Building on conversations and topic connections from the 2023 Convention, this panel invokes the 2024 conference theme surplus in regards to witches and depictions of the occult. All too often, witches were history’s unwanted women, defying cultural and social norms in ways that were determined to be in excess of what was conventional. What does it mean that these narratives of witches, both real and fictional, have been told and retold such that the witch is now a near constant presence in popular culture, literature, museums, and local histories? Does this exposure enhance what we know about witches in society and their histories or futures, or does this exposure complicate and possibly dilute their historical, social, or gendered power?

Deleuze notes in Negotiations that he did not have the chance to write “the book [he’d] like to have done about literature” (143) as he had done for other artforms like cinema and painting. Following Deleuze and Guattari’s definition of great thinkers who “lay out a new plane of immanence” and “draw up a new image of thought” to “change how we think” (What Is Philosophy 51), this seminar takes up Deleuze’s desire for new images of thought focused explicitly on literature. This seminar invites participants to consider the relation between Deleuze and Guattari’s philosophy and commentary on art (e.g., painting, cinema, and literature) and a variety of literary writers to establish new ways of thinking and navigating within literature.

Call for Papers for volume 16, n° 1(33)/ 2024: Digital Methods and Fields: Feminist Perspectives

Guest editors:

Audrey BANEYX, Research Engineer, Médialab, Sciences Po, France, audrey.baneyx@sciencespo.fr 

Hélène BOURDELOIE, Associate professor, CIS (CNRS) & LabSIC, Université Sorbonne Paris Nord, France, Helene.Bourdeloie@univ-Paris13.fr 

Mélanie LALLET, Associate professor, UCO Nantes, Arènes, CHUS & Irméccen, France, melanie.lallet@yahoo.fr

Any philosophical consideration of the current zeitgeist requires an assessment of the quasi-object ( Latour 1993) constellation of Artificial Intelligence and its affordances without giving in to either knee-jerk optimism or unchanneled pessimism. For if doomsday was indeed near (as social media discourses want us to believe), and human labour progressively redundant to the machinations of human-made artificial intelligence, what is the limit case scenario, which makes such a provocation real, tangible and material beyond fatalistic projections of obsolescence? How does that reconfigure the idea of the Human as both the object and subject of cybernetic capital?

Novels and literary works that adapt Classical figures and text continue to be very popular, such as Natalie Haynes’s A Thousand Ships, Pat Barker’s The Silence of the Girls and The Women of Troy, Madeline Miller’s Circe, Ali Smith’s Girl Meets Boy, and others demonstrate. Many of these retellings focus on Classical women, putting these characters at the center of the narratives. These relatively recent works show one way in which the Classical tradition can still be relevant, especially as it adapts to and includes new histories, viewpoints, and situations.

The Mystery & Detective Fiction Area of the Popular Culture Association invites proposals for our annual conference to be held March 27-30, 2024, in Chicago, Illinois.

In a 2019 special issue of Pedagogy, Shawna Ross and Douglass Dowland coined the term “Anxious Pedagogies” to encourage approaches that would theorize the complex functions of anxiety in the classroom.  Ross and Dowland posit the composition classroom as “a site of a seldom-described but sensorially palpable risk for both student and instructor” (510).  Today, in the wake of a pandemic and skyrocketing rates of student and instructor anxiety, the humanities classroom has become an even riskier space in many ways, as global, local, political, and discipline-specific factors pose ever more explicit threats to the process of teaching and learning.

Call for Papers: Radical Print Cultures in the US South

University of Leeds, 15th February 2024

KEYNOTE SPEAKER: Professor Sharon Monteith (Nottingham Trent University), author of SNCC’s Stories: The African American Freedom Movement in the Civil Rights South (Athens, GA: University of Georgia Press, 2020).

6TH INTERNATIONAL SYMPOSIUM LANGUAGE FOR INTERNATIONAL COMMUNICATION (LINCS)

Organized by the University of Latvia (Latvia)

in association with

Le Mans University (France)

https://conferences.lu.lv/event/393/

CALL FOR CHAPTERS. The humanitarian Crisis in the 21st century: challenges of liberal democracies to deal with the humanitarian crisis 

Publisher: Nova Science Publishers

Maximiliano E. Korstanje- University of Palermo, Argentina

Christina Akrivopoulou – Hellenic Open University, Greece – Editor in Chief of Int. Journal of Human Rights and Constitutional Studies.

Proof — American Comparative Literature Association (ACLA) Annual Conference in Montreal, March 14-17, 2024

Call for Papers: Animation Practice, Process & Production

Special Issue: ‘Animating Change: Women and Genderqueer Animators’

Guest editors: Tania de León Yong and María Lorenzo Hernández

View the full CFP here>>

https://www.intellectbooks.com/animation-practice-process-production#call-for-papers

Migration has been a constant feature of human history – “homo migrans” have existed ever since “homo sapiens”. Recently the themes of migration and integration have been especially topical in Europe and in other parts of the world due to massive and ever-growing movement of population. These spreading in-flows of immigrants have a strong impact on the social, economic and political climate of host countries, which are often highly challenged by the growing numbers and, therefore, have to review their immigration and integration policies to adjust to the contemporary processes of globalization. Integration is becoming more and more important at the time when migration is steadily growing and diversifying and is undergoing profound changes.

Society for Cinema & Media Studies–Translation/Publication Committee

in collaboration with

JCMS: Journal of Cinema and Media Studies

*Deadline Extended to September 30th, 2023*

CALL FOR TRANSLATIONS, 2023-2024