Call for Papers

Conjugal Relationships: An Assessment of Sino / West Discourse and Aesthetics

“The Politics of Sound” - Intersections | Cross-sections (IS|CS) Annual Graduate Conference 2022

Presented by the joint graduate program in Communication & Culture , at X* University & York University

March 18th - 19th, 2022 - Virtual and in-person programming.

Call for presentations: “The Politics of Sound”

Deadline for submissions: Monday January 10th, 11:59pm EST.

The Ernest Hemingway Society

American Literature Association Conference

May 26-29, 2022

Chicago, IL

Documenting the Author: Examining the Role of and Impact of Author-Based Documentaries

This past April, the highly anticipated documentary, Hemingway (2021), premiered on PBS, coupled with watch parties and much discussion of reactions to the film.  The reception of the documentary spurred debate, provided new perspectives of Hemingway through visual footage and images, and perhaps most importantly, presented the author’s life and work to a public audience, inviting both casual and dedicated readers to watch and learn. 

Teaching and learning are always a series of voyages and returns.

Since the start of the Covid-19 pandemic, swaths of books about the pivot to online learning have emerged, many focused on practical classroom instruction as a much-needed kind of spiritual manna in a time comprised of uncertainty and abrupt shifts in normative praxes. These contributions capture a historical watershed moment where the voyage is key (e.g., Chan, Bista, and Allen, 2021; Jansen and Farmer-Phillips, 2021; Lemov, 2020; Reimers et al., 2020; Grays-Wiley, 2020).

The horror genre in film follows from the literary tradition established by Edgar Allan Poe, Bram Stoker and Mary Shelley, eliciting physiological and psychological reactions through suspense, gore, the macabre and the supernatural. Horror films transfix and terrify audiences in equal measure, unfailingly achieving suspension of disbelief because fear is a universal emotion. The position occupied by female characters in horror cinema is often ambivalent, ranging from victims of violence to perpetrators of dread. Relying in part on Julia Kristeva's theory of abjection, we will investigate representations of decaying female bodies in cinema. Kristeva defines horror as a breakdown in meaning caused by the loss of boundaries between self and other.

In “Tarhands: A Messy Manifesto,” Métis scholar Warren Cariou rewrites William Carlos Williams’ poem “This Is Just to Say” into a time capsule to be opened in a hundred years:

This is just to say

We’ve burned up all the oil

and poisoned the air

you were probably hoping to breathe.

Forgive us.

It was delicious

the way it burned

so bright and

so fast.

The 1st Conference on Posthumanism and the Ecological Crisis organized by the Department of English & Literary Studies, Brainware University will be held on January 29, 2022. The objective is to motivate and assist esteemed faculty members, research scholars, and students from various institutions in sharing their work through presentations and publication of their state-of-the-art research.

Deadline extended!

Comhfhios Boston College is an interdisciplinary Irish Studies Conference. This year's theme is "Other Irelands" and the conference will take place in Chestnut Hill, MA on February 25-26, 2022. See full cfp below: 

The Irish Studies Graduate Students of Boston College, in conjunction with the Irish Studies Program, are pleased to be hosting the fifth annual Comhfhios Boston College conference. Comhfhios (pronounced “co-is”) meaning “knowledge together,” or “open to all knowledge,” invites emerging scholars in all Irish Studies fields to gather again in Boston. 

#DouglassWeek is excited to invite poets, writers and other creators from around the world to submit entries for the second annual #Douglassweek poetry competition. This year, the theme of “Intergenerational Conversations” may inspire your creations.

Since COVID-19’s first infection, the virus has mutated. Each expected virological mutation summons increased governmental and medical surveillance, received both positively and suspiciously by the public. The instituted state of exception was most aggressively diagnosed by the Italian philosopher Giorgio Agamben. Agamben, however,  is not alone in theorizing the pandemic. Thinkers like Slavoj Zizek, Jean-Luc Nancy, Sergio Benevenuto, and Catherine Malabou have also published reflections on the virus’s spread. In fact, a veritable sub-section of academic publishing has emerged due to the virus.

The next issue of Disegno will investigate, from the perspective of design culture, the contemporary role and significance of cinema, film, VR and moving image installations within the context of the institutional, technological, and media-related developments and lifeworld in the twenty-first century. Our basic aim is to shed more light on how critically oriented design culture studies conceive of design not as it is in the world but how it creates our lifeworlds (Lebenswelten) as seamless webs of discursive meanings and sensual experiences. On closer inspection, our particular interest lies in how this worlding (scil. es weltet) can be understood in the realms of cinema and film making.

CFP website: https://thehallyuproject-p45.com/

Post45 Contemporaries website: https://post45.org/contemporaries/

THE HALLYU PROJECT: A Post45 Contemporaries Cluster

Between Heaven and Ground: exploring new atmospheres

The atmosphere is an ever-present component of the Earth, and although airy and diffuse, gives rise to an endless multiplicity of realisations, affects and presences. The epistemological and ontological vagueness of the atmosphere belies the criticality of the atmosphere as central to conditions of being (both human and more-than-human), and as a material site for attention and attunement. As Lyall Watson writes in Heaven’s Breath, ‘the more we learn about our atmosphere, the more substantial it becomes… close to being a living tissue in its own right’ (1985: 146). 

‘Borders. Everything begins with them, and all paths lead back to them. They are no longer merely a line of demarcation separating distinct sovereign entities. Increasingly, they are the name used to describe the organized violence that underpins both contemporary capitalism and our world order in general – the women, the men, and the unwanted children condemned to abandonment […] In fact, everything leads back to borders – these dead spaces of non-connection which deny the very idea of a shared humanity, of a planet, the only one we have, that we share together, and to which we are linked by the ephemerality of our common condition.’ - Achille Mbembe, Necropolitics, p. 99