Appel à communications/Call for papers

Climas (EA 4196) 

Université Bordeaux Montaigne

26-27 février 2026 / February 26-27, 2026

La révision/Revision

Organisateurs/organizers : 

Véronique Béghain, Hannah Champion, Juliette Pochelu, Joël Richard 

(with the collaboration of Guillaume Desagulier)

“Time for you and time for me, And time yet for a hundred indecisions, And for a hundred visions and revisions, Before the taking of a toast and tea”

Historical Fictions Research Conference, Erlangen (Germany),

19th-20th February 2026

Call for Papers

Deadline: 1st September 2025

Submission Form

CFP (edited volume): 13 Exigencies for Teaching the Essay

As readers of Milton know, Milton’s writings are often humorous, titillating, outrageous – extra in today’s colloquial parlance. Of course, they are also challenging, but this too can be pleasurable. Studying Milton involves, simply put, serious fun. How might we rethink our affective approaches to Milton’s poetry and prose to spotlight not only their difficulty but also their recreation? What is at stake for Milton and for us in the pleasures derived from, for example, an over-the-top invective or a sarcastic God? What are sustaining and enlivening potentials in critical and creative practices, such as speculation, auto-criticism, and parody? And how might we mobilize these potentials in our writing and teaching to engage new audiences?

Main theme: “Listening to Each Other’s Voices”

In his work AI Ethics, Mark Coeckelbergh describes humans as “meaning-making, conscious, embodied, and living beings whose nature, mind, and knowledge cannot be explained away by comparisons to machines” (36). Machine-assistant writing tools and other technologies have become increasingly prevalent as teaching tools in humanities classrooms, which means it is more imperative than ever we find ways to differentiate human and non-human meaning making and knowledge creation. Our panel is interested in exploring and mapping potential futures for the humanities as technology becomes an increasingly significant presence in how we teach and present our work in the classroom. 

Description: 

I would like to organize a session at the AWP Conference, March 4-7. I would like to present the research I am currently developing for a book called "Writing Erudite Speculative Fiction". I hope to find other presenters who would like to discuss strategies about formulaic, genre-based, or other types of fiction writing strategies, especially aimed at the literary or sophisticated marketplace. This session is tailored for professors of creative writing who want unique approaches to teaching. The rules are: 

Greetings everyone!

We are excited to announce the commencement of abstract submissions for the fourth volume of Sophia Luminous.

Sophia Luminous ( ISSN: 3048-6211) is a national-level, peer-reviewed, multidisciplinary online research journal for students, published by Sophia College for Women (Autonomous), Mumbai, India. It is devoted to the discussion of the innovative, novel, and contemporary areas of research by undergraduate students, postgraduate students, and early researchers from an array of disciplines.

This issue is not thematically restricted, and we invite previously unpublished research papers that are written by students ranging from undergraduate to MPhil degree.

Call for Papers for an Edited Volume

Gothic in Bengal: Literature and Culture

Call for Papers // Victorians: A Journal of Culture and Literature // Winter 2026 Special Issue: Reading Victorian Religion// Guest Editor, Amanda Vernon 

Aims and Scope of the Journal

Sapphic Echoes: Representations of Female Desire in Litererature and the Visual Arts

This panel asks questions and invites responses that explore representations of female love and desire in literature and the visual arts. How have the complex poetics of female love and desire—the desire to have something, or escape something, or punish, or know—been represented over time? What strategies have been employed to subvert literary conventions defined predominantly by male perspectives on home, love, war, victory and loss? How have female characters navigated the interplay between things done (overtly) and thought (covertly) to reveal the inner web of desires, fears and conflicts that constitute a female poetics of love and longing? 

This call for papers seeks to explore the rich and complex intersection of philosophical inquiry and narrative accounts of trauma and exile. Moving beyond disciplinary boundaries, it aims to investigate how philosophical concepts – such as subjectivity, time, memory, ethics, and belonging – are challenged, reshaped, and illuminated through the lived experiences and narrative expressions of those who have endured trauma and/or forced displacement.

The family is often conceived in terms of exclusivity, closeness and intimacy. The word ‘intimate’ – intimus, or ‘most interior’, in the Latin – suggests that this relationship touches our innermost part, that which is deepest and hidden from view. Familial ties are further corporealized in terms of blood, or the physical proximity of shared space, resources, and memories, and acts of care. Broader ethnic, linguistic, cultural and national communities may be framed as extensions of this familial ‘inner circle’, as the concept of the body politic suggests; the family, for Rousseau, is ‘the first model of political societies’ (The Social Contract).

We are pleased to announce below CFP:

Ekphrasis and the Music of Literature: Music, Literature, and the Visual Arts 

This roundtable invites proposals that explore the intersection of visual, aural, and verbal frontiers.  Although ekphrasis and musical form mirror words, they directly affect the emotions at a primordial level not available to verbal articulation. Ekphrasis translates words into visual images, whereas musical form translates them into sounds and rhythms. What are the differences between these modes of expression and how they affect their audiences? Papers that focus on the relationship of music to literature, the visual arts to literature, or on the interrelations of all three art forms are invited. 

Over the course of the 20th century and into the 21st, cinema, television, and related media have become increasingly central both to individual lives and to the lives of peoples, groups, and nations. Cinema has become a major form of cultural expression and films both reflect and influence the attitudes and behaviour of people, representing their tensions and anxieties, hopes and desires and incarnating social and cultural determinants of the era in which they were made. 

Decay and destruction have long been sources of fascination, inspiration and contemplation in artistic and cultural contexts. From the crumbling ruins of ancient civilizations to the ravages of time on natural landscapes, from the haunting beauty of abandoned spaces to the transformative power of decay in artistic expression, this conference aims to explore the creative potential of decay and destruction across diverse disciplines and perspectives.

Topics may include, but are not limited to:

The conference seeks to explore the narratives of displacement and to demonstrate the validity of a cross-disciplinary approach which brings together the historical, cultural, social and literary expertise in the handling of text. The conference will particularly focus on time and space representations and on treatment of the theme of cultural ambivalence and identity conflict. The subject of displacement will be regarded as both a migration, voluntary or forced, and a sense of being socially or culturally “out of place”.

Papers are invited on topics related, but not limited, to:

Humankind has always sought to explain its origins and the mysteries of life to map personal and collective boundaries, and to secure its sense of identity through the power of everyday events and occurrences. Exemplary accounts of imaginary happenings and supernatural creatures from a time beyond history and memory explain the genesis of the universe, the making of a living thing, the formation of an attitude or the inception of an institution. The essence of these traditional narratives reflects a certain system of values and code of self-conduct of a group of individuals bound together by social and cultural ties, and the cardinal virtues and vices of human nature captured in a conventional configuration.

The conference invites academics, researchers and professionals to critically examine the evolving concept of gender in its many forms and contexts. The conference seeks to explore the past and present dimensions of gender identity across the globe, analyse how societal structures are shaped by and shape gender and consider the role of gender in the broad spectrum of human experience.The theme, Que(e)rying Gender, highlights the importance of questioning, expanding and disrupting conventional understandings of gender. It emphasises the intersections between gender, power, identity and culture, encouraging innovative approaches to understanding how gender influences lived experiences and societal norms.

This panel seeks papers for the Renaissance Society of America’s annual meeting (February 19–21, 2026, San Franscico, California). It explores an overlooked poetic genre: the prefatory poem of the early printed book for the It considers such appendages as simultaneously occupying the niches of text and paratext: discrete units which both conform to the structural and aesthetic constraints of poetry and adorn a corresponding, substantive text. These poems are at once ubiquitous and neglected, appearing in books of nearly all genres: from the luxury atlas to the sailing manual; from the personal devotional to the folio Bible; from the illustrated epic poem to the clinical legal handbook.

XXVIII Generative Art conference.
topics: Human Culture & AI in GA worthiness. The theme of this conference focuses on how to preserve human complexity, with Generative Art and AI.
Art, poetry, music, architecture, and historical cities need generative ideas to adapt to the deep new demands of our fast-changing times.
Our field of interest is to identify these possibilities and relate the most advanced creative approaches of Generative Art and AI.
We will be happy to present your generative approach. This can be done through generative ideas that could safeguard specific identities of Art, Nature, Environments, and History.

(Im)politeness on Stage

Monday 15  – Tuesday 16  December, 2025

University of Naples L’Orientale