Generative AI promises to revolutionize many facets of social and economic life. The creative power of generative machine learning has been held up as a tool that will transform the work of artists and creators. Yet generative models have also been implicated in the unfair use of intellectual property, the propagation of existing social biases, and the facilitation of a wide range of disruptions to an already precarious labor market.

This guaranteed panel will address the ethical issues of generative AI, focusing on the overlap between creativity and harm. How can the literary humanities help foster an ethics for creativity in the age of generative AI?

With the advent of 2021, there has been a perceptible shift in gothic focus. Viewers have been treated to network hauntings – CBS’ Ghosts (USA) and GhostsUK, cinematic –The Voyage of the Demeter, and streaming – The Fall of the House of Usher. This year marks the 215th anniversary of Edgar Allan Poe’s birth and the 175th anniversary of his death in Baltimore. In February, Dr. Martens released its gothic line of footwear.

Indigenous scholar and game developer Jason Edward Lewis has argued that the involvement and agency of Indigenous communities in the video game industry allow Indigenous artists and creatives to “stake out our own territory in a common future” (Lewis, 2014). After Lewis, and in light of the meteoric increase in video games titles and other works of digital media by, about, and for Indigenous communities, this session will explore the intersection of Indigenous cultures and cosmologies, storytelling, and video games.

This area of the Northeast Popular Culture Association encourages paper submissions that explore the relation of science and technology to popular culture and American culture, with science and technology broadly defined. We are particularly interested in putting science, technology, culture, and the humanities in conversation with one another. How are science and technology represented in popular culture? How do we use popular culture to understand science and technology? And how do we use science and technology to understand narratives, art, and culture?

This panel aims to discuss how contemporary global Anglophone/multilingual writers are dismantling the hegemony of lingua franca and making marginalized tongues visible and unheard stories heard.  Topics may address, but not limited to: 1. Multilingual writings of postcolony2. Translation and politics of lingua franca3. Language and trauma4. Linguistic identity in global Anglophone literature.5. Linguistic identity, linguistic attrition.6. Language policies and Anglophone literature of postcolony.  Submit 250-300 words abstract  and 50-100 words bionote to namratadeyroy@gmail.com  

Deadline for submissions: Monday, 25 March 2024

Call for Papers: Women and Crime Fiction

Workshop at the University of Zurich, 7-8 June 2024

Organised by Dr. Alan Mattli and Dr. Olivia Tjon-A-Meeuw

Call for Papers: Fashion, Style & Popular Culture

Special Issue: ‘Queer Celebrities: Fashion, Style and Influence in Popular Culture’

View the full call here>>

https://www.intellectbooks.com/fashion-style-popular-culture#call-for-papers

Critical Perspectives on the Intersection of Breast Cancer and Academic Identity Abstract Proposal

The International Society for Eighteenth-Century Studies invites early-career scholars active in eighteenth-century studies to apply to take part in the ISECS ECS seminar, to be held over one week in central Barcelona. The Seminar, which is held yearly, is known for its role in fostering and consolidating scholarly vocations in eighteenth-century studies, as well as for attracting participants from all around the world. The 2024 seminar, to be chaired jointly by Dr John Stone (Universitat de Barcelona) and Prof Fernando Durán (Universidad de Cádiz), will be sponsored by the Spanish association for eighteenth-century specialists, the Sociedad Española de Estudios del Siglo XVIII.

During the Covid-19 pandemic, responses to the injunction to ‘wear a mask’ reflected tensions over attitudes towards individual freedoms, or lack of, in American culture. For some, masks limited the spread of the virus. They protected the individual and (or over?) others. For some, masks were ineffective medically, and / or an intolerable intrusion into individual rights. Wearing a mask might signify that an individual took the virus seriously and heeded the state (via medical advice, scientific expertise and laws); refusing to wear one might indicate the opposite. Paradoxically, but no less powerfully, for some mask wearing itself presented unexpected freedoms; from the pressure to engage in social norms, to smile for strangers.

Call for Proposals to the Spring 2024 CCAM Ultra Space Symposium: Adaptation/s Second Annual Printed Volume

Deadline: March 20, 2024, 11:59pm EST 

Apply here!

Application Instructions:

National Institute of Technology Patna, India

in collaboration with

University of California, Davis, USA

May 17-18, 2024

Call for Submissions

Movement Beyond Limit(s): CCLPS Postgraduate Conference 2024

“We live in an age of movement. [...] which huge amounts of materials are now in wide circulation around the globe. There are more humans, circulating and consuming more [...] Portions of the planet are literally moving more quickly and more unevenly– around axes of gender, race, and class.” (Thomas Nail, “Forum 1: Migrant Climate in the Kinocene” 2019: 375)

Special Issue Call for Papers

Planetary Fiction: African Literature and Climate Change

Guest Editors: Nedine Moonsamy (Johannesburg) and David Shackleton (Cardiff)

Deadline for Submissions: 1 February 2025