Literature, Technology, and the Body 

PAMLA 2026, Seattle, November 12-15

https://www.pamla.org/pamla2026/

This panel invites papers that examine any aspect of literary treatments of the human body in relationship to technology—especially medical and industrial technologies—past and present. In particular, the panel is interested in literary interrogations of the ways that technology mediates the subject of the body into the public-political and manages populations of subjects/bodies.

August 3-5, 2026

Southern Utah University - Utah Shakespeare Festival

The Wooden O Symposium is a cross-disciplinary conference exploring the impact of Shakespeare's plays on culture and history, from his time to the present. This face-to-face conference aims to foster research in the field of Shakespeare Studies and to provide connections between academia and professional theatre productions through our partnership with the Utah Shakespeare Festival. The Wooden O Symposium limits participation to 25 presenters to ensure robust conversation and feedback as we strive to create a community of scholars engaged with the work of Shakespeare.

Call for Book Chapters

Title: Folk and Culture: Tradition, Resistance and Nurture

Publisher: VLC Media Publication

VLC Media Publication offers ISBN-certified, peer-reviewed publications with national and international circulation.

Editors:

Dr. Naresh K Vats, Associate Professor, Guru Gobind Singh Indrapratha University, New Delhi, India

Dr. Chetna Tiwari, Associate Professor, Guru Gobind Singh Indrapratha University, New Delhi, India

Scope of the Volume:

We invite chapter proposals for an edited collection titled Metafictional Horror Cinema: The Screen as Mirror, to be submitted to the UWP Horror Studies series. The volume explores how horror cinema reflects on its own formal strategies, lays bare its narrative and technological mechanisms, and confronts viewers with unsettling modes of self-awareness.

The volume will explore the role of metafiction within horror cinema, from postmodern genre revisions and reflexive found-footage films to avant-garde and hybrid works that fracture narrative logic, collapse diegetic boundaries, break the fourth wall, or explicitly implicate the viewer in acts of spectatorship and violence.

Seeking on papers about opacity in contemporary literature and art for a panel at ASAP (Association for the Study of Arts of the Present) 2026 Convention. Please send an abstract and a short bio to Sané Bhattarai (bhattsan@gvsu.edu) or Moya (Moyang) Li (moyang.li@csulb.edu) by April 24.

Session Abstract: The genre of African American poetry has a long legacy of both preserving tradition and evolving to suit current times and places. This session invites discussion of the defining features that have been maintained over time as well as patterns of bold experimentation. Rather than seeing tradition and innovation as opposing aesthetic directions, this session hopes to examine ways they have co-existed in this genre and been mutually fruitful. 

Call for Papers: International Journal of Fashion Studies

Special Issue: 'Clothing and Dress in Times of Mass Violence'

View the full call here>>

https://www.intellectbooks.com/international-journal-of-fashion-studies#call-for-papers

The figure of the witch (both real and imagined) is inherently political and potentially contentious. Each wave of feminism has reflected on shifting considerations of the witch as evocative of issues around gender, power and, more recently, intersectional aspects of identity. More recent critical engagement with witches and witchcraft reflects a transition, transcending disciplinary boundaries and positioning the witch in line with shifting contemporary debates. This shift moves the witch beyond the symbolic or the individual to consider both the interconnected and disparate nature of the witch. We can, instead, see the witch as a key component in movements of political change, as activist alongside the spiritual expl

Though getting it together may signal a practice of spontaneous collectivity, “get it together” is also a gendered command—one which affiliates a performance of femininity with certain aesthetic expectations and demands the unbounded work of love, care, and social reproduction. How do we understand the aesthetics of femininity in a moment where feminism has been defanged of its oppositionality, when it functions as an alibi for the tide of fascism in the form of TERFs and girlbosses? Everyday injunctions toward norms of femininity appear in the form of “Get Ready With Me” videos, Planned Parenthood’s decision to offer Botox, ceaseless trend cycles, and the normalization of weight loss medication, with Serena Williams as its icon.

Short Stories (Fiction/Non-fiction) INVITED for

Climate Change, Disasters, and Global Narratives: Collection of Short Stories

Edited by:

Dr. Gurpreet Kaur

Assistant Professor & Head

Post Graduate Department of English

Sri Guru Teg Bahadur Khalsa College

Sri Anandpur Sahib, Punjab, India

and

Jacobus Bracker

Hamburg University of Technology,

Call for Papers // Society of Early Americanists // 2027

“Queer Humors”

CALLING ALL 2SLGBTQ+ WRITERS WHO EXPERIENCED RELIGIOUS TRAUMA. I am excited to announce this Call for Submissions for my new anthology of creative nonfiction narratives! Entitled Queer and Trembling: Stories of LGBTQ+ Religious Trauma, this anthology will bring together a collection of stories about 2SLGBTQ+ religious trauma from Christian contexts, whether they be evangelical, fundamentalist, Pentecostal, Catholic, Mormon, Jehovah's Witness, Orthodox, etc. The collection is under contract with Jessica Kingsley Publishers (an imprint of Hachette UK) and will likely be released in 2028. 

This special issue brings together innovative and interdisciplinary comics scholarship that rethinks the epistemic, aesthetic, political, material, and decolonial aspects of comics across the Global South. These forms prompt renewed reflection and inquiry into what it means to draw knowledge, memory, community, dissent, and futurity, while simultaneously interrogating the foundational categories of representation, authorship, narrative form, and colonial epistemology.

The MISH UJ Academic Society and the Student Council of the Interfaculty Individual Studies in the Humanities at the Jagiellonian University cordially invite both active and passive participation in the International Academic Conference Science and Humanities: Interdisciplinary Reflections on Bioethics.The conference will be held on site on 29–30 May 2026 at Collegium Novum of the Jagiellonian University. Call for Papers
Submissions are accepted until 16 April 2026, 11:59 p.m.
Presentations should not exceed 15 minutes.Submission form: 

Twenty-Fifth International Conference on New Directions in the Humanities, University of Split, Croatia, 30 June - 2 July 2027

Founded in 2003, the New Directions in the Humanities Research Network is brought together by a common interest in established traditions in the humanities while at the same time developing innovative practices and setting a renewed agenda for their future. We seek to build an epistemic community where we can make linkages across disciplinary, geographic, and cultural boundaries. As a Research Network, we are defined by our scope and concerns and motivated to build strategies for action framed by our shared themes and tensions.

Editors: Elise Boxer (Dakota), University of South Dakota and Travis Franks, Utah State University, Department of English

The T. S. Eliot Studies Annual, Call for Papers for Volume 9

The T. S. Eliot Studies Annual is the leading venue for the critical reassessment of Eliot’s life and work in light of the ongoing publication of his letters, critical volumes of his complete prose, the 2015 edition of his complete poems, and the forthcoming critical edition of his plays.

All critical approaches are welcome, as are essays pertaining to any aspect of Eliot’s work as a poet, critic, playwright, editor, foremost exemplar of modernism, or his influence on twentieth-century and contemporary literature and culture.

Abstract

The "Shakespeare and the Early Moderns" session at PAMLA 2026 seeks proposals focusing on: Shakespeare and the early moderns; Shakespeare and/or his peers (Massinger, Heywood, Beaumont, Fletcher, Wroth, Middleton, etc.); the influence of Shakespeare and the early moderns on later works of literature. Topics of particular interest include work on Shakespeare and power and authority; labor and hierarchy, national identity, Shakespeare and race, feminism, gender and sexuality, disability studies, post-colonial studies, early modern economies; adaptations, and other proposals that touch on any aspect of Shakespeare, his contemporaries, and related topics.

Theme: Interconnections between Utopia and Dystopia in Times of Crisis

Venue: Embassy Suites Portland Downtown (Formerly the 1912 Multnomah Hotel)

Proposal Deadline:June 30, 2026

Conference Co-chairs email: susprogramchair@gmail.com

Conference website: https://utopian-studies.org/conference2026/

While not for the first time, educators are finding themselves at the center of political controversies as their pedagogies, content, and even profession is questioned, critiqued, and in some cases, banned. Also not the first occurrence, protesting has become one way targeted educators, students, and community members respond to and resist these top-down attacks. For some, these involve taking to the streets, organizing or joining protest efforts with high, public-facing visibility. For others, protests manifest as the books and content they continue to teach or the use of a student’s preferred pronouns.

This issue aims to restore much-needed scholarly attention to analog effects and other hands-on approaches to filmmaking in analog and contemporary digital cinema. Special effects have become a growing area in film studies with the rise of digital cinema since the turn of the century, sparking renewed interest across academic writing, popular culture, journalism, and fandom. Scholars such as Warren Buckland, Stephen Prince, Charlie Keil, Kristen Whissel, and Julie A. Turnock have primarily focused on the cinematic realism of CGI and its ubiquitous use in Hollywood mainstream cinema. Furthermore, as Dan North, Bob Rehak, and Michael S.

At a time when some are attempting to rewrite the Humanities, it might be questioned as to how archives can not only be preserved but also utilized to fight for the future. Children’s and Young Adult Literature and Culture are deeply shaped by questions of memory, authority, and cultural transmission. Contributors are encouraged to consider the archive as an ever-evolving site of power that governs inclusion, exclusion, and interpretation. One might posit questions such as How do archival practices shape the stories available to young readers, and how might authors, educators, and scholars work against inherited silences and erasures?

This peer reviewed edited collection will be part of McFarland & Company, Inc.’s Studies in Gaming series.