Conference Online (via Zoom platform)

22-23 September 2022 (via Zoom)

https://www.inmindsupport.com/memory-conference

Scientific Committee:

Professor Wojciech Owczarski – University of Gdańsk, Poland

Professor Polina Golovátina-Mora - Universidad Pontificia Bolivariana (Colombia)

​

CFP: 

TTR – Traduction, terminologie, rédaction, vol. 36, no 2 (2023)

Thematic issue guest edited by Patrick Hersant

What are the mental operations and writing practices by which a text becomes, in another language, another text? In order to better understand how translations come into being, the journal TTR - Traduction, terminologie, rédaction proposes to examine an object of study that has long remained invisible or inaccessible: the working documents of translators, where strikethroughs and permutations, erasures and second thoughts, alternative wordings and successive corrections reveal a process that is as yet understudied:  translations in the making.

Fungi occupy a liminal position as neither animal nor vegetal but are intimately connected to both biologically: as Eugenia Bone notes, paying attention to the fungal teaches us that “everything that lives is plural.” Fungal lives are multiple and collective, and what Anna Tsing calls the “unruly edges” of fungal individuality betrays the fact that they are “always too many.” This bifurcated perspective modeled by fungal relational entanglements suggests “unsettling and symbiotic relationships” where an objectified environment subsumed by a masterful Anthropos is abandoned for the sake of intra-active becomings (as Karen Barad suggests).

The proposed interdisciplinary panel examines the rich relationship of music and literary works within various world literatures focusing primarily on the twentieth century, but presentations within a broader time frame will also be considered. We invite a wide range of papers investigating the author’s technique of representing music in literature, examining aesthetic, historical and cultural interactions between music and literature, audience and performers, as well as the relationship between the literary text and the composer.

An Anthology of Southeast Asian Eco-Writing

Call for Submissions

Editors Rina Garcia Chua, Esther Vincent Xueming, and Ann Ang are currently accepting submissions for an anthology of diverse eco-writing from Southeast Asian writers that explore interrelationships with geographies and spaces in the region.

Deadline for submission is November 30, 2022.

Women Writing Syria: Resilience, Solidarity, Movement

Call for Submissions

How do Syrian women writers, poets and artists imagine Syria, both before and after the revolution and war? Can we imagine Syria without war? Can Syria – as a site that is at once shared, divided and contested – inspire us to bring it into being through creative writing and arts? Could we make this imagined Syria a concrete reality? How can Syrian women’s narratives and voices be heard?

We invite contributions from Syrian women writers of fiction and non-fiction, poets, playwrights and cross-genre writers writing in English, Arabic and Turkish for the forthcoming anthology Women Writing Syria. Visuals by artists are also welcome.

"INSIDE VOICES"

Fan Studies Network – North America (FSN-NA) Virtual Conference
October 13–16, 2022

SUBMISSIONS DUE AUGUST 8

Thinking the Global South: Method, Theory, Strategy

15 October 2022

Keynote Speaker: Magalí Armillas-Tiseyra, Associate Professor of Comparative Literature, the

Pennsylvania State University and co-director of the digital platform Global South Studies.

If the term ‘Global South’, as Magalí Armillas-Tiseyra has observed, ‘serves as a placeholder or temporary

designation for something that it announces but does not properly describe’, its attention to the ‘global’ offers

us a ‘name for the desire to think expansively and therefore comparatively beyond established national,

Chairs: 

Matthew Lovett (University of Pittsburgh)

Julia Bruehne (University of Bremen)

V INTERNATIONAL CONGRESS ON FANTASTIC GENRE, AUDIOVISUALS AND NEW TECHNOLOGIES

The International Congress of Fantastic Genre, Audiovisuals and New Technologies is an activity of scientific and academic dissemination that is part of Elche International Fantastic Film Festival – FANTAELX, with the collaboration of the Miguel Hernández University.

Its mission is to disseminate research studies within the different thematic lines of the Fantastic Genre, covering all its possible variants and platforms: cinema, television, theatre, literature, comics, videogames, virtual reality, plastic arts, etc.

PARTICIPATION

JOYS IN TRANSITION

Conference Dates: 2-3 February 2023

DEADLINE FOR ABSTRACTS: November 13, 2022

SUCCESSFUL APPLICANTS WILL BE NOTIFIED BY DECEMBER 4, 2022

Keynote speakers:

• Valérie Benejam, Nantes Université
• John McCourt, Università di Macerata
• Fritz Senn, Zurich James Joyce Foundation

Organisers: Franca Ruggieri, Fabio Luppi, Enrico Terrinoni, Serenella Zanotti

REMINDER: UPCOMING DEADLINE -- AUGUST 31 2022

The Katherine Mansfield Society is pleased to announce its annual essay prize competition for 2022, open to all, on the subject of

Katherine Mansfield, Illness and Death

The winner will receive a cash prize of £200 and the winning essay will be considered for publication in Katherine Mansfield Studies, vol. 15 (2023), the peer-reviewed yearbook of the Katherine Mansfield Society, published by Edinburgh University Press.

LIT Special Issue CFP: Intersectional Feminism and Barriers to Representation at the Turn of the Century

Deadline extended for submissions: August 31, 2022

Full name / name of organization: LIT: Literature Interpretation Theory

Contact email: litjourn@yahoo.com

The Networks of Romance I: Transnational and Global - (In-Person Format)

Increased social mobility and technological advances in modern society, as well as the advent of postcolonial studies, have spurred scholars to investigate the ‘interconnectedness’ of the global Middle Ages, and to challenge Western-centrism. This session is open to papers that apply these critical approaches to romance texts. We welcome scholars who consider the textual representations of cross-culturalism, and of networks that transcend regional and national boundaries. Also invited are papers that examine depictions of networks from outside the medieval West. We particularly encourage participants who use decolonising methodologies.