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CfP Journal of Historical Fictions
The Journal of Historical Fictions,journal of the international Historical Fictions Research Network, is currently accepting submissions.
In the last four years, we have collectively witnessed an increasing number of uprisings, growing social movements, and calls for solidarity. Following the murder of George Floyd on May 25, 2020, for example, we saw calls for solidarity in the uprisings against police violence and the systemic, pervasive white supremacy that has structured our social institutions. As COVID-19 eviction moratoriums lifted in 2021, we saw solidarity between tenants and unhoused people in movements for housing rights. In May 2022, the Supreme Court’s reversal of the Roe v.
FEB 17-18 – Virtual
FEB 20-22 – In-Person
Featuring Keynote Speakers
RACHEL KUSHNER, BEN LERNER, JAHAN RAMAZANI,
and JORGE MEDINA!
The Louisville Conference on Literature & Culture welcomes critical papers and full panel discussions about literature from the 20th and 21st centuries and its connections to other art forms and academic fields. The conference also welcomes creative submissions, such as literary compositions, videos, or hybrid genres. Additionally, critical-creative submissions exploring poetics, crafts, or writing practices are welcomed.
Black Histories Dialogue (Taylor and Francis) is a biannual, peer-reviewed journal that publishes original and current research on a global understanding of the histories of people of African descent. It is pleased to announce a call for papers for a special issue on “The African Presence in Asia: Past and Present”.
Hard Bodies: Aesthetic, Materiality, and Mediality of Masculinity in American and European Art and Visual Culture, c. 1900 – today
Goethe-Universität Frankfurt a.M., Germany, 9th–11th January 2025
Deadline: 15th July, 2024
Description:
The hard body is omnipresent in contemporary culture. It evokes purity, whiteness, and resistance to cracking or contamination. It is the result of disciplined self-optimization (physical training, a strict diet, dietary supplements, and/or surgery) and part of the iconography of white supremacy. Contemporary artists only refer to the hard male body to destroy it – like Candice Lin in her installation A Hard White Body (2017).
Article proposals are invited for a special journal issue of Gothic Studies (expected publication date November 2026) on “Gothic in Asian Animation and Sequential Art” edited by Katarzyna Ancuta (Chulalongkorn University) and Joseph Crawford (University of Exeter).
The 16th Annual Louisiana Studies Conference will be held September 14, 2024, at Northwestern State University in Natchitoches, Louisiana. The conference committee is now accepting presentation proposals for the upcoming conference. Presentation proposals on any aspect of the 2024 conference theme “Lyrical Louisiana,” as well as creative texts by, about, and/or for Louisiana and Louisianans, are sought for this year’s conference.
New Directions in Quaker Literary History: Deadline Extended: September 15, 2024
As a Distinguished Professor at the University of California, Riverside, George Haggerty was a prolific scholar internationally recognized for his work across Restoration and eighteenth-century studies; British and American gothic; the history of gender and sexuality; lesbian, gay, and queer studies; Horace Walpole; and most recently, friendship.
George was also a phenomenal teacher of undergraduates, an engaged mentor to graduate students and junior scholars, and a key figure in establishing the Queer and Trans Caucus at the American Society for Eighteenth-Century Studies.
In Richard Barnfield’s The Affectionate Shepheard (1594), the identity of the aptly-named Ganymede, who is gendered as a “boy,” appears to be labile in the eye of the poetic persona: “If thou wilt be my Boy, or else my Bride.” Such indefiniteness surrounding gender identity is typical of early modern English pastoral, which relies on classical precedents to idealise the life of enamoured shepherds in idyllic landscapes. Indefiniteness is also noticeable in the figure of the “amorous girl-boy” Ganymede in Thomas Lodge’s romance Rosalynde (1592), as well as in that of their Shakespearean counterpart in the pastoral comedy As You Like It (c. 1599).
IBZ, Munich
*21st-22nd November, 2024*
*Keynotes*
3-Day International Conference on Interdisciplinary Dialogues (ICID-2024)
We are glad to invite you to present your research paper at the 3-Day International Conference on Interdisciplinary Dialogues (ICID-2024), organised by Chinmaya Vishwa Vidyapeeth (Deemed to be University), Kerala from 10th to 12th August 2024 in the online mode. This conference provides SIX MAJOR TRACKS to discuss the significance and scope of interdisciplinary research and provides opportunities for collaboration and networking with researchers from India and abroad.
Website :www.asnahome.org
This session will explore various representations of neurodivergence (autism, ADHD, personality disorders, anxiety, and depression, etc.) in literature, film, and rhetorical narratives. We are interested in proposals where depictions of neurodivergence are demystified, challenged, or elaborated upon: these discussions can explore uplifting, renewed, and positive depictions of neurodivergence, as well as discourses on problematized and stereotypical depictions. We ask that you highlight the strengths, setbacks, and possibilities associated with neurodivergence as depicted in literature, film, and other media.
Some examples of topics of interest include:
· Ableism and discrimination
Christine Grogan will chair the Katherine Anne Porter Society session at the 36th American Literature Association Conference. The conference will take place May 21-24, 2025, at the Westin Copley Place in Boston, MA. Conference details and information about hotel reservations are available through the web site of the American Literature Association, https://americanliteratureassociation.org/.
Subject: Asynchronous short course on Multimodality and American Literature
An asynchronous short course is offered by the Center for Education and Lifelong Learning of the Aristotle University of Thessaloniki, Greece, with emphasis placed on Multimodality and American Literature under the following title: Multimodality: Print and Digital Anglophone Narratives (3,5 ECTS).
CFP:
Women Wandering Purposefully:
The Flâneuse in Literature and Popular Culture
(Edited Collection/Updated 6-1-24)
“I love walking in London. Really, it’s better than walking in the country.”
—Virginia Woolf’s Mrs. Dalloway
Recent scholarly approaches in antebellum American literature emphasizes the role of secrets and secrecy, as in Dominick Mastroianni’s Politics and Skepticism in Antebellum American Literature (2022); essays on secrecy in Emily Dickinson’s poetry (Jeffrey Simons, Paul Scott Derrick, 2011); and the secret lives of nineteenth-century literature (Harper, Dickinson, Melville, 2022) in digital media, as Kayla Shipp has argued. This panel explores the way that unstated ideas, points, or secrets are exchanged in antebellum American literature. “Secrets” could be considered as gossip, or social exchange, in texts; hidden codes or alternate forms of discourses in various forms of writing; covert, extratextual meanings in texts, and much more.
Call for Panel Proposals
Renaissance Conference of Southern California (RCSC) Sponsored Panels for RSA
Renaissance Society of America Conference
Boston, MA, USA March 20-22, 2025
CFP Deadline: August 1, 2024
As an Associate Organization of the Renaissance Society of America, RCSC will be sponsoring up to two sessions at next year’s RSA conference in Boston. We seek proposals for complete panels on any subject of the Renaissance world. All fields are welcome. Please see the details below about what is expected to propose a panel, or consult the RSA conference website.
Nov. 1-2, 2024, In-person at the University of Texas at Dallas
Keynote Speakers: Dr. Lúcia Nagib (University of Reading), Dr. Lalitha Gopalan (University of Texas at Austin)
Special guests include Samirah Alkassim (George Mason University),
Iggy Cortez (University of California, Berkeley), Shekhar Deshpande (Arcadia University), and Meta Mazaj (University of Pennsylvania).
It's our 50th birthday, and we're having a party!
Please join us Feb 28th-Mar 1st, 2025 for a very special Sewanee Medieval Colloquium. This year’s conference theme is intended to be as capacious as possible to encourage previous presenters, respondents, and plenaries to return to the Colloquium to celebrate what lies ahead for Medieval Studies. The meeting is intended to celebrate the ways in which the conference has fostered conversations between established scholars and new voices in the field. To this end, we hope to create as many panels as possible that pair former attendees with new, emerging scholars as we think about the future of the discipline.
Call for Papers — Disability and Star Trek, Special Issue of CJDS
Proposal Deadline: September 1, 2024
With the commercial and critical success of Yorgos Lanthimos’s Poor Things (2023), I am assembling a collection of scholarly essays that will explore additional unfaithful 21st-century adaptations (in various media) of Mary Shelley’s 1818 masterpiece, Frankenstein. Taking a page from Thomas Leitch’s idea of the “Ethics of Infidelity,” I propose that investigating the longevity of Shelley’s essential story (the overreacher plot coupled with an animated or re-animated creature) as translated into a variety of “adulterous adaptations” would demonstrate how the plot, structure, character types, themes, etc.
XI International Conference on American Studies
Akaki Tsereteli State University in Kutaisi, Georgia will host a two-day international biennial multidisciplinary conference on American studies. The conference is dedicated to the memory of Professor Vasil Kacharava, the former president of the Georgian Association for American Studies and one of the founding fathers of American Studies in Georgia. It is organized by Prof. Vakhtang Amaglobeli Center for American Studies at Akaki Tsereteli State University (ATSU), ATSU Foreign Affairs and Development Office and John Dos Passos Association of Georgia.
Soapbox 6.0: On the Uses of Absence
-- peer-reviewed; open to critical and artistic work; submission deadline: June 10; extended proposals --
The Journal of Popular Culture Special Issue Call for Papers
The Coming Freedom: Censoring Queer Lives, Bodies, and Books
About this Issue
Singularly remembered for his influential role in authoring the Constitution of India, Ambedkar’s
thinking continues to provoke new thoughts on the normative orders of the social and the state.
However, foregrounding the centrality of “community” in understanding the social and the state,
this conference invites scholars to rethink Ambedkar as a paradigmatic figure—a writer and a
thinker—on community, understood as critical, even conflictual, constellations of affinities and
associations.
The idea of such a conference itself was an offshoot of conversations and contestations among a
few scholars of Humanities and Social Sciences in Hyderabad, working and worrying
From G. I. Joe workout routines and Sailor Moon wedding gowns to Bratz doll make-unders and Ferby modding, toyetic, merchandise-driven television from past decades has proved remarkably resilient. Toyetic television clearly holds a far greater and more enduring cultural significance than definitions such as “glorified half-hour commercials” (Hilton-Morrow & McMahan 2003, p. 78) might suggest. It is meaningful to individual viewers, it becomes “social lubricants facilitating communication between one child and another” (Steinberg 2012, p. 90), and it can connect generations through shared viewing and playing pleasures.
THE SCIENCE AND ART OF DIGITAL TECHNOLOGY
From the Turing Machine to ChatGPT
https://www.pulse-journal.org/open-call
The Muses & Melanin Fellowship is a supportive, virtual, fully funded eight-month cohort-based professional development program for 30 talented California African American, Afro Latina, and multiracial women creative writers of the African diaspora who aspire to become professional authors. The fellowship is designed for women who do not yet have a lengthy list of publishing credits, are not under a publishing contract, do not have literary agent representation, and do not have a doctoral degree in English, Creative Writing, or Literature (a Master's degree in these subjects is fine, such as an MFA or MA). A Bachelor's degree is required.