International Society for Cultural History
2023 annual conference
Cultural Histories of Empire, 19-22 June 2023
Singapore

Plenary speakers

-Jane Lydon, Wesfarmers Chair of Australian History, University of Western Australia

-Carlos F. Noreña, Professor of History, University of California, Berkeley

As a Black veteran and scholar, I endeavor to share the story about Black veterans navigating racism and racial injustice in the military through the lens of American patriotism.  Patriotism in America is not one dimensional but is experienced in many varied ways based upon the social and cultural positionality of the individual experiencing this phenomenon.  Patriotism for many Americans is most explicitly manifested in the decision to join the military.  The decision to enlist in the military is shaped by several individual and external factors that include personal beliefs, personal experiences, as well as social, cultural, and political positionality.  I believe veteran narratives are important for understanding patriotism in America and this is espec

Extended proposal submission deadline: November 14, 2022

Call for Papers

Horror (Literary & Cinematic)

Southwest Popular / American Culture Association (SWPACA)

44th Annual Conference, February 22-25, 2023

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Overview

Call for papers: XXIV Annual Graduate Student Conference, Feb. 9 & 10, 2023 

School of Cinema, San Francisco State University 

EXTENDED SUBMISSION DEADLINE: November 15th, 2022

“Requiem for Netflix? Reflections on Two Decades of Streaming”  

Keynote Speaker: Juan Llamas-Rodriguez (Assistant Professor, Annenberg School of Communication, University of Pennsylvania) 

CALL FOR CONTRIBUTORS: Women’s Innovations in Theatre, Dance, and Performance 

We are writing about a call for contributors to an exciting new series at Bloomsbury. Women’s Innovations in Theatre, Dance, and Performance aims to capture the innovations women have made to the performing arts in their historical, geographical, and disciplinary diversity. This series seeks to broaden, celebrate, and recover historical awareness of these performance-based artmakers and their contributions; as such, it will showcase innovative, intersectional feminist historiographical approaches along with a history of women’s innovation in the field. 

This collection seeks essays willing to explore what it means to flounder and flop--to be afraid and uncomfortable--and to get back up to teach (one hopes) another day. For this is the precarious new normal of teaching and learning in post-pandemic America, where primary and secondary educators are fleeing the profession in droves--citing too much pressure, too little pleasure--and murmurs of “quiet quitting” across college campuses suggest that higher ed might not be far behind.

The Victorian era, and the Nineteenth Century more broadly, witnessed a flourishing of interest in the supernatural, spiritualism, magic, and the physical and psychological sciences, which culminated in the emergence of occult beliefs, practices and societies. During this period also, the Gothic literature and art that had taken hold of the public imagination in the Romantic period continued to haunt the Victorian era, emerging in new forms that often embraced and experimented with ideas of occultism. Nineteenth-century occultism has received much critical attention, particularly in relation to its role in bringing about the apogee of British and American occultism in the early twentieth century.

In “Land Sickness”, Nikolaj Schultz describes how he goes on vacation to “detach from the material consequences of [his] existence,” but upon arrival on a French island, he is once more faced with the material reality of existence, as the island’s coastline is eroding, caused by rising sea levels and the pressure of foreign tourism. He writes: “Neither Pareto, Marx or Bourdieu died in vain, but none of them offer a language sufficient to articulate the geo-social struggle for territory that unfolds on the island. I myself lack a language to understand what is happening.” How indeed, does one think and write about the world that is disappearing under our feet? 

American Literature Association

34th Annual Conference

May 25-28, 2023

The Westin Copley Place
10 Huntington Avenue
Boston, MA 02116

Edith Wharton and Beauty

The Edith Wharton Society invites papers that explore Wharton’s engagement with beauty in her works. Panelists are encouraged to consider the role of beauty in her writing on design, gardens, and travel as well as her novels and stories. All theoretical approaches are welcome. Proposals might consider (but are not limited to) the following questions:

Call for Papers

ESOTERICISM, OCCULTISM, AND MAGIC

Southwest Popular / American Culture Association (SWPACA) 

44th Annual Conference, February 22-25, 2023

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Extended proposal submission deadline: November 14, 2022

Submit proposals to NASSR2023@shsu.edu by November 28, 2022. Please specify in your proposal if you plan on attending in person or remotely (see further discussion below).

The Ralph Waldo Emerson Society seeks two persons to serve on the Emerson Society Program Committee, beginning in January 2023.

Fandom today is often entangled with digital platforms, which offer spaces and features that make some aspects of fan culture more widely accessible amid increasingly globalized communities and models of consumption. Fans are perceived to be early adopters of new technologies, particularly those that provide space for gathering and community building. Likewise, many types of fan works, fan labor, and fandom participation depend on certain platforms for hosting, sharing, distributing, and discussing such content. However, fans also have complicated relationships with platforms, whether because their needs and uses are in conflict with other stakeholders or because platforms can generate and challenge notions of access, accountability, and community.