Session Modality: Hybrid 

The Journal of South Asian Exchanges (ISSN: 3048-8877) invites submissions for its upcoming special issue dedicated to the rich, layered, and dynamic terrain of South Asian Studies. This issue seeks to cultivate cross-disciplinary conversations that explore both the historical depth and contemporary complexities of South Asia, from its ancient entanglements to its evolving place in the 21st-century global order. We are especially interested in papers that foreground interdisciplinary approaches and prioritize marginalized perspectives—scholarship that moves beyond binaries and embraces the messy, hybrid realities of the region.

Please note: This CFP is for the SAMLA Conference in Atlanta, Georgia Nov. 6-8, 2025:

This call for papers invites contributors to submit papers for publication in a university press. The anthology will gather analyses focusing on writers, artists, and others who have engaged with or represented aspects of a Black past. We are seeking works in literature, film, music, art, or any other relevant fields that incorporate elements of the Black past in a broad sense.

This panel explores how intersectional feminist frameworks reimagine justice as a regenerative process- one that not only repairs harm but actively cultivates equitable futures. Centering marginalized voices (BIPOC, disabled, and Global South perspectives), we interrogate literary, activist, and pedagogical interventions that challenge systemic oppression while envisioning liberation. Papers might analyze speculative fiction’s role in feminist worldbuilding, decolonial pedagogies that restore Indigenous knowledge, or grassroots movements modeling restorative alternatives to carceral systems.

Session Title: Classical Hollywood 
Organiser: David John Boyd, Stirling Maxwell Centre, University of Glasgow
Submission Deadline: June 30, 2025
Conference Dates: November 20–23, 2025
Location: InterContinental San Francisco, San Francisco, CA
Subm

Submit proposals to: https://cfplist.com/nemla/Home/S/21664

You do not need to be a NeMLA member to submit a proposal.

NOTE: This session is hybrid. It will be seated and accessible on Zoom. Please indicate which you prefer when you submit your proposals. Thank you.

Annual Northeast Modern Language Association

57th  Annual Convention

March 5-8, 2026  in Pittsburgh, PA

at Wyndham Grand Pittsburgh Downtown.

Deadline Extended! Call for Proposals
Hate and NonHuman Listening
A Guest Series for Sounding Out! guest edited by Kathryn Huether
Submission Deadline: July 9, 2025, by 11:59pm PDT

Please send a proposed title and 300–350 word abstract to: kathryn.huether@gmail.com
Final pieces should be ~1200 words. Four will be selected for publication.

The 2025 Northeast Popular Culture Association (NEPCA) will host its annual conference this fall as a virtual conference from Thursday, October 9th, to Saturday, October 11th, 2025.

Virtual sessions will take place via Zoom throughout the day on Thursday, Friday, and Saturday. Registration will open up in mid-July.

We are looking forward to another engaging and rewarding conference for new and seasoned members alike. We are seeking proposals for panels and presentations for this year’s conference.

The Film & History Permanent Panel seeks papers for presentation.

In honor of the 45th anniversary of the publication of This Bridge Called My Back, this panel seeks to explore the many ways in which ecocritical theory has expressed itself in the critical writings, poetry, prose, memoirs, and plays of Cherrie Moraga. In a time of extreme climate change denialism and the continued increase in global temperatures, directly leading to such climate disasters as the January 2025 wildfires in Southern California and the flooding caused by Hurricane Helene in the southern Appalachias in September 2024, Moraga's work will be read for approaches to climate resistance and positive change.

During the past years, there has been a renewed interest in the study of Central American cultural productions. As the geopolitical interests of the Americas and the world are shifting towards new configurations, the countries of Central America have also started garnering interest from scholars in the Americas and Europe. This panel seeks to foster a dialogue amongst scholars and researchers exploring new critical perspectives that analyze both new and classic works of literature and cinema from Guatemala, Honduras, Nicaragua, Costa Rica, Panama, El Salvador and Belize.

This panel interrogates early modern stationer signs by situating them within topographical and cultural contexts of the period. Before the advent of numbered street addresses, wooden signboards fixed in the frontages of printing houses and bookshops signaled sites of literary and social exchange. These signs did double duty: they were simultaneously public-facing trade emblems and paratexts in the title-page imprints of books they authorized. As uniquely biblio-visual arguments, then, they worked in concert to broadcast a stationer’s stock, specialization, and geopositioning in the book trade.

In the words of Nathan Crick, transcendentalism is a “rhetorical genre of public advocacy” and “a way of crossing a divide or reconciling a contradiction through a radical act of imagination whereby people are able to see and judge themselves from the perspectives of some distant and different ‘beyond’ (9). How can the transcendentalist philosophy of learning inform our 21st-century pedagogy of higher education, when GenAI is rising? GenAI's one challenge in higher education, especially in teaching writing and interpreting literature, is its increasingly seamless integration into digital devices, which has posed a threat of erasing learners' self or individual voice and perpetuating algorithmic bias.

Northeast MLA, March 5-8 2026

This session explores how postcolonial Southeast Asian literature grapples with memory, trauma, archival recovery, and cultural identity. Rather than thinking of identity as fixed or linear, selfhood is complex and palimpsestic due to colonial violence, migration, and historical erasure. This session invites papers that analyze how characters or narratives navigate misremembering, inherited trauma, or overwritten histories to reclaim belonging, agency, and identity. Topics may include narrative voice, transgenerational memory, silence, storytelling, and archival gaps in multiethnic and immigrant literatures.

International Conference
Ethics and Spectatorship in Film and Screen Media
University College Cork, Ireland
29–30 November 2025

The International Conference “Ethics and Spectatorship in Film and Screen Media” will take place on 29–30 November 2025 at University College Cork (UCC), Ireland. 

We are pleased to announce that our keynote speakers will be:

International Seminar

Indigenous Knowledge System and Decolonial Turn: Global South in Focus

16 & 17 October 2025

Venue: Bodoland University, Kokrajhar

A Special Issue will be published in Bandung: Journal of the Global South (De Gruyter Brill)

We are pleased to announce our next essay-writing competition. The award is open to all post-graduate research students and to all early career researchers (up to five years after the completion of your PhD) who have yet to find a full-time or tenured position. The prize is guaranteed publication in Foundation in 2026. To be considered for the competition, please submit an original article on any topic, period, theme, author, film or other media within the (broadly defined) field of science fiction and its academic study. Approximate length should be 6000-8000 words. All submitted articles should comply with the guidelines to contributors as set out on the journal pages of the SF Foundation website.

Feminist scholar Peggy Phelan (1993) famously said that “visibility is a trap” and argued for the immense power of the unmarked. Such a theory of the unmarked finds utmost relevance in the case of what R.W. Connell calls hegemonic masculinity, which often maintains its superiority by being the norm and thus abstract, untraceable. However, material bodily practices among marginalized groups of men often subvert such invisibility tactics, expose the nodes of hegemonic and normative masculinities, and articulate a language of resistance. For example, dance scholar Mark Broomfield (2024) observes that black gay male dancers in America use “straight acting” as a way of passing and surviving in a world where white heterosexual masculinity is the norm.

‘Charles Ignatius Sancho: A Black British Man of Letters and His World’ 

13-14  March, 2026

Northeastern University London

The CfP for the hybrid panel "Indigenous and Creole Transcultural Encounters" (NeMLA 2026 convention) is now open (please see abstract and description below). 

 The convention will take place in Pittsburgh, PA on March 5-8, 2026.

We invite original and unpublished essays for inclusion in a forthcoming Handbook of Bengali Cinema. This interdisciplinary volume will offer a comprehensive and critical survey of Bengali cinema across periods, geographies, genres, styles, and theoretical frameworks. It will serve as a key reference for students, scholars, and practitioners interested in one of South Asia’s most influential regional cinemas.

Essays should be no longer than 5,000 words, inclusive of notes and works cited, and must follow the MLA citation style (current edition). Contributions may be historical, thematic, theoretical, or practice-based, and are expected to demonstrate critical rigor and originality.

This NeMLA panel invites proposals exploring the social, cultural, and political uses of regionalist aesthetics throughout the 20th cnetury.

From brainwashed assassins to complicated anti-heroes to villains on a redemption arc, comic books, films, television, and novels frequently present readers with complicated antagonists-turned-superheroes, many of which become beloved characters. Through varied processes of regeneration, former antagonists remake themselves into superheroes in fascinating and often unexpected ways.

Philosophy and Literature:  A Problematic Relationship