Shakespeare’s plays have never been far from political and cultural controversy. Today, Shakespeare still sits at the centre of the cultural establishment. However, this canonical status is under renewed attack from critics and detractors. Is it time to jettison Shakespeare from the syllabus and the stage, making way for new voices? Alternatively, what are the opportunities and strengths of working/woking with Shakespeare’s texts?

The “Romance of the Road” had its run in 20th-century literature and culture, and we must now consider what will follow on its heels as it fades into the gloom of an anthropogenically tarnished future.

Car culture has radically renegotiated the individual’s place within human-constructed spaces, and the end of car culture will demand even further revisions to planning codes and architecture. This panel invites participants to discuss a century of car dependency and how literary and cultural discourses can contribute to management of the after-effects, especially in urban environments that have grown steadily clogged with traffic.

Call for Papers: Scholarly Book on Suburban Studies

We invite chapter proposals for a forthcoming scholarly book on suburban studies. This interdisciplinary book aims to explore the complex, diverse, and dynamic nature of suburbs, their histories, and their futures. The book will seek to engage with a wide range of topics and themes related to sub/urban spaces, cultures, politics, and environments.

The Leon Edel Prize is awarded annually for the best essay on Henry James by a beginning scholar.  The prize carries with it an award of $300, and the prize-winning essay will be published in HJR.

The competition is open to applicants who have not held a full-time academic appointment for more than four years. Independent scholars and graduate students are encouraged to apply.

Essays should be 20-30 pages (including notes), original, and not under submission elsewhere or previously published.  Please send the manuscript in Microsoft Word format.

Send electronic submissions to: hjamesr@creighton.edu

"The greatest event of our age is the meeting of cultures, meeting of civilizations, meeting of different points of view, making us understand that we should not adhere to any one kind of single faith, but respect diversity of belief. Our attempt should always be to cooperate, to bring together people, to establish friendship and have some kind of a right world in which we can live together in happiness, harmony and friendship. Let us therefore realize that this increasing maturity should express itself in this capacity to understand what other points of view are’?"- Dr. Sarvepalli Radhakrishnan.

We are pleased to announce the Call for Papers for the upcoming edited book volume, Public Health Communication Challenges to Minority and Indigenous Communities edited by Dr. Kealeboga Aiseng and Dr. Israel Fadipe.

The Elizabeth Madox Roberts Society welcomes submissions from scholars who are interested in discussing the future of single-author societies at a roundtable discussion at SAMLA 95 in 2023.

Most academic disciplines today remain entrenched in a lack of epistemic trust. The theories and methods through which knowledge production is validated are still determined at the centers of global academic production, while some epistemologies, counted as 'peripheral', are prevented from disseminating beyond their national borders. Non-Western epistemologies are stunted by hegemony and the pervasiveness of anthropocentric Western thought and are thus not central in the shaping of academic fields.

Essay Collection  

Expressions of interest are invited for an essay collection: British Theatre and the 1920s

These new essays will explore British theatre in the 1920s across a spectrum of genres and locations. The book’s focus is on theatre in a broad sense, encompassing a range of performance cultures and demonstrating some of the major ways in which theatre operated within the broader culture and society of the time.

 Topics might include (but are not limited to):

The dramatic legacy of WWI

Political theatre

Melodrama

SURPLUS is the keyword for the 2024 NeMLA convention for critical and creative work that, in addition to the commonly associated meanings of profit and value, can be more broadly construed as excess or excessive, as surfeit, or what is leftover, or unwanted: an excess of emotion (anger, fear, passion, desire), for example; or surplus time (leisure or its absence); or populations rendered "surplus"- migrants, the marginalized, the unemployed, the incarcerated.

The global and digital connectivity of recent years has transformed creative writing infrastructure and practice around the world.  Recent decades have seen a number of critical and popular publications exploring the history and practice of creative writing, from Marc McGurl’s “The Program Era: Postwar Fiction and the Rise of Creative Writing” (2011) to Lisa Jaillant’s Literary Rebels: A History of Creative Writing in Anglo-American Universities (2022). Yet, as these titles suggest, the critical focus has been on US and UK courses.

Bending Metal: Metal Scenes during and after COVID 

deadline for submissions: 

August 15, 2023

full name / name of organization: 

Bryan Bardine/University of Dayton/ Jerome Stueart

contact email: 

bbardine1@udayton.edu

Bending Metal: Global Metal Scenes during and after COVID
Proposals due: August 15, 2023

Continuing our work examining metal scenes and with a contract with Lexington Press we propose the following project:

No Publication or Subscription Fee/ Free Complimentary Copy

Call for Papers

Theorising Gender in the Context of Cultural Limitations: A Series of Book Chapters on Contemporary Indian Writing in English

This session brings together literary studies and the study of human sensation to question how literature acts as a representation or conduit of sensory knowledge. How can literature challenge our perspectives through unconventional representations of sensation? What are sensory aesthetics? What role do the senses play in eliciting feeling? How can recentering sensation open new pathways and epistemologies of identity and difference? The study of literature and sensation is particularly fertile grounds for the study of perspective: how do our senses shape our perspective? How does the separation of the senses into five distinct categories, as is it commonly depicted, foreclose possibilities for more complex depictions of human experience?