[Apologies for cross-posting]

ROMANTIC TEXTUALITIES: LITERATURE AND PRINT CULTURE, 1780-1840 [ISSN 1748-0116]
(www.cf.ac.uk/encap/romtext)

formerly CARDIFF CORVEY: READING THE ROMANTIC TEXT

Call for Papers

MMLA '06, 11/09/06 - 11/12/06; Chicago

Call for abstracts on the relationship between poetry and the cyber-age.

Poets, professors, and lovers of poetry in general repeatedly assert that the
book as an aesthetic object has lasting value. But are we kidding ourselves?
 With a readership increasingly reliant on the computer, and a new generation
of students who have never known a time when the Internet was more than a
click away, is it only a matter of time before poetry is primarily an element of
cyberspace? Is this good or bad? With more than a hundred fonts, point
sizes, untold programs and graphic elements, how will the function of the computer
affect the actual forms of poetry?

MMLA '06, 11/09/06 - 11/12/06; Chicago

Call for abstracts on the relationship between poetry and the cyber-age.

Poets, professors, and lovers of poetry in general repeatedly assert that the
book as an aesthetic object has lasting value. But are we kidding ourselves?
 With a readership increasingly reliant on the computer, and a new generation
of students who have never known a time when the Internet was more than a
click away, is it only a matter of time before poetry is primarily an element of
cyberspace? Is this good or bad? With more than a hundred fonts, point
sizes, untold programs and graphic elements, how will the function of the computer
affect the actual forms of poetry?

Call for Papers

Harriet Martineau: Subjects and Subjectivities

21 April 2007

Institute of English Studies, University of London

This interdisciplinary one-day conference considers the making of political, imperial and individual identities in the work of Harriet Martineau (1802-1876). Organized by Cora Kaplan (Queen Mary) and Ella Dzelzainis (Birkbeck) in association with the University of London’s Institute of English Studies, it will be held at the Senate House, Bloomsbury on Saturday 21 April 2007. Confirmed speakers include the leading scholars Catherine Hall (UCL), Deborah Anna Logan (Western Kentucky) and Linda Peterson (Yale).

College English Association - Caribbean Chapter
Fall 2006 Conference: 10-11 November 2006
"Watery World: Humans and the Sea"
University of Puerto Rico at Mayaguez

The CEA-CC invites proposals for a panel titled "The Sea and History".
Please send 200-250 word proposal for a 20-minute paper to Nandita =
Batra at cea_caribbeanchapter_at_hotmail.com by 31 July 2006.

Proposals may be sent by email as part of a text message but not as
attachments. Presenters must be registered members of the CEA-CC at the =
time=20
of the conference.

More information available at
http://ece.uprm.edu/artssciences/ingles/cea-cc.htm

CFP for Mid-Atlantic Popular and American Culture Association, October
26-28, 2006, Baltimore, MD (Wyndham Inner Harbor Hotel) -- Rock and Roll Culture
 
We invite submissions for several sessions on Rock and Roll Culture. Topics
can include but are not limited to artists, albums, CDs, genres,
performances, album art, rock on radio, on television, in commercials, critics,
journals, the record label, box set, fashion, etc. Culture is defined in the
broadest possible sense. Individual papers and complete panels of three or four
presenters are welcomed.
 
Send a 150-word abstract (including AV needs -- but only vcr-dvd/monitor and

UPDATE: The deadline has been extended for selling trauma: post-apartheid(?)
and tourism to (4/15/06; USACLALS, 10/27/06-10/29/06).

CFP: Fissures and Sutures: Sources of Division and Mutual Aid in Postcolonial
Reflections on History and Literature, United States Association for
Commonwealth Literature and Language Studies

selling trauma: post-apartheid(?) and tourism

NOTE CHANGE IN SUBMISSIONS DEADLINE:
deadline for abstracts/proposals: April 25, 2006
apologies for the error in the original cfp.
send abstracts (200 words, no attachments) to: lucasd_at_mcmaster.ca

Midwest Modern Language Association, "High and Low Culture"
Chicago, November 9-12, 2006

Canadian Literature Section: "Post-colonialism or Diaspora? Whither =
cultural influence?"=20

CFP: Memory, Forgetting, and Commodification (04/20/06; M/MLA,
11/09/06 - 11/12/06)

M/MLA: Chicago, 11/9/06-11/12/06
Conference theme: High & Low Culture

cfp for Special Session: "Memory, Forgetting, and Commodification:
revisiting the relations of culture and politics"

Abstract due: April 20, 2006

CFP: Memory, Forgetting, and Commodification (04/20/06; M/MLA,
11/09/06 - 11/12/06)

M/MLA: Chicago, 11/9/06-11/12/06
Conference theme: High & Low Culture

cfp for Special Session: "Memory, Forgetting, and Commodification:
revisiting the relations of culture and politics"

Abstract due: April 20, 2006

CFP: Zizek! The 2007 CCCC Panel (5/1/06)
Conference on College Composition and Communication: Representing Identities
New York, NY 3/21/07-3/24/07

Panel Title: "Welcome to the Desert of Composition Studies:
Contemporary Theory and Disciplinary Identity"

Call for Contributor: Dictionary of Literary Biography
AMERICAN ROMANCE WRITERS

Draft deadline July 15, 2006

Contributors are needed to write an objective, clear, comprehensive account
of the life, career, and literary reputation of the romance writer listed
below:

Catherine Coulter, 5000 words

Those interested in contributing please e-mail the editor of this volume:
Pamela Regis, Professor of English
McDaniel College
2 College Hill
Westminster, MD 21157
pregis_at_mcdaniel.edu

> Hyperpolis 3.0: Really Useful Media
>
> Call for Papers/Proposals
>
> We know too much about media communications technologies as
> instruments of social control.
> We don't know enough about media technologies as instruments of civil
> society
> and cultural development.
> We know too much about media discourses as, on the one hand, "popular
> culture": alienated

> Hyperpolis 3.0: Really Useful Media
>
> Call for Papers/Proposals
>
> We know too much about media communications technologies as
> instruments of social control.
> We don't know enough about media technologies as instruments of civil
> society
> and cultural development.
> We know too much about media discourses as, on the one hand, "popular
> culture": alienated