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Call for Papers
Cormac McCarthy Area
Southwest Popular / American Culture Association (SWPACA)
45th Annual Conference, February 21-24, 2024
Marriott Albuquerque
Albuquerque, New Mexico
Submissions open on September 1, 2023
Proposal submission deadline: October 31, 2023
This roundtable examines the re-location of Shakespeare in America from the angle of regional production, performance, pedagogy, culture, and impact with a focus on race, class, gender, history, and culture.
Radical Kinship: Interspecies Ontologies Beyond Productivity / NeMLA's 55th Annual Convention March 7-10, 2024 Boston, MA - Abstracts are due by September 30 https://www.cfplist.com/nemla/Home/S/20387
War Literature and Trauma (CEA 3/21/24–3/23/24)
deadline for submissions:
November 1, 2023
full name / name of organization:
College English Association (CEA)
contact email for questions:
andrea.vannort@afacademy.af.edu
Subject: Call for Papers: War Literature and Trauma at CEA 2024
Call for Papers, War Literature and Trauma at CEA 2024
March 21-23, 2024 | Atlanta, GA
It has been challenging to maintain healthy enrollments in Japanese language courses at all college levels in the U.S. Although this problem is more serious in small liberal-arts colleges, state universities also have the same problem especially in their advanced Japanese courses. If we think about the prevalence of Japanese popular cultural products such as anime, manga, music, games, V-tubers, and traditional artifacts among college students in the United States, we cannot easily understand why the number of students who learn Japanese has been decreasing in many institutions.
Archival research has always been a cornerstone of medieval studies, but recent work has reinvigorated the field by transforming our understanding of the lives of late-medieval authors and people alike. The discovery of new evidence in the case of Cecily Chaumpaigne and Geoffrey Chaucer, contentious debates around identifying "Chaucer's Scribe" Adam Pinkhurst and recovery of figures such as Eleanor Rykener and the rebels of 1381 all demonstrate how archival research enriches our understanding of the medieval past. This thread invites contributions that foster new understandings of lives in the archives and bring a theoretical eye to the practice of archival research itself.
Through stories, knowledge and culture within and between communities is passed from generation to generation. Oral narratives were used and are still used to share rituals, customs, and traditions of a community. The truths within Indigenous communities are reflected and grounded within their stories and Elders play a key role in passing knowledge. They “mentor and provide support and have systematically gathered wisdom, histories, skills, and expertise in cultural knowledge” (Iseke 561). Their stories shape identity and empower Indigenous communities and peoples. Stories indicate beliefs, attitudes, and perceptions of people.
This edited volume seeks to collect scholarship on how Studio Ghibli has adapted stories from other media to film. Many of the Japanese animation powerhouse’s films have their origins in novels or comics, such as Diana Wynne Jones Howl's Moving Castle. Studio Ghibli cofounder and director Hayao Miyazaki even adapted his own manga, Nausicaä of the Valley of the Wind, into a feature film. We seek proposals — from a variety of disciplines and perspectives — for essays exploring how Studio Ghibli’s storytellers have approached adaptation, as well as what the study of Studio Ghibli’s filmography can contribute to the broader field of adaptation studies.
Possible / Suggested Topics:
“Make it new.” The rallying cry of modernism supposes something which came earlier which is to be reimagined across the literature and arts of the early twentieth century. Ezra Pound’s maxim represents the bridge between the old and the new, as authors took up the pen to reimagine what life in modernity might look like across literature, the arts more broadly, and political documents including manifestos. The ‘new’ includes many famous and infamous works, but what of the ‘it’? As a response to the alienation of the modern city, the waning of global empires and rotting of the colonial enterprise, and wars beyond previous imagining, authors drew on the old to not only push towards the new, but also recontextualize the present moment using the familiar.
We welcome proposals that think through, reflect upon, and reconsider the significance of Aspirations in the pasts, presents, and futures of the United States. Aspirational ideals and beliefs have always been at the crux of the United States’ national ethos, but they have also evolved during the course of history. Inviting colleagues to consider a range of temporal, spatial, and performative aspects of aspirations, we posethe following questions:
Marginalities in South Asian Literature
Text, Context and Theory
Call for book chapters
Editors: Dr. Arunima Ray (Lady Shri Ram College for Women, University of Delhi), Dr. Karuna Rajeev (Lady Shri Ram College for Women, University of Delhi) and Dr. Goutam Karmakar (NRF Postdoctoral Fellow, University of the Western Cape, South Africa, Routledge Book Series Editor on South Asian Literature & Visiting Scholar Rachel Carson Centre for Environment and Society LMU München, Germany)
CFP:Class Participation: A Must or a Bonus?
NeMLA Annual Convention, Boston, MA, March 7-10, 2024
Submission Deadline: September 30, 2023 through the NeMLA portal: https://www.cfplist.com/nemla/Home/S/20518
The Politics and Poetics of Community within the Anglophone Left
International Conference
Sorbonne Université / Paris Nanterre University
Paris / Nanterre, France
March 21-23, 2024
Dear colleagues,
It is a pleasure to invite you to submit proposals for the international conference “The Politics and Poetics of Community within the Anglophone Left.” Organized jointly by Sorbonne University and Paris Nanterre University, this three-day conference will take place in Paris and Nanterre, France on March 21-23, 2024.
Presentation
Creating Camelot(s): The Idea of Community in Arthurian Texts (virtual)
Sponsored by Alliance for the Promotion of Research on the Matter of Britain and International Arthurian Society, North American Branch (IAS/NAB)
Organizers: Michael A. Torregrossa and Joseph M. Sullivan
Call for Papers - Please Submit Proposals by 15 September 2023
59th International Congress on Medieval Studies
Western Michigan University (Kalamazoo, Michigan)
Hybrid event: Thursday, 9 May, through Saturday, 11 May, 2024
Session Objective
Creating Camelot(s): The Idea of Community in Arthurian Texts (virtual)
Medievalisms Today: Aspects of the Medieval Past in the 21st-century World (Panel)
Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
Organized by Michael A. Torregrossa, June-Ann Greeley, and Rachael Warmington
Call for Papers - Please Submit Proposals by 30 September 2023
55th Annual Convention of Northeast Modern Language Association
Sheraton Boston Hotel (Boston, MA)
On-site event: 7-10 March 2024
Session Rationale
Medievalisms Today: Aspects of the Medieval Past in the 21st-century World (Panel)
Character is one of the trickiest of literary concepts. Most theorists agree that narrative, by definition, requires human or human-like characters, but of course characters are not really humans: they exist as a function of words on a page (Barthes 1974); they inevitably include a synthetic dimension (Phelan 1989); they are necessarily incomplete (Gallagher 2006). Of character in Victorian realism, Megan Ward notes that characters are “artificial beings [that] both replicate human subjectivity and create it anew, representing and embodying a complex set of interwoven experiences that define what it means to seem—rather than be—human” (Ward 3).
Destabilizing Trans-Corporealities
In the celebrated ‘The Henry Myers Lecture,’ Bruno Latour critiques, what Elizabeth de Freites and Sarah E. Truman succinctly describe in their paper ‘Science fiction and science dis/trust: Thinking with Bruno Latour’s Gaia and Liu Cixin’s ‘The Three-body Problem’’ (published in Rhizomes Cultural Studies in Emerging Knowledge) as “shifting the focus from ‘trusting that a particular scientific claim is true’ towards an engagement with Gaia (earth) where scientists encounter and form alliances with agencies alive with trickster motive” (Latour, B., 2018. Down to Earth. Oxford: Polity Press).
This MLA special session invites proposals exploring Brit Pop, 90s musical resurgence/new albums (Blur, The Cure, etc.), or any aspects of contemporary pop music related to genre, lyric poetry, and poetics in 2023 and beyond. Broader interpretations of the theme are certainly welcome.
Kindly submit your abstract (250-350 words) as well as a short bio to:
Ariana Lyriotakis, Trinity College Dublin | lyriotaa@tcd.ie
Please reach out with any further questions or clarifications that might be needed. The presidential theme for MLA 2024 (Philadelphia, PA) is Celebration: Joy and Sorrow.
Shenandoah University Young Scholars Literary Symposium
Call for Proposals: Celebrating Shakespeare! - DEADLINE EXTENDED to SEPTEMBER 29!!!
Saturday, October 28, 2023: 10:00 a.m. to 5:00 p.m. EST
Hosted by Shenandoah University’s Department of English in Winchester, Virginia
Speculative Fiction (SF) creators regularly imagine worlds in precipitous decline where the privileged few live in a safe, prosperous, hazard-free enclave from which surplus subaltern populations are excluded. What do these stories of safety for the few while the “surplus” rot outside or join a captive servant class status tell us about our own concepts of borders, citizenship, and expendability? Presenters are invited to engage with one or more texts using cultural studies, postcolonial theory, or other relevant analytic tool to analyze how gated communities function in the SF canon or the real world.
IL PARLAGGIO
ISSN 2280-6849
This section of the academic journal “Sinestesieonline” is open to contributions about theatre and performing arts in all historical ages, forms and variations, in English, Italian and foreign languages. We use double blind peer review.
“Il Parlaggio” is the name created by Gabriele d’Annunzio for the amphitheatre in Vittoriale – a place of empathy, a cradle of emotions, a crossroads of cultures, a connection between antiquity and contemporaneity, an emblem of the “neverending show”.
This proposed edited collection on Michael Cimino will represent the first, full critical engagement with the work of this divisive figure: acclaimed and lionised with The Deer Hunter (1979 Oscars for Directing and, presented by John Wayne, Best Picture), dismissed and demonised with Heaven’s Gate, condemned for The Year of the Dragon, and marginalised and forgotten thereafter, only to be haltingly reappraised shortly before his death in 2016 (with tributes at the Venice and Locarno film festivals).
In May 2023, Republican Senator Tommy Tuberville replied, “Well, they call them that. I call them Americans,” when asked by Richard Banks, a radio host for WBHM in Alabama, if he believed white nationalists should be allowed in the U.S. military. Tuberville, who later said “I look at a white nationalists [sic] as a Trump Republican,” also later slightly recanted, stating that, “We agree that we should not be characterizing Trump supporters as white nationalists.” However, Tuberville’s initial comments and impulses create and reinforce a corollary that to be American is to be white.
Association for Literature, Environment, and Culture in Canada
2024 Biennial Conference: Migrations
19-22 June, Wilfrid Laurier University, Waterloo, Ontario
Call for Book Chapters
Jayanta Mahapatra: Modern Critical Views
We invite scholars, researchers, and literary enthusiasts to contribute to the upcoming edited book Jayanta Mahapatra: Modern Critical Viewsthat aims to delve into the multifaceted dimensions of the celebrated poet, Jayanta Mahapatra. As one of India's foremost poets, Mahapatra's work has left an indelible mark on the landscape of contemporary Indian poetry. This volume intends to critically explore his poetic corpus, shedding light on its thematic richness, artistic innovations, and its relevance in the larger literary discourse.
The Woman Scream (Grito de Mujer) cause opens call for participation. Poets and Visual Artists from anywhere in the world, are invited to send a proposal to raise awareness about women violence as part of our social mission.
The work submitted might become part of our next international anthology in tribute to women and their rights to a life free from violence.
Check the menu “join the cause” of our page www.womanscreamfestival.com for further details and submission’s form.
Call for papers for a Special Cluster in a/b: Autobiography Studies
Spaniards across the Americas after the Spanish Civil War: “I am from the Country Called Exile” / Españoles en las Américas después de la Guerra Civil: “Soy del país del exilio”
Bonkbuster!
Sex and Popular Romance from the 1950s to the Present Day
Edited by Dr Jo Parsons (Falmouth University)
The Bonkbuster is a baggy and pejorative term which has been applied to a wide ranging and diverse literary form. These texts, written mostly, but not exclusively, by women have suffered from critical neglect due to sexism and their popularity, as well as elitist attitudes towards what constitutes literature.
Though the Internet has been around since the 1980s, the “Internet novel” as a genre has only really emerged in the last decade or so. We can think of Lauren Oyler’s Fake Accounts (2021), Patricia Lockwood’s No One Is Talking About This (2021), and Calvin Kasulke’s Several People Are Typing (2021) as notable recent examples. Each of these novels take as their topic the particular and peculiar confines of the digital world we live in. Lockwood has described this sensation as falling through a “long void that never reaches the bottom,” while Brandon Taylor claims that “the Internet Novel captures some of the weird Gothic horror that white people have come, by way of their new digital Calvinism, to accept as being inherent to digital life.”