The Postwar Area Literature Group invites abstract submissions for our panels at the 2022 meeting of the American Literature Association. The conference will be held at the Palmer House Hilton in Chicago on May 26-29, 2022. We will host two panels this year; please see the full CFPs below:

This seminar departs from the idea that we need a clearer understanding of elemental forms—traditional and non-traditional—that are in different stages of becoming formless (loss, disappearance, transmutation etc.). On the one hand, we build up on the critical genealogy of the formless (l’informe), a concept once popularized by Bataille in the surrealist journal Documents (1929-30) and later taken up by Bataille’s readers, most famously by Rosalind Krauss & Yves-Alain Bois (1997) and Georges Didi-Huberman (1995). While, on the other hand, we also welcome proposals that conceptualize the formless through different disciplinary vantage points and bring it to bear on the question of elemental forms.

As a sport, basketball follows a certain set of rules and conventions which serve as a framework for players, coaches, and teams to play the sport. By their very nature, these rules are meritocratic which means that all participants are equal on the court, play by the same rules, and the only relevant (read as: game deciding) factors are effort, skill, and fortune. Such a perspective on basketball and sports leads certain fans and observers to statements such as “politics should be kept out of sports”.

DEADLINE EXTENDED:

We are seeking chapters for an edited collection on the popular Canadian sitcom, Schitt’s Creek, which had a meteoric rise in the U.S. after airing on Netflix. Schitt’s Creek has been a cultural force with its catchphrases, meme-able moments, and Emmy awards. There is much to unpack to understand the show's popularity and its impact, and, in this edited book collection, we will focus on three central themes: love, place, and identity.

Underlying questions of the project include but are not limited to:

“Voicing ‘Woman’ across Media, 1500-1800”

University of California, Santa Barbara

Conference Date: February 24-25, 2022

Abstracts Due: December 31, 2021

Duquesne University English Graduate Organization’s Hybrid Graduate Conference: 

Cultivating Dynamic Environments, April 8-9th, 2022, Pittsburgh, PA

Deadline for submissions: January 31st, 2022                    Contact email: environments@duq.edu

Call for Papers

International Conference

Université de Montréal/ Research Center for Planetary Literary and Cultural Studies (CELCP)

April 21-23, 2022  

Planetary Drifts—Methodology, Technology, and the Creative Imagination in the Age of Planetary Transformation

Organizing Committee : Heike Härting, Simon Harel, Monica Popescu, Imen Boughattas

The heterogenous character of protean form of travel writing—letters, journals, logbooks, diaries, memoir, journalistic pieces, guidebooks, confessional narratives, accounts of seafaring voyages, literary picaresque narratives, scientific explorations, artists’ escapades, ventures of urban flâneurs, self-exiled wanderers, and fiction—resists easy demarcation. Its heterogeneity lies in the revisionary stance brought about in each narrative through the distinguishing figure of the traveller, mode of narration, means of mapping, or redefining of the landscape.

There is a burgeoning of academic literature on Boko Haram since the inception of the group in 2009. Many of these studies have taken on a social science analytical perspective to understand “the why” of Boko Haram terrorism. Building on these studies, this panel takes a more humanistic and cultural studies approach to the study of Boko Haram terrorism in Nigeria. Focusing on the ‘experiential truth’ that emerges in the narratives of Boko Haram terrorism in a wide range of media and genres, the panel is interested in understanding Boko Haram terrorism as a lived experience.

Feeling, Form, Mind: A Conference on the Thought of Susanne K. Langer

An interdisciplinary conference by the Susanne K. Langer Circle in cooperation with the Max Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany

June 22–24, 2022

Susanne K. Langer (*1895; † 1985) is widely known for her contributions to a variety of fields ranging from the philosophy of art to mathematical logic. Her thought continues to be felt across diverse traditions, in theory as well as in artistic practice. 

When we think of the western literary canon, we tend to think of the famous authors and works that have shaped our literary and scholarly culture into what it is today: Dante, Shakespeare, Milton, Dickens, Twain, Whitman, and the list goes on and on. But In our age of cultural and technological advancement, we believe that the bodies of works we consider worthy of study should also reflect the current world around us. Thus, the goal of this issue of The Humanities Review is to shine a spotlight on those authors, works, and platforms which have not yet found a home in the literary/academic canon, but still merit the kind of close literary analysis afforded to the canon.

Is it true that, according to a 2019 study, men are ‘officially funnier than women’?

Shaw Symposium, 22-24 July 2022

The Shaw Festival, Niagara-on-the-Lake, ONT, CA and Zoom

The International Shaw Society and the Shaw Festival invite scholars and theatre artists to present new work at the 19thannual Summer Shaw Symposium. The event will be held on-site at the Festival; a Zoom option is provided for those who wish to attend the presentations digitally. 

Focused on Bernard Shaw’s life, his works, his contemporaries, and his legacies, the Symposium seeks presentations that relate to the plays included in the Shaw Festival’s 2022 season, especially Too True to Be Good and The Doctor’s Dilemma.

FORUM GOALS
The fourth industrial revolution is quickly changing communication patterns, global trade policies, political alliances and people’s lifestyles. Consequently, it is becoming more important than ever to promote broader mutual understanding among people from different cultures through translation, interpreting and other channels of intercultural communication.