Postcolonial ecocriticism or environmental theory has been a flourishing field of inquiry over the past two decades. Literary critics have been using this theory to examine the complex relationship between literature, culture, and the environment in diverse global Anglophone or postcolonial novels. With the intensification of globalization in the 1990s, there has been an explosion of local environmental movements in the global south protesting neoliberal capitalist agendas, despite their respective governments’ promises of development, modernity, and progress in order to “catch up” with the West. These local struggles have arisen out of specific socio-historical circumstances and differ vastly from each other.
The human and plant relationship stretches back to the earliest of times, arguably 20,000 years ago when the prehistoric hunter-gatherers had not quite learned to domesticate the wild vegetal species that grew around them. Learning to domesticate the plants for their own use was a decisive moment that changed humans into an agricultural unit and left the promise of a quantum leap in human history. Indeed, for the last twenty millennia, humans and plants have co-evolved in such diverse but intimate ways that the history of one would be unthinkable without the history of the other.
Call for Papers: The Digital Humanities
Journal of Chinese Cinemas, Special Issue
Call for Book Reviews: “Looking Backward – Looking Forward”
The editors of Arc: Journal of the School of Religious Studies are pleased to announce an extended call for book reviews for our forthcoming volume (Vol. 50). As the 50th anniversary of the journal presents a unique opportunity to think both retrospectively and prospectively, Arc is asking for submissions that engage with the theme of looking backward – looking forward.
NIAGARA FALLS, NEW YORK
March 23-26, 2023
Location: Niagara Falls Convention Center
Hotel: Sheraton Niagara Falls
The study of violence works on constituting different angles through which violent actions take place, while also focusing on the difference in the morality of actions that are thus committed. Since everybody accepts facts in an interpretational setup, the realities of ground zero are ignored. The act of attaining knowledge, as Michel Foucault says, requires digging. Rather than interpretation there needs to be an understanding of the difference between the representative point of view and representation.
Religious fantasy, for a great many readers, is synonymous with Christian fantasy; more specifically, it is understood as literature overtly reproducing biblical narratives within a fantasy world, such as C. S. Lewis’ The Chronicles of Narnia. Concurrently, fantasy texts engaging with theology through non-allegorical means that challenge mainstream Christian doctrine are all too often dismissed as disingenuous, offensive or deliberately antagonistic. While this is sometimes the case, such a narrow view of religious fantasy excludes all but the least innovative texts from the genre and leaves little room for authors of other faiths.
Please consider submitting an abstract to my panel for the NEMLA 2023 conference which will be held March 23-26th 2023 at the Niagara Falls Convention Center. This session, "When Resilience Isn't Enough: Justice for Domestic and Sexual Violence Survivors" invites papers across different methodologies or methods of inquiry that address literary or media representations of sexual and domestic violence and/or global rape culture.
This panel seeks to examine the discourse of the refugee crisis originating from Russia’s invasion of Ukraine in 2022 in connection with other recent refugee crises. While international news coverage and the humanitarian response has been extraordinary during the events of the war, this same response throws into stark relief Western nations’ lack of action and support for the refugees of Syria, Central America and Palestine.
Please consider submitting a proposal to the NeMLA 2023 Roundtable “Representations of Food in Italian and Italian-American Literature and Cinema”. Grazie!
Irene e Valentina
NeMLA 2023 - CFP
“Representations of Food in Italian and Italian-American Literature and Cinema (Roundtable)”
Northeast Modern Languages Association (NeMLA) annual convention
Niagara Falls, NY
March 23 - 26, 2023
Submission Deadline: September 30, 2022 through the NeMLA portal: https://www.cfplist.com/nemla/Home/S/19960
The 2023 NeMLA convention (March 23-26, Niagara Falls, New York) will include NINE panels on Slavic topics. This CFP pertains to the panel on contemporary Russian-American fiction. ALL PAPER PROPOSALS MUST BE SUBMITTED VIA NeMLA’s ONLINE PORTAL: https://cfplist.com/nemla/Home/CFP. The panel abstract is pasted below.
Please consider submitting a proposal to the NeMLA 2023 Panel “Resiliency in the Face of Trauma”. Grazie!
Valentina e Irene
NeMLA 2023 - CFP
“Resiliency in the Face of Trauma”
The concept of trauma is largely understood as the impact of disruptive experiences on one’s sense of self, one’s environment, one’s external reality. In this panel, we would like to further investigate the aftermath of trauma and the resiliency of both physical and human nature in the face of destructive events as represented in contemporary Italian literature and cinema.
If A Lion Could Talk…: Knowing Animals, Knowing Ourselves
The 16th annual Brandeis Graduate Student Conference—“If A Lion Could Talk…: Knowing Animals, Knowing Ourselves”—will be held March 31, 2023.
The UW-Milwaukee Rhetoric Society of America Chapter is hosting the "Taking Action: Interrogating Race, Space, and Place for Social Change" symposium.
CFP: Modernism and Literature: A (Re)consideration
Proposals due October 31, 2022
The 2023 NeMLA conference will take place on March 23 - 26, 2023 in Niagara Falls, New York. Abstracts can be submitted at the link below.
Critical Misanthropy Conference
25th, 26th, and 27th January 2023
University of Amsterdam, Netherlands
Organisers: Eva Meijer and Emelia Quinn
The Association for the Study of Literature and Environment (ASLE) and The Association for Environmental Studies and Sciences (AESS) are excited to announce that they will hold their next conference jointly in Portland, Oregon on July 9-12, 2023 at the Oregon Convention Center. The theme of the conference will be “Reclaiming the Commons.” This event will offer opportunities for interdisciplinary collaboration, networking and professional development with a variety of sessions sponsored by both organizations. Call for proposals from ASLE is below, and will be issued soon from AESS, and registration will open in early 2023. Details can be found on the respective websites:
The Gendered Mimesis project is pleased to announce a two-day international conference on the subject of the “Metamorphoses of Mimesis” in the work of contemporary French philosopher Catherine Malabou.
Panel Session, NeMLA’s 54th Annual Convention in Niagara Falls, March 23-26
State and national parks alike often function with the purpose of stewardship over the environment and historical spaces across the country, but their design often may provide instruction on how to read the space. Though the National Park Services states that their conservation of these spaces leaves natural resources “unimpaired,” parks are places which are highly mediated in service of their use to visitors in those spaces; likewise, parks are subject to rhetorics of space and their construction may contain explicit or implicit messaging about how people are supposed to engage with the world around them.
“Children of the Moon: Werewolves and Shape Shifters in Lore and Literature”
University of Texas Permian Basin’s Fifth-Annual Halloween Conference
The University of Texas Permian Basin (with campuses in both Odessa and Midland), will conduct its Fifth Annual Halloween Conference 10:30 a.m.-1 p.m. Monday, Oct. 31, 2022. The event, to be broadcast live from the main Odessa campus, will also be available virtually to encourage global presentations and viewer participation. This year’s theme is broad. It embraces everything from comics and graphic novels to global folklore tales of either benevolent or evil representations of those figures known as villains or victims (due to having been cursed into their lot).
In the 1990s, transgressive fiction authors like Chuck Palahniuk, Bret Easton Ellis, and Irvine Welsh shocked, disgusted, and offended audiences with their depictions of terrorizing, murdering, and drug-abusing characters whose bad behavior rejected and subverted the Western hegemony of neoliberalism. But their behavior was only seen as “shocking” or “transgressive” because of its blatant opposition to the dominant paradigm. What does it mean to transgress norms, boundaries, and conventions in today’s post-9/11 world, when the paradigms of whiteness, masculinity, heteronormativity, etc. are not necessarily viewed as the ultimate gatekeepers of what is normal, standard, correct, or expected?
The Charles Olson Society will sponsor a session at the annual Louisville Conference on Literature and Culture Since 1900, to be held February 23-25, 2023. We are interested in abstracts that examine the influence of Charles Olson and/or other Black Mountain Poets on poetic practices and their developments up to the present. A variety of poets took up the innovative practices of figures like Charles Olson, Robert Creeley, Robert Duncan, John Wieners, and others associated with Black Mountain. How have the practices of this fundamentally important school of poetics been extended, transformed, and/or resisted by other poets?
While it appears to be perennially tempting to see one’s own time as exceptional and unprecedented, it is nevertheless safe to say that our present time is perceived by many as characterized by crises of different kinds (democratic, humanitarian, environmental) to an unusually high degree. As a result, the stakes are high when it comes to identifying causes and cures and the political, media and academic communities are all concerned in their different ways with constructing narratives that make sense of what is happening: Backlash, renewal, apocalypse?
Romancing the Gothic offers free classes every week. The programme is online, open to all, and pays an honorarium to all our speakers. Talks are delivered twice (usually at 10am and 7pm British time those these times can change depending upon the time zone of the speaker) to include people from different time zones and recorded (with permission) to be placed on our YouTube channel. The talks (with Q and A session) should last between 1 and 1.5 hours.
Previous classes have gained hundreds (and some even thousands) of views and been used at universities around the world to supplement couses. Our classes are accessed by people from all over the world and are designed to make education accessible to all.
This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.
“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.
Several examples of literature produced from the late Victorian age narrate great concerns about the future and the destiny of humanity, concerns that would be significantly exacerbated in the twentieth century by the First World War, soon followed by the Second, the unspeakable savagery of Nazis, the nuclear detonations in Hiroshima and Nagasaki and, last but not least, by the terror of a nuclear apocalypse during the long Cold War. Modernism appears thus as a cultural movement that, as Vincent Sherry maintains, “works most indicatively within an imaginative concept of time interrupted”, of a time that presents itself basically as provisional and utterly deprived of a future.