CFP: Eros, Pornography, and Popular Culture
   
  2007 Popular Culture/American Culture Associations
  National Conference
   
  April 4 -7, 2007
  Boston Marriott Copley Place
  Boston, Massachusetts
   
  For more information on the PCA/ACA, please go to http://www.h-net.org/~pcaaca.
   
  SUBMISSION DEADLINE UPDATE: NOVEMBER 1, 2006
   
  We are considering proposals for sessions organized around a theme, special panels, and/or individual papers. Sessions are scheduled in 1½ hour slots, ideally with four papers or speakers per standard session.
   

Shakespeare at Kalamazoo invites submissions for two open sessions:

Shakespeare and Monarchy
Shakespeare and Religion

42nd International Congress on Medieval Studies (May 10-13, 2007) will =
take place at Western Michigan University (Kalamazoo, Michigan).

Reading time for papers should be no more than twenty minutes. According =
to rules established by the Congress, those submitting abstracts for one =
session may not submit abstracts for other sessions in the same year.=20

Email submissions are encouraged. Please include home and office phone =
numbers, complete mailing address, and e-mail address along with your =
attachment. If you need equipment, let us know now.

CONFERENCE TITLE: "fragment, cultural histories and vocabularies of the
fragment in text and image c. 1300-2000"

3 day Interdisciplinary Conference, hosted by Department of English, and
Institute for Medieval & Early Modern Studies, University of Wales,
Aberystwyth, UK

500 word abstracts for discussion papers, creative workshops,
performances/installations by 16th December 2006

Themes might include: making/unmaking, text/intertext, pastiche bricolage,
narratology and poetics, embodiment, artefacts, figments,
interdisciplinarity, memory and remembrance, archaeologies of meaning,
remnants/remainders

Selected papers to be published by Manchester University Press

CONFERENCE TITLE: "fragment, cultural histories and vocabularies of the
fragment in text and image c. 1300-2000"

3 day Interdisciplinary Conference, hosted by Department of English, and
Institute for Medieval & Early Modern Studies, University of Wales,
Aberystwyth, UK

500 word abstracts for discussion papers, creative workshops,
performances/installations by 16th December 2006

Themes might include: making/unmaking, text/intertext, pastiche bricolage,
narratology and poetics, embodiment, artefacts, figments,
interdisciplinarity, memory and remembrance, archaeologies of meaning,
remnants/remainders

Selected papers to be published by Manchester University Press

CONFERENCE TITLE: "fragment, cultural histories and vocabularies of the
fragment in text and image c. 1300-2000"

3 day Interdisciplinary Conference, hosted by Department of English, and
Institute for Medieval & Early Modern Studies, University of Wales,
Aberystwyth, UK

500 word abstracts for discussion papers, creative workshops,
performances/installations by 16th December 2006

Themes might include: making/unmaking, text/intertext, pastiche bricolage,
narratology and poetics, embodiment, artefacts, figments,
interdisciplinarity, memory and remembrance, archaeologies of meaning,
remnants/remainders

Selected papers to be published by Manchester University Press

CONFERENCE TITLE: "fragment, cultural histories and vocabularies of the
fragment in text and image c. 1300-2000"

3 day Interdisciplinary Conference, hosted by Department of English, and
Institute for Medieval & Early Modern Studies, University of Wales,
Aberystwyth, UK

500 word abstracts for discussion papers, creative workshops,
performances/installations by 16th December 2006

Themes might include: making/unmaking, text/intertext, pastiche bricolage,
narratology and poetics, embodiment, artefacts, figments,
interdisciplinarity, memory and remembrance, archaeologies of meaning,
remnants/remainders

Selected papers to be published by Manchester University Press

Seeking contributors to write signed entries for a "Critical Companion to Henry James" (under contract for publication in early 2008). This reference volume will cover more than 60 works of fiction, travel writing, and cultural criticism (1000-10,000 words per topic), as well as biography, selected correspondence, and "related persons, places, and events" (another 60-plus entries). Please send expressions of interest, with CV attached, to both editors: Kendall Johnson (kjohnso1_at_swarthmore.edu) and Eric Haralson (eharalson_at_notes.cc.sunysb.edu). A headword list, contributor guidelines and deadlines, and sample entries will follow.

The Jewish Graphic Novel

=20

The Jewish Graphic Novel

=20

Call for Papers: =93Works of Fancy: Women, Literature, and Science=94 =

ASECS =96 March 22-25, Atlanta, Georgia

This panel explores women and scientific discourse in the long =
eighteenth century. Genres include, but are not limited to, poetry, =
prose (fiction and non-fiction), drama, and art. This session focuses =
particularly on women utilizing scientific discovery, discourse, and/or =
representation in the context of their work rather than women =
specifically writing about science, although this would be of interest =
as well.

Please forward a 300-500 word abstract and vita by September 1, 2006 to =
jhayden_at_ut.edu or by regular mail to arrive by September 1,2006 to:

Call for Papers: =93Works of Fancy: Women, Literature, and Science=94 =

ASECS =96 March 22-25, Atlanta, Georgia

This panel explores women and scientific discourse in the long =
eighteenth century. Genres include, but are not limited to, poetry, =
prose (fiction and non-fiction), drama, and art. This session focuses =
particularly on women utilizing scientific discovery, discourse, and/or =
representation in the context of their work rather than women =
specifically writing about science, although this would be of interest =
as well.

Please forward a 300-500 word abstract and vita by September 1, 2006 to =
jhayden_at_ut.edu or by regular mail to arrive by September 1,2006 to:

Early Modern Automata
Edited by Wendy Beth Hyman

Women and the everyday realities of war

Call for contributions

Essay collection

Whether living through the British Civil War in the seventeenth century or the American Civil War in the nineteenth century or today's conflicts in the Middle East, women writers have historically chronicled their responses to war in ways that merge politics and domesticity. Despite vast differences in time and place, works like Jane Cavendish's manuscript writing (ca. 1640) shares with Hanan al-Shaykh's more recent evocations of war-torn Beirut a sense that women's acts of everyday resistance--making bread even when food supplies have been raided, for example--impact the way war works, on metaphoric, physical, political, and ideological levels.

Women and the everyday realities of war

Call for contributions

Essay collection

Whether living through the British Civil War in the seventeenth century or the American Civil War in the nineteenth century or today's conflicts in the Middle East, women writers have historically chronicled their responses to war in ways that merge politics and domesticity. Despite vast differences in time and place, works like Jane Cavendish's manuscript writing (ca. 1640) shares with Hanan al-Shaykh's more recent evocations of war-torn Beirut a sense that women's acts of everyday resistance--making bread even when food supplies have been raided, for example--impact the way war works, on metaphoric, physical, political, and ideological levels.