all recent posts

UPDATE: Feminism, Filmmaking, Fluidity (10/14/05; collection)

updated: 
Saturday, September 10, 2005 - 4:40pm
corinn.columpar_at_utoronto.ca

Please note: the deadline for receipt of proposals for the follwoing anthology
has been extended to 14 October 2005.

(Un)Making the Cut: Feminism, Filmmaking, Fluidity
Edited by Corinn Columpar and Sophie Mayer

UPDATE: Feminism, Filmmaking, Fluidity (10/14/05; collection)

updated: 
Saturday, September 10, 2005 - 4:40pm
corinn.columpar_at_utoronto.ca

Please note: the deadline for receipt of proposals for the follwoing anthology
has been extended to 14 October 2005.

(Un)Making the Cut: Feminism, Filmmaking, Fluidity
Edited by Corinn Columpar and Sophie Mayer

CFP: Two Year College Caucus (9/15/05; NEMLA, 3/2/06-3/5/06)

updated: 
Saturday, September 10, 2005 - 4:40pm
Maryanne Felter

Call for papers: Two Year College Roundtable Panel on Promoting Cultural
Literacy at Open Enrollment Institutions

 

The Two Year College Caucus of the Northeast Modern Language Association is
encouraging participation in an information-sharing roundtable discussion
entitled "Promoting Cultural Literacy and Confidence at Open-Enrollment
Institutions." Students enrolled at such institutions find themselves
inadequately prepared for the challenges they face. This panel will address
proposals, ideas, and experiences that have facilitated a positive learning
environment for such students.

 

CFP: Following Derrida: Legacies (1/16/06; 10/4/06-10/7/06)

updated: 
Saturday, September 10, 2005 - 4:40pm
Lisa Muirhead

                           CALL FOR PAPERS

MOSAIC, a journal for the interdisciplinary study of
literature announces an

             INTERNATIONAL INTERDISCIPLINARY CONFERENCE

                     FOLLOWING DERRIDA: LEGACIES

                        OCTOBER 4 – 7, 2006
               THE UNIVERSITY OF MANITOBA, WINNIPEG,
                               CANADA

                          KEYNOTE SPEAKERS
           Peter Eisenman, Catherine Malabou, Michael Naas

UPDATE: Cultures of Evil and the Attraction of Villainy (10/31/05; 2/9/06-2/11/06)

updated: 
Saturday, September 10, 2005 - 4:40pm
Maria Mabrey

NEW DEADLINE

2006 - 8th Annual University of South Carolina Comparative Literature Conference
February 9, 10 and 11, 2006

Call for Papers
Deadline for submissions, October 1, 2005.

Keynote speakers: Agnes Heller, Geoffrey Bennington, Alberto Moreiras, Edmundo Desnoes

This conference seeks to take up a central issue of today's post-Cold War world --that of evil-- and to explore the refiguration of the traditional villain. The aim of this conference is to stimulate interdisciplinary dialogue, as globalization has broadened cultural horizons, and academic research has sought to address these new complexities.

Possible topics, but not limited to:

UPDATE: Cultures of Evil and the Attraction of Villainy (10/31/05; 2/9/06-2/11/06)

updated: 
Saturday, September 10, 2005 - 4:40pm
Maria Mabrey

NEW DEADLINE

2006 - 8th Annual University of South Carolina Comparative Literature Conference
February 9, 10 and 11, 2006

Call for Papers
Deadline for submissions, October 1, 2005.

Keynote speakers: Agnes Heller, Geoffrey Bennington, Alberto Moreiras, Edmundo Desnoes

This conference seeks to take up a central issue of today's post-Cold War world --that of evil-- and to explore the refiguration of the traditional villain. The aim of this conference is to stimulate interdisciplinary dialogue, as globalization has broadened cultural horizons, and academic research has sought to address these new complexities.

Possible topics, but not limited to:

UPDATE: Women Writing Nature: A Feminist View (9/15/05; NEMLA, 3/2/06-3/5/06)

updated: 
Saturday, September 10, 2005 - 4:40pm
Barbara Cook

CFP NeMLA - 2006 - Philadelphia - March 2-5

Women Writing Nature: A Feminist View

Rachel Carson, writer, scientist, and ecologist, became famous as a naturalist and science writer for the public. Embedded in her early works was the view that human beings were but one part of nature distinguished primarily by their power to alter it, in some cases irreversibly. With the 1962 publication of Silent Spring, she challenged the practices of agricultural scientists and the government, and called for a change in the way humankind viewed the natural world. (Rachel Carson.org)

UPDATE: Women Writing Nature: A Feminist View (9/15/05; NEMLA, 3/2/06-3/5/06)

updated: 
Saturday, September 10, 2005 - 4:40pm
Barbara Cook

CFP NeMLA - 2006 - Philadelphia - March 2-5

Women Writing Nature: A Feminist View

Rachel Carson, writer, scientist, and ecologist, became famous as a naturalist and science writer for the public. Embedded in her early works was the view that human beings were but one part of nature distinguished primarily by their power to alter it, in some cases irreversibly. With the 1962 publication of Silent Spring, she challenged the practices of agricultural scientists and the government, and called for a change in the way humankind viewed the natural world. (Rachel Carson.org)

UPDATE: Women Writing Nature: A Feminist View (9/15/05; NEMLA, 3/2/06-3/5/06)

updated: 
Saturday, September 10, 2005 - 4:40pm
Barbara Cook

CFP NeMLA - 2006 - Philadelphia - March 2-5

Women Writing Nature: A Feminist View

Rachel Carson, writer, scientist, and ecologist, became famous as a naturalist and science writer for the public. Embedded in her early works was the view that human beings were but one part of nature distinguished primarily by their power to alter it, in some cases irreversibly. With the 1962 publication of Silent Spring, she challenged the practices of agricultural scientists and the government, and called for a change in the way humankind viewed the natural world. (Rachel Carson.org)

CFP: Comics and Childhood (10/7/05; 2/24/06-2/25/06)

updated: 
Saturday, September 10, 2005 - 4:40pm
Cathlena Martin

    Call for Papers: "Comics and Childhood"

      Fourth Annual University of Florida Comics Conference

      Gainesville, FL
      February 24-25, 2006.

Deadline for Abstracts: October 7, 2005.

The University of Florida's College of Liberal Arts and Sciences is
pleased to announce the 2006 UF Conference on Comics: "Comics and
Childhood," which will be held in Gainesville, Florida, on February
24-25 2006.

CFP: Comics and Childhood (10/7/05; 2/24/06-2/25/06)

updated: 
Saturday, September 10, 2005 - 4:40pm
Cathlena Martin

    Call for Papers: "Comics and Childhood"

      Fourth Annual University of Florida Comics Conference

      Gainesville, FL
      February 24-25, 2006.

Deadline for Abstracts: October 7, 2005.

The University of Florida's College of Liberal Arts and Sciences is
pleased to announce the 2006 UF Conference on Comics: "Comics and
Childhood," which will be held in Gainesville, Florida, on February
24-25 2006.

CFP: Computer Culture: Blogging, Vlogging, Podcasting, Web Design (11/15/05; SW/TX PCA/ACA, 2/8/06-2/11/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Chaney, Joseph R.

CALL FOR PAPERS: Albuquerque, New Mexico, February 8-11, 2006

Computer Culture Area
2006 SWTexas Popular Culture Assoc./American Culture Assoc.
http://www.h-net.org/~swpca/

We are seeking individual paper proposals as well as panel proposals
(panels of three or four presenters) in various areas of computer media.
Panels are open to professionals, graduate students, and performers and
designers. Proposals may be for histories and analyses from any number
of perspectives. We are also interested in proposals from active
bloggers, vloggers, podcasters, and Web page designers.

CFP: Computer Culture: Blogging, Vlogging, Podcasting, Web Design (11/15/05; SW/TX PCA/ACA, 2/8/06-2/11/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Chaney, Joseph R.

CALL FOR PAPERS: Albuquerque, New Mexico, February 8-11, 2006

Computer Culture Area
2006 SWTexas Popular Culture Assoc./American Culture Assoc.
http://www.h-net.org/~swpca/

We are seeking individual paper proposals as well as panel proposals
(panels of three or four presenters) in various areas of computer media.
Panels are open to professionals, graduate students, and performers and
designers. Proposals may be for histories and analyses from any number
of perspectives. We are also interested in proposals from active
bloggers, vloggers, podcasters, and Web page designers.

CFP: British Jewish Women Writers (2/28/06; collection)

updated: 
Saturday, September 10, 2005 - 4:39pm
Nadia Valman

For a collection of essays entitled 'British Jewish Women Writers',
contracted for publication in 2007, I am seeking essays on the fiction of
G.B. Stern, Bernice Rubens, Elaine Feinstein and Eva Figes. Completed
essays will be due in by February 28, 2006.

Please send an abstract of 250 words and CV by October 30, 2005 to
N.D.Valman_at_soton.ac.uk, or contact me for further information/discussion.

Dr Nadia Valman
Lecturer in English
School of Humanities
University of Southampton
Highfield
Southampton SO17 1BJ
UK

CFP: British Jewish Women Writers (2/28/06; collection)

updated: 
Saturday, September 10, 2005 - 4:39pm
Nadia Valman

For a collection of essays entitled 'British Jewish Women Writers',
contracted for publication in 2007, I am seeking essays on the fiction of
G.B. Stern, Bernice Rubens, Elaine Feinstein and Eva Figes. Completed
essays will be due in by February 28, 2006.

Please send an abstract of 250 words and CV by October 30, 2005 to
N.D.Valman_at_soton.ac.uk, or contact me for further information/discussion.

Dr Nadia Valman
Lecturer in English
School of Humanities
University of Southampton
Highfield
Southampton SO17 1BJ
UK

CFP: British Jewish Women Writers (2/28/06; collection)

updated: 
Saturday, September 10, 2005 - 4:39pm
Nadia Valman

For a collection of essays entitled 'British Jewish Women Writers',
contracted for publication in 2007, I am seeking essays on the fiction of
G.B. Stern, Bernice Rubens, Elaine Feinstein and Eva Figes. Completed
essays will be due in by February 28, 2006.

Please send an abstract of 250 words and CV by October 30, 2005 to
N.D.Valman_at_soton.ac.uk, or contact me for further information/discussion.

Dr Nadia Valman
Lecturer in English
School of Humanities
University of Southampton
Highfield
Southampton SO17 1BJ
UK

CFP: Early American Cartographies (10/1/05; 3/2/06-3/4/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Susan Imbarrato

Dear colleagues:
Please see below a call for papers
(with apologies for cross-posting).
Thank you,
Susan Imbarrato
----------------------

"EARLY AMERICAN CARTOGRAPHIES"

      March 2-4, 2006, at the Newberry Library:

A conference sponsored by the Society of Early Americanists; the
Newberry Library's Center for Renaissance Studies, Hermon Dunlap Smith
Center for the History of Cartography, D'Arcy McNickle Center for
American Indian History, and Dr. William M. Scholl Center for Family
and Community History; and the Institute for Scholarship in the Liberal
Arts, College of Arts and Letters, University of Notre Dame.

CFP: Early American Cartographies (10/1/05; 3/2/06-3/4/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Susan Imbarrato

Dear colleagues:
Please see below a call for papers
(with apologies for cross-posting).
Thank you,
Susan Imbarrato
----------------------

"EARLY AMERICAN CARTOGRAPHIES"

      March 2-4, 2006, at the Newberry Library:

A conference sponsored by the Society of Early Americanists; the
Newberry Library's Center for Renaissance Studies, Hermon Dunlap Smith
Center for the History of Cartography, D'Arcy McNickle Center for
American Indian History, and Dr. William M. Scholl Center for Family
and Community History; and the Institute for Scholarship in the Liberal
Arts, College of Arts and Letters, University of Notre Dame.

CFP: Early American Cartographies (10/1/05; 3/2/06-3/4/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Susan Imbarrato

Dear colleagues:
Please see below a call for papers
(with apologies for cross-posting).
Thank you,
Susan Imbarrato
----------------------

"EARLY AMERICAN CARTOGRAPHIES"

      March 2-4, 2006, at the Newberry Library:

A conference sponsored by the Society of Early Americanists; the
Newberry Library's Center for Renaissance Studies, Hermon Dunlap Smith
Center for the History of Cartography, D'Arcy McNickle Center for
American Indian History, and Dr. William M. Scholl Center for Family
and Community History; and the Institute for Scholarship in the Liberal
Arts, College of Arts and Letters, University of Notre Dame.

CFP: Regions (11/1/05; CEA, 4/6/06-4/8/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
annhawkins_at_cox.net

Reading the Regions/Writing the Regions/Teaching the Regions

The 37th Annual College English Association Conference
San Antonio, Texas
April 6-8, 2006

Keynote: W. J. T. Mitchell, editor, Critical Inquiry

As regional writing, ecocriticism, and communities become increasingly
important in contemporary culture, the 2006 CEA Conference invites papers
and panels that explore—and celebrate—all aspects of geographical,
historical, cultural, and ideological regions.

CFP: Regions (11/1/05; CEA, 4/6/06-4/8/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
annhawkins_at_cox.net

Reading the Regions/Writing the Regions/Teaching the Regions

The 37th Annual College English Association Conference
San Antonio, Texas
April 6-8, 2006

Keynote: W. J. T. Mitchell, editor, Critical Inquiry

As regional writing, ecocriticism, and communities become increasingly
important in contemporary culture, the 2006 CEA Conference invites papers
and panels that explore—and celebrate—all aspects of geographical,
historical, cultural, and ideological regions.

UPDATE: History and American Modernisms (9/18/05; NEMLA, 3/2/06-3/5/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Ben Railton

Please note deadline extension, to 9/18/05.

Modern History: Constructions of the Past in American Literary=20
Modernisms. What role did visions of history play in the formation of=20
and work by American modernist movements (Harlem Renaissance, Southern=20
Renaissance, expatriates, poets, leftists, etc)? How did writers such as =

Hughes, Ransom, Stein, Williams, and Le Seuer construct the past, and to =

what ends? All topics and approaches, including interdisciplinary ones,=20
welcome. E-mail 250-500 word abstracts to Ben Railton=20
<barailton_at_hotmail.com< by=20
September 18, 2005.

[For further possible inspiration, here's the write-up submitted to=20
NEMLA:]

UPDATE: History and American Modernisms (9/18/05; NEMLA, 3/2/06-3/5/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Ben Railton

Please note deadline extension, to 9/18/05.

Modern History: Constructions of the Past in American Literary=20
Modernisms. What role did visions of history play in the formation of=20
and work by American modernist movements (Harlem Renaissance, Southern=20
Renaissance, expatriates, poets, leftists, etc)? How did writers such as =

Hughes, Ransom, Stein, Williams, and Le Seuer construct the past, and to =

what ends? All topics and approaches, including interdisciplinary ones,=20
welcome. E-mail 250-500 word abstracts to Ben Railton=20
<barailton_at_hotmail.com< by=20
September 18, 2005.

[For further possible inspiration, here's the write-up submitted to=20
NEMLA:]

CFP: Southwest/Texas PCA/ACA General Call (11/15/05; 2/8/06-2/11/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Philip Heldrich

Southwest/Texas Popular & American Culture Associations

27th Annual Conference

Albuquerque, New Mexico, February 8-11, 2006

http://www.h-net.org/~swpca/

 

Panels, round tables, workshops now forming in over 60 subject areas. The SW/TEX PCA/ACA annual conference represents one of the nation's largest gatherings of interdisciplinary scholars:

 

Abstract/Proposals to Area Chairs by 15 November 2005.

See http://www.h-net.org/~swpca/

  

Hotel (book early as space goes quickly):

CFP: Early Tudor (9/15/05; Kalamazoo, 5/4/06-5/7/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
Antony Hasler

Early Tudor. Papers on any and all aspects of literature, history and
culture in England from 1485 to 1557. Abstracts accepted through 20
September: Antony Hasler (hasleraj_at_slu.edu) or David Murphy
(murphydt_at_slu.edu). (Panel organized by Center for Medieval and
Renaissance Studies, Saint Louis University.)

CFP: Word and Image in the 18th C. (9/15/05; ASECS, 3/30/06-4/2/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
rschelle_at_mta.ca

WORD AND IMAGE (ASECS, March 30-April 2, 2006)

This panel seeks to investigate the interaction between verbal and visual
languages in the art and literature of eighteenth-century Europe. Approaches
may draw upon such diverse fields as art history and image theory, cultural
studies, literary theory, visual semiotics, book history and print culture.
Some possible topics include: portraits in the text, engraving, illustrated
narratives and cartography, verbal description, and film adaptations of
eighteenth-century works. The objective is to engage in a stimulating dialogue
on the mutual collaboration of these two very rich forms of expression.

CFP: Word and Image in the 18th C. (9/15/05; ASECS, 3/30/06-4/2/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
rschelle_at_mta.ca

WORD AND IMAGE (ASECS, March 30-April 2, 2006)

This panel seeks to investigate the interaction between verbal and visual
languages in the art and literature of eighteenth-century Europe. Approaches
may draw upon such diverse fields as art history and image theory, cultural
studies, literary theory, visual semiotics, book history and print culture.
Some possible topics include: portraits in the text, engraving, illustrated
narratives and cartography, verbal description, and film adaptations of
eighteenth-century works. The objective is to engage in a stimulating dialogue
on the mutual collaboration of these two very rich forms of expression.

CFP: Word and Image in the 18th C. (9/15/05; ASECS, 3/30/06-4/2/06)

updated: 
Saturday, September 10, 2005 - 4:39pm
rschelle_at_mta.ca

WORD AND IMAGE (ASECS, March 30-April 2, 2006)

This panel seeks to investigate the interaction between verbal and visual
languages in the art and literature of eighteenth-century Europe. Approaches
may draw upon such diverse fields as art history and image theory, cultural
studies, literary theory, visual semiotics, book history and print culture.
Some possible topics include: portraits in the text, engraving, illustrated
narratives and cartography, verbal description, and film adaptations of
eighteenth-century works. The objective is to engage in a stimulating dialogue
on the mutual collaboration of these two very rich forms of expression.

Pages