This guaranteed panel (in-person at the Modern Language Association in Los Angeles, California; January 7-10, 2027) takes a cue from the forthcoming Oxford Handbook of African American Humor Studies and seeks 250-word proposals that discuss how African American humorists eschew "just jokes" to articulate personal and collective selfhood and freedom. Please submit abstracts by Monday, March 16 to dmorgan@scu.edu. This panel is sponsored by the Screen Arts and Culture Committee.

Accepted presenters must be MLA members by April 1, 2026. 

C21 is inviting scholars and researchers to contribute book review essays for upcoming issues. We currently have a selection of titles published in 2025 available for review, spanning literary studies, film and media studies, cultural studies, and gender and sexuality studies. We invite prospective authors to submit ideas for review essays that discuss 2–3 recently published scholarly texts. For the full CFP, and to see our list of available titles, please visit: https://c21.openlibhums.org/news/923/.

Existing scholarship in Asian (North) American Literature has long examined travel narratives about Asian travelers within immigrant or diasporic paradigms: Sau-ling Wong famously establishes the Necessity/Extravagance framework in understanding transpacific mobility by early Asian American immigrants (1993), whereas Chih-ming Wang reads the autobiographical travelogues by diasporic Vietnamese American writers as “homecoming stories” (2013), and Patricia Chu interprets them as “return narratives” deploying acts of countermemory and postmemory to address racial melancholia (2019).

This year, the Center for 21st Century Studies aims to activate “Slow Care”—a practice that places deliberate attention on the beings, things, and sites, which together foster long-term visions of collective life across generations and communities of humans and non-humans, as well as ever-evolving technologies and ecologies. In line with this theme, the Digital Cultures Collaboratory are excited to announce the 4th event in its annual online symposium series, organised around the theme of “Time & Digital Relations.” 

2nd CISMA 2026: International Conference on Technology and Corpora in Discourse, Translation and Interpreting

Khazar University, in collaboration with Shanghai International Studies University (SISU), is pleased to announce the 2nd CISMA 2026 International Conference on Technology and Corpora in Discourse, Translation and Interpreting, which will be held on April 30, 2026, at Khazar University, Baku, Azerbaijan.

This special section of Whatever: A Transdisciplinary Journal of Queer Theories and Studies will function as a critical retrospective on Robert Eggers’s 2015 film The Witch. While much has been written on the film in relation to feminist theory, this special section seeks to excavate the queer possibilities of Eggers’s now iconic film. Taking a broad view of queer theory, we imagine queerness as that which challenges binaries and hierarchies. In this way, The Witch might be understood as queer in terms of the challenges it poses to heteronormative, patriarchal structures, as well as through its dismantling of the boundaries between self and other, human and animal, nature and culture.

Twelfth International Iris Murdoch Conference CFP University of Chichester, 14-16 August 2026: First Call for Papers The Twelfth International Conference on Iris Murdoch studies will take place at the University of Chichester in 2026. The conference will showcase ongoing, and published, Murdoch scholarship with a particular focus on ‘Influences and Inspirations’. Panels should not be confined by this focus, however, and all researchers currently working on Murdoch’s fiction, philosophy, theology, personal journals, letters and poetry – and/or the political and cultural significance of any of these ¬– are invited to submit proposals.

 In a Conference Far, Far Away…Traversing Forms of the Folkloric  (Graduate Student Conference)

 New York University, Department of Comparative Literature: Friday, May 1, 2026

CALL FOR PAPERS

Edited Volume 

Traumatic Geographies.

Marginal Voices in Central and Eastern European Literatures

Editors: Alina Bako (Lucian Blaga University of Sibiu), Merritt Moseley (University of North Carolina at Asheville), Iris Rusu (Lucian Blaga University of Sibiu, University of Bucharest)

Across the African continent and its global diasporas, trauma reverberates through histories of slavery, colonialism, racial capitalism, gendered violence, war, migration, and displacement. However, African and Afrodiasporic writers and artists have not only transformed experiences of pain into sites of creativity, survival, and healing but also reflected in their works the use of African approaches to restoration. This edited volume seeks to explore the ways in which trauma is reconstituted, managed, borne, and cured in African and Afrodiasporic literature and cultural expressions.

War leaves lasting marks not only on people and communities, but also on the natural world that witnesses, and endures, its violence. Long after the fighting has stopped, landscapes shaped by destruction remain living archives, bearing the aftereffects of conflict: damaged forests, polluted rivers and seas, and disrupted ecosystems that continue to hold its traces. These ‘trauma ecologies’ pass on the legacy of war from one generation to the next, forming what we call ‘environmental postmemory.’

Call for Papers

University of Delaware’s 5th CMCS Conference in Material Culture

April 2-3, 2027

                                        “What’s the Matter with Description? Form, Practice, and Material Culture”

Keynote Speaker

SUSAN STEWART

(Princeton University)

This MLA special sessions panel invites papers on literary and cultural approaches to Los Angeles infrastructure, aimed at interrogating the political aesthetic of social, natural, and built environments. Please send a 250 word abstract and short bio. 

2027 MLA Convention: January 7-10 in Los Angeles (accepted presenters must be MLA members by April 1)

2027 MLA Convention

Los Angeles, CA | January 7-10, 2027

CALL FOR PAPERS
MODERN LANGUAGE ASSOCIATION CONVENTION
Los Angeles
JANUARY 7-10, 2027

The Ernest Hemingway Society will sponsor a panel at the upcoming MLA Conference:

Hemingway and Disability

Journal of Anime and Manga Studies (JAMS) - Volume 7

Volume to be published in December of 2026

The Journal of Anime and Manga Studies (JAMS) is excited to announce the call for papers for our seventh volume, to be published December 2026.

The Journal of Anime and Manga Studies is a peer reviewed, open-access journal published by the University of Illinois at Urbana-Champaign. JAMS is dedicated to publishing scholarly works exploring anime, manga, and a broad range of related topics, such as methodologies, cosplay, fandoms, adaptations, and more. As an open-access journal, JAMS aims to reach a broad-ranging audience of scholars (both within and beyond the academy) and interested general readers.

Call for Papers: Nature Remembers: War, Trauma, and Environmental Postmemory in Contemporary Anglophone Literature and Culture

War leaves lasting marks not only on people and communities, but also on the natural world that witnesses, and endures, its violence. Long after the fighting has stopped, landscapes shaped by destruction remain living archives, bearing the aftereffects of conflict: damaged forests, polluted rivers and seas, and disrupted ecosystems that continue to hold its traces. These "trauma ecologies" pass on the legacy of war from one generation to the next, forming what we call "environmental postmemory."

ACCSFF ‘26

                                                                                         Call for Papers

The 2026 Academic Conference on Canadian Science Fiction and Fantasy will be held Saturday and Sunday, May 30-31, 2026, in Toronto, Ontario, at York University, Canada.

This year's author GoH keynote speaker is the Nebula Award winning Premee Mohamed.

We invite proposals for papers in any area of Canadian science fiction and fantasy, including:

    -studies of individual works and authors;
    -comparative studies;
    -studies that place works in their literary and/or
     cultural contexts.

JAMS@AX26

Want to present your work at the one-and-only Anime Expo? The Journal of Anime and Manga Studies(JAMS) and Anime Expo have once-again teamed up to give you the JAMS@AX26 academic symposium, July 2-5, 2026 at the Los Angeles Convention Center. This symposium presents an incredible opportunity to connect fans of all ages directly to scholars researching and writing about the medium we all love. 

The JAMS@AX26 welcomes all papers taking a scholarly perspective on anime, manga, cosplay, and their fandoms.

Concept Note

The Faerie Queene confronts its characters and readers alike with perceptual, cognitive, and physical struggles, and the reader’s passage through Spenser’s monumental work is as arduous and seemingly unending as the journeys and quests of its knights. The parallels between the characters’ trials and the readers’ embodied experience of the poem become more pronounced when The Faerie Queene is read out loud in its entirety. In 2019, the English department at Tampere University organised its first marathon reading of Spenser’s epic romance. The 2026 iteration will be the sixth marathon reading overall, and the second to be attached to an international symposium.

One response to the official archives’ violent erasure(s) of multiethnic subjects (and the associated literatures) in the US has been scholarly investment in digital archiving. Still, the digital archives (and/or the metadata culled from them) can–and often do–reify whiteness as normative and the marginalization of other Americans. MELUS invites papers that consider how digital archiving (re)shapes and/or supports lay communities that inform the literature of the marginalized. We are particularly interested in papers that address how practices of liberatory archiving resist objectification of multiethnic subjects and/or authors. Submit titled proposals (250 words), a brief CV, and AV needs.

Seeking folks for our CFP below. Please email Dana Ahern (dtahern@usf.edu) and SJ Dillon (sjdillo@emory.edu).

Shakespeare’s works continue to inhabit what Stephen Greenblatt calls a “circulating energy system,” an ever-renewing sphere in which texts, performances, and interpretations travel across borders and epochs, sustaining the playwright’s presence in world culture. Tiffany Stern’s seminal research further reminds us that Shakespeare should be understood not as a fixed authorial entity but as an ongoing “process”—a dynamic constellation of scripts, fragmentary documents, performance traces, and editorial interventions that resist the notion of a stable text.