the Black Theatre Review (tBTR) is now accepting submissions for our fourth publication, 

Vol. 2 No. 2, to be published in January 2024.

Environmentalism

We are pleased to invite submissions that interrogate aesthetics, performativity, and matters of Environmentalism in Black and African Diasporic theatre history, contemporary performance and production, dramatic literature, digital art, artistic leadership, pedagogy and praxis, and nature-based religious and spiritual performativity. We invite authors to investigate, meditate and reflect on, and respond to:

Children's Literature Association 2024 Conference

May 30 - June 1, 2024

Madison Concourse Hotel & Governor's Club
Madison, Wisconsin

Theme: Looking Back, Looking Forward:  ChLA at 50

As we approach the 50-year anniversary of the Children’s Literature Association’s founding, we gather to reflect on the past, present, and future of our field. 

Event 2024 is an experiment in sustainable global conferencing, including monthly Zoom events, face-to-face hub events in September, and the asynchronous discussion of uploaded papers on COVE Conferences.

2024 International Congress of Medieval Studies (Kalamazoo)

This panel invites papers considering the global reach and expanse of Petrarch and Petrarchan concepts, as reflected in: 1.) the poet’s work itself, 2.) his engagement with other literary and linguistic traditions, and 3.) intertextual responses to his work. Countering longstanding perceptions of an “insular” Petrarch who primarily gazes inward while losing sight of other perspectives and horizons, this panel considers the sociopolitical, transhistorical, comparative, intertextual, interlinguistic, and plurilinguistic frameworks that permit an understanding of a more capacious Petrarch—a Petrarch who can be understood “globally,” so to speak, in both his Latin and vernacular writings.

Call for Papers

ALFRED HITCHCOCK

Southwest Popular / American Culture Association (SWPACA)

45th Annual Conference, February 21-24, 2024

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Submissions open on September 1, 2023

Proposal submission deadline: October 31, 2023

Call for Papers

Mystery/Detective Fiction Area

Southwest Popular / American Culture Association (SWPACA)

45th Annual Conference, February 21-24, 2024

Marriott Albuquerque

Albuquerque, New Mexico

http://www.southwestpca.org

Submissions open on September 1, 2023

Proposal submission deadline: October 31, 2023

This is a call for papers for the ACLA seminar titled "Ecocritical Adaptations: Feminist and Queer Interventions" organized by Dr. Fei Shi and Dr. Sylvie Bissonnette.

American Comparative Literature Association (ACLA) Conference 
Palais des congrès, Montreal, March 14-17, 2024

Co-organizers: Christine Xiong (Stanford) and Fiana Kawane (University of British Columbia)

Édouard Glissant, in Poetics of Relation (1990), famously emphasizes that “Cultures develop in a single planetary space but to different ‘times.’ It would be impossible to determine either a real chronological order or an unquestionable hierarchical order for these times.”

What can be said about epic today? Although M.M. Bakhtin famously declared the impossibility of epic in a modern, polyphonic world in 1941, the category has remained a dynamic source of artistic and critical interest. The works considered in studies like Franco Moretti’s Modern Epic (1994), Sneharika Roy’s Postcolonial Epic (2018), or Václav Paris’s Evolutions of Modernist Epic (2021) re-evaluate epic as a multifarious category capable of shedding light on the global, postcolonial, and postmodern condition of contemporary literature—either as a site of resistance or as a form of cultural domination. Yet even in its new, polyphonic forms, the idea of epic is rarely severed completely from its classical roots.

This seminar focuses on the recent (2022) publication of Catherine Malabou’s Au voleur!, which is slated for publication in English translation as Stop Thief! in January 2024. Contributors are invited to present 20-minute responses to Malabou’s book that consider the interdisciplinary relevance of Stop Thief! to contemporary theoretical discourse.  

This call for papers is for a seminar at the ACLA 2024 Annual Meeting (https://www.acla.org/annual-meeting). Therefore, please submit your abstracts through this page: https://www.acla.org/node/add/paper

ACLA 2024: Thinking the “Unthinkable World”: Theories of Horror, Horrors of Theory

American Comparative Literature Association Seminar

Masculinity is in crisis. This comes as no surprise to anyone following current events, taking note that the perpetrators of violent crimes (most significantly mass shootings, terrorism, and domestic violence) are overwhelmingly male. It becomes clear that, despite their dominant status in American culture, a significant proportion of men are lonely, violent, and repressed. 

Remembering “the magic of the B.B.C. box” long after he had left for London, George Lamming described the event of a Caribbean Voices broadcast: “West Indian writers would meet in the same house and listen to these programmes,” absorbing “the curriculum for a serious all-night argument” and then wrangling “among themselves and against the absent English critic.” With venues for print often vanishingly small, radio assumed an outsized importance for postcolonial writers in the middle of the twentieth century, offering larger audiences, steadier remuneration, and programming with a generative mix of stories, poems, drama, and criticism. How did wireless outlets, and networks, shape literatures emerging from the protracted end of European empires?