Dear colleagues,
Please note the following special session proposal for the third Society for the
Study of American Women Writers Conference (8-10 November, 2006, Philadelphia)

African American and Jewish American Women Writers of the Early 20th Century:
Intersections and Parallels

Papers are invited exploring contrasts and connections between African American
and Jewish American women writers of the early twentieth century; comparative,
historical,and all other approaches will be considered. How does examining
these writers complicate our understanding of minority women's writing and Of
the period? 200-words abstracts to Meredith Goldsmith, Ursinus College
(mergold_at_gmail.com), by 1/15/06.

CALL FOR PAPERS
 
For an Edited Collection tentatively entitled
 
My Life at the Gym: Feminist Perspectives on Community through the Body
 
 Editor seeks personal narratives, theoretical essays, poetry, or
fictional accounts for anthology. The collection will treat women
kinesthetically experiencing the body with other women, such as in
aerobics classes, weight training, dance, running and singing. Focus is
on non-competitive, non-sport connection and the company of women.
Humorous perceptions and analyses definitely welcome.
 
Abstracts (250-300 words) due September 5, 2005.
 
Please send any inquiries and abstracts to:
Jo Malin (SUNY-Binghamton)

Call for papers:

(Un)Making the Cut: Feminism, Filmmaking, Fluidity
Edited by Corinn Columpar and Sophie Mayer

The 14th Annual
Eighteenth- and Nineteenth-Century British Women Writers Conference
March 23-26, 2006
The University of Florida

Call for Papers

This year's theme, "(Re)Collecting British Women Writers," encourages
interdisciplinary approaches to writers of the period, with a special
interest in issues related to archival scholarship and memory and how
those issues manifest themselves in collections, exhibitions, and canons.

We are very pleased to announce that our keynote speakers will be Talia
Schaffer (CUNY-Queens College), Carolyn Steedman (University of
Warwick), and Lynne Vallone (Texas A&M University).

We encourage proposals focusing on but not limited to:

The 14th Annual
Eighteenth- and Nineteenth-Century British Women Writers Conference
March 23-26, 2006
The University of Florida

Call for Papers

This year's theme, "(Re)Collecting British Women Writers," encourages
interdisciplinary approaches to writers of the period, with a special
interest in issues related to archival scholarship and memory and how
those issues manifest themselves in collections, exhibitions, and canons.

We are very pleased to announce that our keynote speakers will be Talia
Schaffer (CUNY-Queens College), Carolyn Steedman (University of
Warwick), and Lynne Vallone (Texas A&M University).

We encourage proposals focusing on but not limited to:

Further to the call for chapters (pasted below) we now need critics to
undertake to write chapters on the influence of American theatre on British
queer theatre. Topics to be covered
Split Britches; Angels in America etc; Cafe la Mama
Please contact me as below=E2=80=A6=20
(previous call)
Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain
Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions

Further to the call for chapters (pasted below) we now need critics to
undertake to write chapters on the influence of American theatre on British
queer theatre. Topics to be covered
Split Britches; Angels in America etc; Cafe la Mama
Please contact me as below=E2=80=A6=20
(previous call)
Alternatives Within the Mainstream II: Queer Theatre in Postwar Britain
Critics are invited to write chapters for a critical study of contemporary
British post-war queer theatre. The focus is on bi, trans, gay, lesbian
identities as represented on the British stage. Keeping in mind that queer
identities are fluid and always in a state of flux, defying definitions

Anne with an "E": The Centennial Study of _Anne of Green Gables_

Proposals are being solicited for the centennial studies volume of Anne of Green
Gables. Topics might include, but are by no means limited to:

Anne with an "E": The Centennial Study of _Anne of Green Gables_

Proposals are being solicited for the centennial studies volume of Anne of Green
Gables. Topics might include, but are by no means limited to:

Call for contributions to the volume of essays, Edna O'Brien: New Cri=
tical Perspectives=0D=0A=0D=0AIn addition to selected papers from the=
 international conference, Edna O'Brien: A Reappraisal (held at the N=
ational University of Ireland, Galway, 23 April 2005), we would like =
to include further contributions from O'Brien scholars that are appro=
priate to the aims of the edition. =0D=0A=0D=0AAims and Intentions:=
=0D=0A=0D=0AEdna O'Brien's writing has always provoked controversy, f=
rom her earliest The Country Girls trilogy to her more recent books o=
f 'faction', In the Forest and Down by the River. Critical responses =
have been divided between those who see her writing as populist and s=

CALL FOR PAPERS

The Space Between: Literature and Culture, 1914-1945

Originally published as Precursors and Aftermaths:
Literature in English, 1914-1945

Special Topics Issue in 2007

Call for papers: Irish Studies

Contributors Sought
Project Overview
The Cultural History of Reading (forthcoming from Greenwood Press, 2007)
examines written documents (books, pamphlets, treatises, plays, poems,
essays etc.) that shaped, and were shaped by, crucial cultural events
throughout the world and in the United States.

Please submit papers for a panel on Literature and Photography at the
upcoming Modern Language Association (North East) conference in
Philadelphia, March 2-5 2006.This panel will explore how American
writers have responded to photography: authors have explored word as
camera and image as pen, and we'll discuss the camera-eye aesthetic in
American fiction. Possible points for departure might be:

How has photography impacted the novel's position as history and
writers' philosophies of history, and what did writers do about their
senses of the past, approaches to time, and philosophies of history, in
the light of photography?