This session is part of the 35th annual Medieval-Renaissance Conference, sponsored by the Center for Medieval-Renaissance Studies at the University of Virginia's College at Wise, Spetember 15-17, 2022. It welcomes proposals about all topics related to King Arthur as a figure in literature, history, art, and entertainment. Interested in interdisciplinary approaches, such as the character of Arthur in romance and history, in art and literature, and in popular media, are especially encouraged. We also welcome proposals on:
The Center for Medieval-Renaissance Studies of the University of Virginia's College at Wise announces
Medieval-Renaissance Conference XXXV, September 15-17, 2022
The Weight that English Carries: Vernacularity Before and After Chaucer
Women of the World:
Literature, Language, and Translation
The Faculty of Education, Alexandria University, Egypt cordially invites you to attend its international conference on “Women of the World: Literature, Language, and Translation.” It is an onsite conference that will take place between March the 10th and 11th 2023.
Critical Plant Studies, a book series published by Lexington Books, an imprint of Rowman & Littlefield, calls us to re-examine in fundamental ways our understanding of and engagement with plants, drawing on diverse disciplinary perspectives. A sampling of topics appropriate for this series includes but is not limited to:
• Representations of plants in literature, art, film, and popular culture
• Relationships between humans and plants
• Boundaries and distinctions between plants and animals
• Plants and the environmental crisis
• Phytosemiotics and plant communication
• Plant sensation and consciousness
• Vegetal agency
CALL FOR CHAPTER PROPOSALS - EXTENDED DEADLINE!
Please find call for chapters for our forthcoming book: ECO-CONCEPTS: Critical Reflections in Emerging Ecocritical Theory and Ecological Thought which is to be published by Lexington Books (Rowman & Littlefield) in 2023.
Memory and Identity in North Africa
CALL FOR PAPERS
Acta Ludologica (ISSN 2585-8599, e-ISSN 2585-9218) is a double-blind peer-reviewed scientific journal published twice a year in both online and print versions. It focuses on the comprehensive discourse of games and digital games, including theoretical and empirical studies, research results, and their implementation into practice, as well as professional publication reviews and scientific reviews of digital games.
With Disney’s initial apathetic response to the ‘Don’t Say Gay’ bill which recently passed in the state of Florida, it is time to shed light on Disney’s complex relationship with the LGBTQIA2S+ community. Recently, there have been works which briefly discuss the relationship of queerness and Disney, such as Sean Griffin’s Tinker Bells and Evil Queens (2000), Melanie S. Kohnen Queer Representation, Visibility, and Race (2016), Jennifer Sandlin and Julie Garlen’s edited collection Disney, Culture, and Curriculum (2016), and Joseph Brennan’s edited collection Queerbaiting and Fandom (2019). However, the queer artist/contributor has yet to be the main topic of discussion.
As the climate crisis accelerates, one response that contemporary authors take amidst the growing feelings of eco-anxiety is to narrate themes of religion and spirituality as a source of solace. Though there is no doubt that the theologies and practices of western patriarchal religions have created systems of harm and contributed to the climate crisis (Lynn White Jr), contemporary authors are reclaiming the spiritual practices and mystic traditions of such religions in order to imagine narratives in which restorative relationships between the human and the more-than-human world are negotiated. Scholars such as Benedicte Meillon have begun to explore how the ecopoetics of re-enchantment can help us understand (non)human nature cultures.
Call for Papers
Critical Essays on the Highlander Franchise
Abstract Submission Deadline: This is an updated call - open until filled
The Women in Supernatural: Critical Essays
Under consideration with McFarland & Company
Susan Nylander, Barstow College
Mandy Taylor, California State University, San Bernardino
Utopias and (their opposite) dystopias arise from the urge to describe a possible world, a hard-to-come-true probability. Therefore, they either promise good news or foreshadow a warning for the future, depending on the benign or malign nature of the urge.
* Please note: This Creative Writing panel will be part of the SAMLA (South Atlantic Modern Language Association) Conference in Jacksonville, Florida, Nov. 11-13, 2022.
IASA World Congress 2022
International American Studies Association
Guru Gobind Singh Indraprastha University
IASA 10th World Congress
22nd to 24th November, 2022
Call for Papers
Matters of Life: Human Scapes and Scopes
"Whatever is my right as a man is also the right of another; and it becomes my duty to guarantee as well as to possess."
-Thomas Paine, Rights of Man
54th NeMLA Annual Convention, March 23-26, 2023 in Niagara Falls, New York
While representations of disability can be found across creative fields throughout history, their study and sociopolitical implications in society’s popular imaginary only started gaining traction in the 1990s, namely in the United States and United Kingdom. Since then, pioneering scholarly work has paved the way for further critical attention to a reality that has been often instrumentalized to 1) advance ableist notions of “normalcy” through what Sally Chivers and Nicole Markotić (2010) term the “problem body;” and 2) to exclude from the social realm those who deviate from the established able-bodied norms.
The term avant-garde usually applies to works of art, literature and music characterized by their radical experimentation and opposition to institutionalized culture. Leading unconventional and non-conformist lives, the avant-gardists antagonized the bourgeoise by attacking their social values, mediocrity and material interests. Instead, these iconoclastic artists engaged in acts of dissidence promoted in soirées, manifestos, journals and exhibits that interfered with public life. For instance, Marinetti paraded with the Suffragettes smashing windows through the streets of London, an act that echoes his fervor to destroy museums and academies, as described in the 1909 Futurist Manifesto.
The Institute of English and American Studies, Faculty of Humanities, University of Debrecen, Hungary invites you to participate in the conference titled:
THE VIEW FROM THE ANTHROPOCENE: EXPLORING THE HUMAN EPOCH FROM POST-ANTHROPOCENTRIC PERSPECTIVES
on 15-16 October 2022
Call for Papers | Appel à communications
Submission deadline | Date limite de soumission: June 30, 2022 | 30 juin 2022
The Voice (In Person Session)