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Concentric: Literary and Cultural Studies
Vol. 53 No. 1 | March 2027
Call for Papers
From Neurodiversity to Neurocosmopolitanism:
Literature, Science, Politics
Guest Editor
Manuel Herrero-Puertas (National Taiwan University)
Deadline for Submissions: July 15, 2026
CALL FOR PAPERS
Send your abstracts to: congress@iasa-world.org by 31st May, 2026.
44th Annual West Indian Literature Conference
Freedom, Creative Spirit, & the Poetic Imagination
Where: University of Puerto Rico, Río Piedras Campus
When: October 7-11, 2026
Abstracts: Proposals are to be submitted by June 1, 2026
How can you free people? . . . When every move you make is to get them to accept conditions of unfreedom, when you use power to twist and corrupt what it is to be human, when you ask people to accept shame as triumph and indignity as progress? —Earl Lovelace, Salt (1996)
The "Gay, Lesbian, Bisexual, Transgender, and Queer Studies" session invites submissions that discuss memory, identity, representation, or intersectionality pertaining to Gay, Lesbian, Bisexual, Transgender, and Queer literature, media, or culture. You may, should you wish, engage in the conference theme of “Our Ruling Classes: Culture, Power, Conflict,” but any topic on gay, lesbian, bisexual, transgender, or queer literature or culture is welcome.
Some topics of particular interest this year include:
• The homoerotic gaze in media
• Power and culture relating to gay, lesbian, transgender, or queer stories/histories
• Queer-coded representation in art or literature
Call for SubmissionsComparative Media Panel (In-Person)
PAMLA Conference 2026Primary Area - Secondary Area:
Film and Media Studies - Our Ruling Classes: Culture, Power, ConflictSession Chair:
Violet Luxton (Claremont Graduate University)
violet.luxton2@cgu.edu PAPER PROPOSAL DEADLINE: MAY 25, 2026
1956 was a year of theatrical milestones. Eugene O’Neill’s Long Day’s Journey Into Night was published posthumously while The Diary of Anne Frank won the Pulitzer Prize for Drama. And, of course, the American Society for Theatre Research was founded. O’Neill’s meditation on troubled family dynamics and addiction would go on to win the Pulitzer in 1957. The previous year, the Pulitzer went to Cat on a Hot Tin Roof, a Tennessee Williams play about alcoholism and (potentially) sublimated queer desire. In 1959, Lorraine Hansberry became the first Black woman to have a play produced on Broadway when A Raisin in the Sun premiered.
“Home-Making: Reinventing Home
in Anglophone Literatures and Cultures”
November 20-21, 2026
Venue: Sousse, Tunisia
Call for Papers
Otherness: Essays & Studies
Otherness and Folklore – Special issue Call for Papers
Folklore is all about Otherness. It imagines the other as that which is beyond the scope of the ordinary and the real. It evokes the monstrous, the divine, and the outsider. It invokes magic through ritual, and it empowers the repressed. The other, in folklore, is welcomed into the everyday and woven into the fabric of our communities. It becomes an altered version of alterity, a homely version of the uncanny: an other that we can be intimate with.
Call for Additional Chapters
Global Bollywood: Cultural Appropriation, Streaming Media, and the Politics of Representation (Routledge)
Editor: Dr. Tanima Kumari
The proposed edited volume Global Bollywood: Cultural Appropriation, Streaming Media, and the Politics of Representation has received a preliminary expression of interest from Routledge.
A number of submissions have already been received, and several chapters have been reviewed and confirmed for inclusion.
Table of Contents
Part I: Cultural Appropriation and Hybridity
Dear colleagues,
https://jnr2.hcommons.org/ | ISSN: 1759-3085
Call for Submissions
We are currently inviting submissions for our next open issue on any aspect of cultural practice in Northern Europe in the period 1430-1650, including but not limited to the following disciplines:
☞ Literature
☞ Art & Architectural History
☞ Musicology
☞ Philosophy
☞ Theology
☞ Political Studies
☞ History
☞ Rhetorics
☞ Dance & Performance
☞ Manuscript and Archival Studies
Submit a Manuscript to the Journal
Sport in Society
For a Special Issue on
Artificial Intelligence and Sport from Social and Scholarly PerspectivesAbstract deadline01 May 2026Manuscript deadline01 December 2026 Special Issue Editor(s)
Shu Wan, University at Buffalo
shuwan@buffalo.edu
Huijie Zhang, South China Normal University
huijiezhang199@163.com
Ekphrasis, the verbal representation of visual representation, is one of art’s oldest preoccupations. Over the past decade, we have seen a rise in British and Irish innovative ekphrastic poetry and visual art that responds to poetry. Concurrently, there has been a new wave of interest in the efficacy and function of ekphrasis, that focuses on its role as a type of creative practice and a way of thinking through aesthetic judgement. Despite all this activity, no formal consideration of the field of ekphrasis itself has emerged. Ekphrasis underwent a paradigmatic shift in which it was no longer defined by its ‘paragonal’ energy.
This special issue aims to cultivate greater convergence and contribute to the broader discourse on cross-cultural exchange, particularly in contexts beyond the Euro-American center. We encourage investigations into how cultural values, ideological frameworks, and aesthetic sensibilities shape the translation and reception of children’s literature across diverse cultural contexts. We also encourage the integration of new theoretical lenses and trends, such as transcreation, affect theory, audiovisual translation, cognitive translation studies, and interdisciplinary approaches to gender and ecology, and the impact of AI, in the discussion of translational convergences and divergences in global children’s literature.
War Literature Today: Ecology, Violence, and the Novel
A special issue of Humanities (ISSN 2076-0787). This special issue belongs to the section "Literature in the Humanities".
Deadline for manuscript submissions: 28 February 2027 | Viewed by 69
1st DL2 International Workshop
Date: 3-4 December 2026
Venue: Hybrid - University of Alicante (campus) and online
Paper submission deadline: 30th September 2026
Dear colleagues,
We are pleased to invite you to participate in the 1st DL2 International Workshop, which will be held in hybrid format on 3rd and 4th December 2026 at the University of Alicante and online. We kindly ask you to distribute this invitation among your colleagues and staff.
Since 2014, the eTEXTS: Literary and Cultural Studies Conference has served as a platform for the examination and exploration of diverse "texts" from English-speaking countries of Ango-Saxon heritage. By bringing together scholars, doctoral students, and early-career professionals, the conference fosters scientific debates and critical discussions that drive forward our understanding of literature and culture.
The East Asian Translation Studies conference aims to provide a platform for translators and researchers working in the East Asian context to exchange ideas on issues related to translation.
Previous EATS conferences have been held at the University of East Anglia, UK (2014); Meiji University, Japan (2016); Ca’ Foscari University of Venice, Italy (2019); Université Paris Cité, France (2022); and the University of Queensland, Australia (2024). They have centered on questions of the circulation of translation within East Asia, constructing/deconstructing East Asia, changing identities of East Asia observed in translation, universals in East Asian translation, and negotiating the borders of translation and East Asia.
Seeking on papers about opacity in contemporary literature and art for a panel at ASAP (Association for the Study of Arts of the Present) 2026 Convention. Please send an abstract and a short bio to Sané Bhattarai (bhattsan@gvsu.edu) or Moya (Moyang) Li (moyang.li@csulb.edu) by April 24.
The American Humor Studies Association (AHSA) is putting together a pre-constituted panel for submission to the 2026 Pacific Ancient and Modern Language Association (PAMLA) conference, held November 12-15, 2026 at the Hyatt Regency in Seattle, Washington. PAMLA ‘s 2026 theme is “Our Ruling Classes: Culture, Power, Conflict.” Following this, AHSA is accepting a range of papers on “Comic Leadership.” We invite submissions that consider the role of comedy in politics. Often, comedy is used to “takedown” and “critique” those in power through satire and parody, but what can comedy offer for enacting new political paths forward?
Session Abstract: The genre of African American poetry has a long legacy of both preserving tradition and evolving to suit current times and places. This session invites discussion of the defining features that have been maintained over time as well as patterns of bold experimentation. Rather than seeing tradition and innovation as opposing aesthetic directions, this session hopes to examine ways they have co-existed in this genre and been mutually fruitful.
This creative panel of artists is a chance for us to express our everyday struggles with Mental Health issues and to show them from our perspective in a way that is freeing and opens the door to a stronger understanding of others and ourselves.
Call for Papers: International Journal of Fashion Studies
Special Issue: 'Clothing and Dress in Times of Mass Violence'
View the full call here>>
https://www.intellectbooks.com/international-journal-of-fashion-studies#call-for-papers
Mid-Atlantic Popular & American Culture Association (MAPACA) 2026 Virtual Summer Symposium, July 26, 2026
This one-day virtual event on July 26, 2026 is in addition to our 3-day conference in November to accommodate scholars outside the Mid-Atlantic region and those for whom an in-person event is otherwise inaccessible. We greatly encourage international scholars to submit for this dynamic, one-day event!
The figure of the witch (both real and imagined) is inherently political and potentially contentious. Each wave of feminism has reflected on shifting considerations of the witch as evocative of issues around gender, power and, more recently, intersectional aspects of identity. More recent critical engagement with witches and witchcraft reflects a transition, transcending disciplinary boundaries and positioning the witch in line with shifting contemporary debates. This shift moves the witch beyond the symbolic or the individual to consider both the interconnected and disparate nature of the witch. We can, instead, see the witch as a key component in movements of political change, as activist alongside the spiritual expl
CALL FOR PAPERS
Proposed Edited Volume
Beyond the Mainstream: Dalit Narratives and Narratives of Social Exclusion from Eastern and North-Eastern India
Editors
Dr. Roshni Subba
Assistant Professor, Department of English
University of Calcutta
Injam Ahmed Molla
Independent Researcher(UGC NET Qualified)
About the Volume
Though getting it together may signal a practice of spontaneous collectivity, “get it together” is also a gendered command—one which affiliates a performance of femininity with certain aesthetic expectations and demands the unbounded work of love, care, and social reproduction. How do we understand the aesthetics of femininity in a moment where feminism has been defanged of its oppositionality, when it functions as an alibi for the tide of fascism in the form of TERFs and girlbosses? Everyday injunctions toward norms of femininity appear in the form of “Get Ready With Me” videos, Planned Parenthood’s decision to offer Botox, ceaseless trend cycles, and the normalization of weight loss medication, with Serena Williams as its icon.
How does the novel resist? Both as an action (movement, predicate) and as a form (structure, construction) how does the novel as a genre engage in resistance? Of what, too, is the novel resistant? Studies of the novel have long emphasized the genre’s capacity to control and coerce, as in the work of D. A. Miller and Nancy Armstrong, to name a couple. This panel instead invites papers that approach the novel as a resistant structure and a form of resistance. What might it mean to read the novel not as an instrument of control, but as a site of formal, aesthetic, or material resistance?
While Percival Everett’s novel James (2024) functions as a radical reworking of Mark Twain’s The Adventures of Huckleberry Finn (1885)–freeing Twain’s literary creation from the constraints of the nineteenth century novel as well as the expectations of its original audience–”tellings and retellings” have long served as a mode for revising and reimagining canonical narratives. From Tom Stoppard’s Rosencrantz and Guildenstern are Dead (1966) and Ursula K Le Guin’s Lavinia (2008) to Sandra Newman’s Julia (2023), literary retellings often expose the ideological foundations of the canon while amplifying voices historically marginalized or silenced within it.
This is the last call to submit abstracts for the Bodies of Culture: Somaesthetic Explorations conference, taking place at Florida Atlantic University on November 6–7, 2026.
Abstract submission deadline: August 18, 2026
We welcome proposals from scholars and practitioners across the humanities, social sciences, medical humanities, and the arts. Selected papers may be considered for publication in The Journal of Somaesthetics or an edited volume in Brill's Studies in Somaesthetics series.
Since September of 2025 the English Department at Carnegie Mellon University has housed a new publication called The Pittsburgh Review of Books (or PRoB), available at http://www.pghrev.com We are particularly interested in pieces by scholars that analyze or contextualize breaking news - be it political, cultural, or social events - that can be published quickly.
Edited by author and Public Humanities Special Faculty Ed Simon, PRoB is a home for engaged, creative, and interdisciplinary cultural criticism and analysis across the humanities. The tone of the publication is similar to other para-academic publications intended for both specialists and a general audience.
Since September of 2025 the English Department at Carnegie Mellon University has housed a new publication called The Pittsburgh Review of Books (or PRoB), available at http://www.pghrev.com
Edited by author and Public Humanities Lecturer Ed Simon, PRoB is a home for engaged, creative, and interdisciplinary cultural criticism and analysis across the humanities. The tone of the publication is similar to other para-academic publications intended for both specialists and a general audience. Currently we are particularly interested in analysis that intersects with breaking news that can be produced by scholars quickly.
You are invited to participate in a research study survey examining the relationship between film and memory.
This study explores how film experiences may shape personal, emotional, neurological, and cultural recollection, including how individuals understand events they did not directly experience. You will be asked to reflect on your film viewing habits, emotional and cognitive responses to specific films or scenes, and the ways films may influence your understanding of memory, history, and identity.
CALL FOR PAPERS
Affective Worlds: Emotions and Aesthetics in Afro-Descendant Women’s Writing International Conference
24–25 May 2027, Vrije Universiteit Brussel (Belgium)
Format: in person
Language: English
Link to the CfP: https://clic.research.vub.be/afropemotions-international-conference
“The monster is born only at this metaphoric crossroads, as an embodiment of a certain cultural moment—of a time, a feeling, and a place. The monster's body quite literally incorporates fear, desire, anxiety, and fantasy (ataractic or incendiary), giving them life and an uncanny independence. The monstrous body is pure culture.”
Jeffrey Jerome Cohen. “Monster Culture (Seven Theses).”
Join us for 2027’s Dis/Junctions, a hybrid, graduate-run conference held March 4-5. The conference will feature both in-person and virtual panels and events. In-person programming will be hosted on the University of California, Riverside campus.
In recent decades, South Korean popular culture, commonly referred to as the Hallyu Wave, has taken the world by storm. Whether through K-Pop, K-dramas, or Korean cinema, this cultural phenomenon has eSountered a phase of “compressed modernity” (Kyung-Sup 1999, 2010), wherein the world appears smaller as Korean popular culture makes significant inroads not only across East Asia but also in countries such as the United States, Brazil, Argentina, various African nations, Europe, and South Asia.
Myth in Literature and Music
University of Angers, France, 30 June – 3 July 2027
The Interdisciplinary Center for Research on Heritage in Arts and Languages (CIRPaLL) at the University of Angers is proud to host the 15th Conference of the International Association for Word and Music Studies (WMA) on Myth in Literature and Music from 30 June to 3 July 2027 at the Maison de la Recherche Germaine Tillionin Angers, France.
Over the past three decades, fan studies have developed sophisticated accounts of participatory culture, collective intelligence, affective engagement, and transformative practices (Jenkins 2006; Booth 2015; Hills 2017). At the same time, scholarship has increasingly addressed the investigative dimensions of audience participation. Mittell’s concept of “forensic fandom” (2009), for example, highlights practices of close reading, clue collection, speculation, and collaborative interpretation in response to complex narrative worlds. Fans thus become active investigators who uncover hidden meanings, solve mysteries, and assemble fragmented information across media texts. More recently, such investigative practices have expanded beyond fictional worlds.
In 2023, the Library of America published a collection of Faulkner’s short stories, the sixth volume of its edition of William Faulkner’s works, which shows a keen and never-ending interest in a part of his work which was perceived by academics in varying ways. In 2017, the prestigious French collection La Pléiade published a 1824-page-long volume containing all of Faulkner’s short stories, including collected, uncollected, posthumous and original versions of stories reworked and incorporated in The Town and The Mansion, in translations revisited by François Pitavy. Faulkner himself admitted: “I never wrote a short story I liked” (Lion in the Garden 59).
Dear Colleagues, and friends
We are holding the conference 'Late Bowie: Legacy, Mortality and the Archival Impulse' at Kingston university, in our state of the art Visconti recording studio, Kingston Hill, on Nov 5th and 6th of this year.
We have a really exciting programme with some great speakers and guests. These include Harriet Reed (Project Lead, Bowie Archive, V&A Storehouse East; Clare Watt (Bowie fellow, V&A); Peter Carpenter (author of Bowieland: Walking in the Footsteps of David [Octopus Books, 2025]); British film and TV producer Kevin Loader and Jonathan Barnbrook, graphic designer of Bowie;s albums from Heathen (2002) to Blackstar (2016).
The 4th Global Plant Humanities Network Conference
Urban Plantscapes: Cities, Working Landscape, and Botanical Life
30 June – 2 July 2027
University of Rzeszów, Poland
Plenary speakers:
Michael Marder, the University of the Basque Country, Spain
International Conference on
Environmental Precarity and Planetary Aesthetics: Voices, Epistemologies, and Geopolitics of the Global South
25 & 26 February 2027
Organised by the Department of English, Bodoland University, Kokrajhar, India
Concept note
AfroLatinx Studies is not an emerging field. It is a field of study with a past that can be traced back to the 15th century and an ongoing political and intellectual project. The recent formation and institutionalization of AfroLatinx studies does not make it new. It is an area of knowledge production rooted in the African diaspora and migration patterns to the United States and hemispherically. Black diasporic epistemologies, archives (material and embodied), and cultural production of AfroLatinx lives have been catalysts to the formation of the field. As AfroLatinx Studies becomes an institutionalized field of study questions like: what is the work of AfroLatinx Studies? What has it been?
Renewed call for chapter proposals
Off the Stage: Performance Practices in Postcolonial India
(forthcoming in 2027)
The editor is pleased to issue a renewed call for chapter proposals for the edited volume Off the Stage: Performance Practices in Postcolonial India, scheduled for publication in 2027 by an internationally renowned UK-based publishing house. This renewed call has become necessary owing to a few last-minute withdrawals and the non-submission of some previously committed chapters.
Comparative Cinema No. 28 – Summer 2027
A Rose by Any Other Name: Approaches to Audiovisual Adaptations
DEADLINE EXTENDED TO OCTOBER 11, 2026
NeMLA
March 6-9, 2027
Newport, RI
Submit paper proposals here: https://www.cfplist.com/nemla/Home/S/22354
Proposed Book Title
Urban Palimpsests: Indian Cities, Identity, and Modernity in Anglophone Literature
Editors: Md Rakibul Islam* & Md Jakir Hossain**
Call for Papers
Imagining Italy: Transatlantic Encounters, Diaspora, and Cultural Belonging
Date: June 24-27, 2027
Location: University of Macerata
Abstracts & Proposals Due: Friday, February 26, 2027
Notifications Sent Out by Monday, March 8, 2027
Submittable Link:
CfP Death in the Eyes 3 – The Iconographies of Death in Cinema: Personae, Representations, and ImaginariesUniversity of L’Aquila (Università degli Studi dell’Aquila), Italy, 24-25 June 2027 Keynote Speakers: Stacey Abbott (Northumbria University, UK) and Katarzyna Ancuta (Chulalongkorn University, Thailand) Few cinematic images have entered the collective imagination as profoundly as Death in Ingmar Bergman’s The Seventh Seal (Det sjunde inseglet, 1957).