papers on topics dealing with colonization and its aftermath in the Americas, Africa, the Mideast, and the Far East. Topics may include indigenous cultures and their reaction to colonization; navigation; cartography; visual and literary representations of the colonized and the colonizing; the transformation of European world views; and the effects of empire in North and South America. We welcome a variety of conceptual and methodological approaches.

CFP: Questioning Colonialism (10/15/06; 2/22/07-2/24/07)

updated: 
Saturday, July 1, 2006 - 11:12am
Merideth, Aaron James

February 22-24, 2007. Questioning Colonialism. The Sixteenth Annual Medieval, Renaissance, and Baroque Interdisciplinary Symposium at the University of Miami invites abstracts for papers on topics dealing with colonization and its aftermath in the Americas, Africa, the Mideast, and the Far East. Topics may include indigenous cultures and their reaction to colonization; navigation; cartography; visual and literary representations of the colonized and the colonizing; the transformation of European world views; and the effects of empire in North and South America. We welcome a variety of conceptual and methodological approaches.

CFP: Questioning Colonialism (10/15/06; 2/22/07-2/24/07)

updated: 
Saturday, July 1, 2006 - 11:12am
Merideth, Aaron James

February 22-24, 2007. Questioning Colonialism. The Sixteenth Annual Medieval, Renaissance, and Baroque Interdisciplinary Symposium at the University of Miami invites abstracts for papers on topics dealing with colonization and its aftermath in the Americas, Africa, the Mideast, and the Far East. Topics may include indigenous cultures and their reaction to colonization; navigation; cartography; visual and literary representations of the colonized and the colonizing; the transformation of European world views; and the effects of empire in North and South America. We welcome a variety of conceptual and methodological approaches.

CFP: LGBTQ America Today (10/31/06; collection)

updated: 
Saturday, July 1, 2006 - 11:12am
John Hawley

I am under contract with Greenwood Press to edit a three-volume, 600,000 word encyclopedia entitled 'LGBTQ America Today.' If you think you might be interested in contributing an entry or entries, please contact me and I will forward to you the full description, including the lengthy proposed table of contents that indicates the words allotted to each entry. I am setting a somewhat arbitrary deadline of Halloween for delivery of first drafts, principally as a sure-fire jog to the memory. Contributors are encouraged to finish well before that (on the other hand, a bit more time may be available if one's workload has become oppressive).

CFP: LGBTQ America Today (10/31/06; collection)

updated: 
Saturday, July 1, 2006 - 11:12am
John Hawley

I am under contract with Greenwood Press to edit a three-volume, 600,000 word encyclopedia entitled 'LGBTQ America Today.' If you think you might be interested in contributing an entry or entries, please contact me and I will forward to you the full description, including the lengthy proposed table of contents that indicates the words allotted to each entry. I am setting a somewhat arbitrary deadline of Halloween for delivery of first drafts, principally as a sure-fire jog to the memory. Contributors are encouraged to finish well before that (on the other hand, a bit more time may be available if one's workload has become oppressive).

CFP: LGBTQ America Today (10/31/06; collection)

updated: 
Saturday, July 1, 2006 - 11:12am
John Hawley

I am under contract with Greenwood Press to edit a three-volume, 600,000 word encyclopedia entitled 'LGBTQ America Today.' If you think you might be interested in contributing an entry or entries, please contact me and I will forward to you the full description, including the lengthy proposed table of contents that indicates the words allotted to each entry. I am setting a somewhat arbitrary deadline of Halloween for delivery of first drafts, principally as a sure-fire jog to the memory. Contributors are encouraged to finish well before that (on the other hand, a bit more time may be available if one's workload has become oppressive).

CFP: Race and Faith in African American Literature (9/15/06; collection)

updated: 
Saturday, July 1, 2006 - 11:12am
Tracey Michae'l Lewis

CHARCOAL CANONS

Race and Faith in African American Literature

 

Call for Submissions

 

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

 

CFP: Race and Faith in African American Literature (9/15/06; collection)

updated: 
Saturday, July 1, 2006 - 11:12am
Tracey Michae'l Lewis

CHARCOAL CANONS

Race and Faith in African American Literature

 

Call for Submissions

 

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

 

CFP: Race and Faith in African American Literature (9/15/06; collection)

updated: 
Saturday, July 1, 2006 - 11:12am
Tracey Michae'l Lewis

CHARCOAL CANONS

Race and Faith in African American Literature

 

Call for Submissions

 

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

 

CFP: Race and Faith in African American Literature (9/15/06; collection)

updated: 
Saturday, July 1, 2006 - 11:12am
Tracey Michae'l Lewis

CHARCOAL CANONS

Race and Faith in African American Literature

 

Call for Submissions

 

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

 

CFP: Race and Faith in African American Literature (9/15/06; collection)

updated: 
Saturday, July 1, 2006 - 11:12am
Tracey Michae'l Lewis

CHARCOAL CANONS

Race and Faith in African American Literature

 

Call for Submissions

 

As chords of a song are composed of very specific notes that create a
recognizable sound to those who are familiar with music, so has most forms
of African American literature, even the most diametrically opposed works,
created similar "sounds" in their discourse on race and faith.

 

CFP: Philip Roth and Bernard Malamud (4/15/07; journal issue)

updated: 
Saturday, July 1, 2006 - 11:12am
Philip Roth Studies

*****SPECIAL ISSUE OF PHILIP ROTH STUDIES - PHILIP ROTH AND BERNARD
MALAMUD*****

PHILIP ROTH STUDIES invites submissions for a special issue of the journal
devoted to Philip Roth and Bernard Malamud. We are interested in a variety
of literary, theoretical, and cultural approaches that reflect the
relationship (textual and otherwise) between these two authors. This special
issue is slotted for Fall 2007 (Vol. 3, No. 3) of PHILIP ROTH STUDIES.

CFP: Philip Roth and Bernard Malamud (4/15/07; journal issue)

updated: 
Saturday, July 1, 2006 - 11:12am
Philip Roth Studies

*****SPECIAL ISSUE OF PHILIP ROTH STUDIES - PHILIP ROTH AND BERNARD
MALAMUD*****

PHILIP ROTH STUDIES invites submissions for a special issue of the journal
devoted to Philip Roth and Bernard Malamud. We are interested in a variety
of literary, theoretical, and cultural approaches that reflect the
relationship (textual and otherwise) between these two authors. This special
issue is slotted for Fall 2007 (Vol. 3, No. 3) of PHILIP ROTH STUDIES.

CFP: PCA Film Adaptation (11/1/06; PCA/ACA, 4/4/07-4/7/07)

updated: 
Saturday, July 1, 2006 - 11:12am
Prof. Housel

CALL FOR PROPOSALS, ABSTRACTS, or PANELS=20

Film adaptation is a wide-ranging genre that crosses the borders between =
music, stage, novels, short stories, poetry, biography, autobiography, =
illness narrative, television, science, politics, history, and more, =
transforming those mediums into the world of larger-than-life images =
with booming sound and vibrant color allowing an audience to experience =
the words and momentum of story, adapted from any form, in an entirely =
new, often incredible, way.

Pages