Beyond the American Western: Picturing the Far West in Global Comics
The Western genre has been widely read within the confines of a national cinema and culture of the United States. However, the field of Film Studies has increasingly sought to emancipate the Western genre from discourses of American myth and identity, instead exploring its ongoing production, circulation, and reception beyond the borders of the United States (including Miller 2013; Higgins 2015; Mayer 2022, among many more). This body of work has significantly expanded our understanding of the Western’s transnational dimensions by highlighting the genre’s local rewritings on a global scale, and unpacking the complex transcultural negotiations involved in appropriating what is often considered an inherently American genre.
