Shakespeare Across Centuries: Reception, Resonance, and Reinvention
Shakespeare’s works continue to inhabit what Stephen Greenblatt calls a “circulating energy system,” an ever-renewing sphere in which texts, performances, and interpretations travel across borders and epochs, sustaining the playwright’s presence in world culture. Tiffany Stern’s seminal research further reminds us that Shakespeare should be understood not as a fixed authorial entity but as an ongoing “process”—a dynamic constellation of scripts, fragmentary documents, performance traces, and editorial interventions that resist the notion of a stable text.
