International Journal of Education (IJE)

ISSN : 2348 - 1552

https://flyccs.com/jounals/IJEMS/Home.html

***February Issue***

Submission System

Scope

Oxford Literary Review 49.2: SETI and the Cosmic Turn in the Environmental Humanities, Edited by Timothy Clark and Philippe Lynes

OLR devotes itself to outstanding writing in deconstruction, literary theory, psychoanalytic theory, political theory and related forms of exploratory thought. OLR 49.2, to be published by Edinburgh University Press in late 2027, is planned to direct the journal’s distinctive mode of enquiry on the philosophy, culture and assumptions of SETI, the Search for Extraterrestrial Intelligence.

https://www.euppublishing.com/loi/olr

We are excited to share with you all on behalf of the Conference Planning Committee for the University of Connecticut First-Year Writing Program that we are holding our 21st Annual Conference on the Teaching of Writing on Thursday, April 23, and Friday, April 24, 2026, on our campus in Storrs, CT. Our theme for the upcoming conference is: “Wicked Reading for Wicked Problems." As those who have collaborated with us in the past, we are once again inviting you to help us explore ways of approaching these 'wicked problems', such as those that evade consensus, offer multiple solutions, or may even resist resolution at all.

Call for Papers: 

Listening to Possible Worlds 

Sound and Music in Speculative Literature and Culture 

22-23 October 2026, Leiden University, the Netherlands (in-person) 

Confirmed keynote speakers are Anna Snaith (King’s College London) and Chris Tonelli (University of Groningen) 

We invite papers on automobility and/or transportation infrastructure in any aspect of literary and cultural studies. We are particularly interested in exploring how representations of vehicles address questions of social and environmental justice.

This is a proposed special session for the 2027 MLA convention in Los Angeles, 7-10 January. We plan to hold the session in person.

Please email abstract (250 words) and author bio (100 words) by March 3 to both organizers:

Govind Narayan Ponnuchamy, Northwestern University (gnarayan@u.northwestern.edu )Ben Jamieson Stanley, University of Delaware (bstanley@udel.edu )

Call for Papers — MLA 2027 (Los Angeles)

Black Motherhood in the African Diaspora: Narrating Care, Resilience, and Futures

Across African diasporic literary traditions, Black motherhood emerges as a crucial site through which histories of slavery, empire, migration, and racial capitalism are negotiated and reimagined. Literary representations of motherhood register both the intimate labor of care and the broader structural pressures shaping diasporic life, often producing alternative temporalities, ethical frameworks, and speculative futures.

CALL FOR PAPERS

vol. 7/2026

Forum for Contemporary Issues in Language and Literature (e-ISSN: 2719-8111)  is an international multidisciplinary periodical that welcomes for review any innovative and challenging research article encroaching upon the fields of literature, linguistics, philosophy and cultural studies.

The editorial board encourages researchers and young scholars to submit their article proposals that  comprise with the profile of the journal. The proposals can be sent in English, German, French, Spanish, Catalan and Polish. The manuscript submitted for publication is to be original and unpublished. It should not have been simultaneously submitted for review in any other journal.

Call for Participants: Medieval Studies, Leadership, and Public Humanities Advocacy
MLA 2027 (Los Angeles)
Forum: French Medieval Language and Literature
Roundtable Session

Call for Book Proposals

VoyGull Press | Emerging Voices Series, Edited Volumes, Handbook Series

VoyGull Publishing Centre Ltd UK

Diamond Open Access Publisher in Social Sciences & Humanities

About VoyGull Press

VoyGull Press is the publishing imprint of VoyGull Publishing Centre Ltd, a UK-based academic publisher committed to democratizing scholarly knowledge. As a young and ambitious publisher, we are building a new model for academic publishing that is grounded in equity, accessibility, and intellectual rigour.

We are looking for contributions to a working group at the 2027 MLA Annual Convention in Los Angeles. The panel will discuss the evolution of magical realism in the 21st century, formally, medially, and geographically. Besides the fundamental elements of magical realism scholarship covering literature and film in South-American and European contexts, the scope of the presentations will extend to geocultural locations such as Africa, the Middle East, East- and South-East Asia, Australia, and New Zealand, and to theoretical approaches including literary trauma theory, postcolonial studies, ecocriticism, and virtual reality theory.

More Terrors than her Reason Could JustifyA 200th Anniversary Celebration of Ann Radcliffe’s Posthumous Publications

22nd/23rd August 2026 (Online)

Scholarly discussions on environmental concerns have long been Euro-American-centric. In his 2005 essay, Rob Nixon critiques literary representations of environmentalism as an “offshoot of American Studies,” which has excluded non-American and non-Western perspectives on environmental degradation from critical inquiry. Nixon highlights Nigeria’s Abacha regime’s execution of Saro-Wiwa, a writer, activist and poet, who died fighting for his Ogoni people’s farmlands and the encroachment of their fishing waters by American and European conglomerates, supported by the local despotic regime. Nixon observes that Saro-Wiwa’s writings have received little attention from ecocriticism scholars (2005).

Under capitalism, we live separated from life. Capital’s extractive colonizing domination keeps us separated from nature, from each other, and from our own bodies, denying us a symbiotic and regenerative relationship with the natural world and with each other. Yet, certain types of bindings are integral to capitalism: capitalism depends on the combination of labour and nature for the production of value; the “emergence of capitalist accumulation and the reproduction of capitalist production” depends on “acts of violent dispossession”, on “tearing Indigenous societies, peasants, and other small-scale, self-sufficient agricultural producers from the source of their livelihood––the land” (Coulthard 2014).

“Creativity, Resistance and Social Change”International Conference13-14 June 2026 - Accra, Ghana / Online

organised by

London Centre for Interdisciplinary Research

Across history and cultures, creativity has played a central role in resisting injustice, challenging dominant narratives and imagining alternative social futures. From storytelling, music and visual art to literature, performance, digital media and everyday creative practices, acts of creation often emerge in response to exclusion, oppression or crisis. Creativity can unite communities, give voice to marginalised experiences and sustain collective struggles for dignity, justice and transformation.

In athletics, athletes are often described as ‘throwing down the gauntlet’ when they record a particularly impressive jump, race, throw, indicating a raise in the competition stakes, a nod to their fellow competitors that they are the champion to beat. In the 2001 movie A Knight’s Tale, jousting enthusiasts are depicted like modern day sports fans, with Ulrich’s friends even singing a football chant in the pub. 

Call for Papers

International Conference on Ecocriticism and Environmental Studies10-11 October 2026 – London/Onlineorganised byLondon Centre for Interdisciplinary Research 

International Conference on Poetry Studies:“Poetry Between Creation and Interpretation”19-20 September 2026 – London / Onlineorganised by London Centre for Interdisciplinary Research

Fifth Annual Beverly Lyon Clark Children’s Literature Symposium

Trees: In Relation

Saturday, 11 April 2026 at Wheaton College (Norton, MA)

Postcolonial Interventions invites scholarly articles for an OPEN ISSUE to be published in June 2026. As the journal enters its eleventh year, we are hoping to continue critical exploration of emerging voices and recent literary creations while remaining mindful of the various threats associated with older imperial aggressions, re-appearing across the globe, fissures within nation states, multiple forms of exclusionary violence and widening inequality and precarity. The next issue of Postcolonial Interventions seeks to explore such issues and more based on postcolonial experiences across the world.

Submission Guidelines:

Concept Note

Questions in Black sound and sonic geographies

American Association of Geography

Panel Presentation

What are the spatial contours of black sound? What are some iterations, notes, scripts, or possibilities within the emerging field of black sonic ecologies and black sonic geographies? How can one detect or follow a “black sense of place” (McKittrick 2011)? What is being listened to and what is being heard? What have you been taught or teaching yourself to hear? 

What do you consider noise? Who and what hears black sound as a nuisance? What does noise, nuisance generate? 

“We are here to begin to achieve the American Revolution.” 

– James Baldwin, Foley Square, 1963

Did Baldwin mean it? Do we, who take him down from the shelf, mean it? What would it mean to pick up the idea again, with or against Baldwin? Is it too late, for America, for revolution, for both? Or is the time now finally ripe? 

For the American Studies Association convention in Chicago in 2026, James Baldwin Review invites proposals for a roundtable that takes this starting point as an occasion to leap into the unknown.  

Please send abstracts of 250 words to jbr@wustl.edu by February 20, 2026. 

In “Thoughts on Late Style,” Edward Said describes how an artist’s late works 

cannot be reconciled or resolved, since their irresolution and fragmentariness are constitutive, neither ornamental nor symbolic of something else. The late works are about ‘lost totality’, and it is in this sense that they are catastrophic.

 The late works of James Baldwin have often been dismissed as evidence of decadence, of their maker’s exhaustion after too many years of activism, as a crude failure to synthesize his fiction and nonfiction, the novels too political, the essays too aesthetic. Yet this supposedly weak synthesis rhymes with Said’s meditations on the irresolution typical of an artist’s late works.