Virginia Woolf famously announced her cosmopolitan aspirations as a rejection of exclusionary patriarchal patriotism by declaring in Three Guineas (1938), “as a woman, I have no country. As a woman I want no country. As a woman my country is the whole world” (TG 229). In this statement Woolf echoed the classical etymology of cosmopolitanism coined by the Cynic Diogenes, according to whom a cosmopolitan is defined as “a citizen of the world” (Martha Nussbaum, Cosmopolitan Tradition 1–2). But how does the classical philosophical notion of cosmopolitanism evolve in late-Victorian and modernist literature in the context of colonialism, capitalism, industrialism, and ever-increasing transnational mobility during the period?

Teaching Class: Pedagogical Approaches to Working-Class Literature in English

Call for papers “Nationalisms: Languages and Identities”
This issue, edited by Irene Arbusti and Armando Francesconi, aims at exploring critical perspectives on the relationship between identities, nationalisms and territories, including theories, methodologies, practices and tools for understanding this complex interaction. Articles, both theoretical and empirical, may analyse both European and non-European contexts and should adhere to the following themes:
— languages, aesthetics and modes of expression of nationalisms;
— methods of analysis of contemporary nationalism;
— social movements and relations with local identities;
— the role of space, place and belonging in the formation of identities.

A one-day symposium to be held on Monday, November 25, 2024 at Maison de la Recherche, Sorbonne Nouvelle University, Paris, France and Online. 

Voice, Tone, and Affect in US Literature and (Popular) Culture

Special Issue in the European Journal of American Studies

Editors: Annika Schadewaldt, Stefan Schubert, Ulla Stackmann

The covid-19 pandemic not only sparked conversations on the gendered division of household chores and care but also brought to light the paradox of the “essential-worker.” Despite being deemed “essential” to society, these workers-often women, immigrants, and people of color were paid low wages and treated as expendable. However, amidst these challenges, the pandemic also catalyzed the expansion of alternative labor forms and care networks, beyond capitalist economies and social relations.

Academia on Screen: The World of Higher Education in Film and TV Series Across Cultures (March 20 & 21, 2025)

This conference aims to explore the multifaceted portrayals of academia and academics in films and TV series, in both fictional and documentary modes, across diverse cultural contexts. These multimodal media not only capture societal perspectives and moods but also play a pivotal role in shaping public perceptions. They can serve as catalysts for reflection on academic practice and societal discourse, fostering a deeper understanding of cultural imprints and trends, highlighting differences and similarities across cultures, raising critical awareness, challenging stereotypes, and promoting inclusivity.

It has been two years since AI was introduced into daily life, and it has been applied in academia, pedagogy, classrooms, and beyond. As we discover both the potential benefits and harms of AI, we are also recovering from the initial panic, uncertainty, or excitement. We are beginning to recognize that it will lead to an "inevitable" integrated fusion of human and machine intelligence (Kurzweil), and we are entering a phase of adaptation. We have seen a range of AI use guides, policies, and reflections. However, compared to the initial reaction, we cannot ignore where we will or want to go with AI in the composition classroom. As AI continues to evolve, how do we recreate our classrooms in light of this new technology?

Special Issue: Bio-adaptations (Adaptation, Oxford University Press)

Call for Papers: Special Issue on Detective Fiction

In her 2020 article entitled “Communities of care,” Talia Schaffer reminds readers that even when participants “did not share a geographic space,” the communities of those “virtual groups…cobbled together in coronavirus time” were, to all of us, of invaluable importance and “realness,” nevertheless. Thus, this roundtable hopes to promote conversation(s) that showcase and contemplate ways of enduringly enriching both virtual and in-person academic communities, especially amongst graduate students; to continually encourage communications and collaborations between students with related research interests within the same, as well as different, institutional settings.

Possible topics for discussion might be related to:

While graduate school has long been a space for cultivating generations of academics, researchers, and intellectuals, it has never been exempt from the dynamics of power that underlie the workings of the University. Recent strides at improving equity, diversity, and inclusion in graduate school—for example in the form of the rise in number of sociopolitically- and culturally-cognizant programs, the push towards increasing international student populations, and the rise of grassroots movements such as labour unions to improve representation—belie the reality that universities remain set up according to ideological lines that facilitate the success of some graduate students while (re)producing the inequities experienced by others.

“Invisible Secrets in Pre-1865 American Literature” (SAMLA) Recent scholarly approaches in antebellum American literature emphasizes the role of secrets and secrecy, as in Dominick Mastroianni’s Politics and Skepticism in Antebellum American Literature (2022); essays on secrecy in Emily Dickinson’s poetry (Jeffrey Simons, Paul Scott Derrick, 2011); and the secret lives of nineteenth-century literature (Harper, Dickinson, Melville, 2022) in digital media, as Kayla Shipp has argued. This panel explores the way that unstated ideas, points, or secrets are exchanged in antebellum American literature.

In educational settings, safeguarding free speech is crucial for upholding democratic principles, yet campuses increasingly face censorship and suppression of dissenting voices. By fostering an environment that values free expression and respectful dialogue, educators can prepare students to become informed citizens who think critically and contribute positively to the (r)evolution of democratic society. How do educators include censored, controversial and diverse perspectives into their curriculum and classroom?

https://cfplist.com/nemla/User/SubmitAbstract/20978