The 6th International Academic Conference on Humanities and Social Sciences is a must-attend event for the academic community. Join us on the 19-21 of November in the dynamic city of Paris. IACHSS continues to recruit top speakers in the field, showcase findings from the latest research, and provide premier networking opportunities.
Call for Papers
Exploring Authenticity in Contemporary Literatures in English
A Symposium sponsored by ‘Identities’ at Reading
Department of English Literature
University of Reading
01-02 November 2021
The University of the Sunshine Coast, Queensland, Australia invites you to the 2021 Online and In-person Conference of the Law, Literature and Humanities Association of Australasia, Law and Love (in and beyond Pandemic Times): Images and Narratives, Histories and Cultures.
The conference will be held on 30 November to 2 December with a postgraduate day on 29 November.
CALL FOR PAPERS
What is a hero? Some might define a hero as “someone who gives of himself, often putting his own life at great risk for the greater good of others. Outside of the standard dashing war portraits of men/women facing the gates of Hell, the most heroic are often the most ordinary of people doing ordinary things for a greater humane purpose” (www.guardian.com). According to the Merriam-Webster Dictionary, a hero is “a person, typically a man, who is admired or idealized for courage, outstanding achievements, or noble qualities.” In World Literatures, sometimes neither of these definitions appropriately define, represent, or determine who or what a hero/heroine truly exemplifies.
This panel aims to approach the Female Gothic through texts and other media ranging from the 19th to the 21st century in Latin America and Spain, including Latinx authors living in the United States. With the publication of the foundational Literary Women in 1976, Emily Moers coined the term “female gothic” in the second wave of the feminist movement.
The 49th annual Louisville Conference on Literature & Culture since 1900 will be held at the University of Louisville, February 24-26, 2022. Critical papers may be submitted on any topic that addresses literary works published since 1900, and/or their relationship with other arts and disciplines (film, journalism, opera, music, pop culture, painting, architecture, law, philosophy, performance, digital media, and theatre). Work by creative writers is also invited. We also accept critical-creative panel submissions that address issues of poetics, craft, or writing practices. Title of panel should highlight the issue addressed.
Food is essential for human life and plays an important role in social and cultural practices around the world. University courses centered on food contribute to a diverse and growing corpus of work that examines the significance of food in relation cultural representation, access, equity, justice, health and environmental issues.
Sports and Soccer in Mediterranean Literatures, Arts, and Cultures
NEMLA Conference, Baltimore (MD), 10-13 March 2022
Francesco Brenna, Towson University (email@example.com)
Erin Twohig, Georgetown University (firstname.lastname@example.org)
This panel examines the presence of soccer/football in Mediterranean cultures—from literature and visual arts, to cinema and history, to music and philosophy. We welcome papers on soccer in cultural production from any part of the Mediterranean world, including comparative approaches, as well as papers on literary and artistic aspects of the sport in journalism and media.
The Indian Review of World Literature in English
CALL FOR PAPERS ON ETHNIC LITERATURE
he Indian Review of World Literature in English, a Peer Reviewed and Indexed Journal on World Literature in English in circulation since July 2005, invites research articles and book Reviews on Ethnic Literature for the forthcoming January, 2022 issue.
The ubiquity of social media and technology affects how people perceive and care for the world (digital and physical) around them. This panel engages scholars on how a seemingly endless stream of information causes readers to waffle on the precipice of fake news and misinformation, creating a threat to cultural representations, critical literacy, discourse, and cultural misinformation in virtual spaces. Scholars will explore the impacts of or potential means of combating increasingly pervasive fake news in a society reliant on digital information.
This session will deal with the ways that a feminist and/or genderqueer praxis in art curatorship can address historical inequalities in the art world.
Since the signing of the Kyoto Protocol in 1997, the Arctic (understood here as the circumpolar region around and north of the Arctic Circle) has entered worldwide public discussion to an unprecedented extent. As a global climate archive and the site of various scrambles for resources, it has become the centre of attention within debates on climate change and global geopolitics.
This panel invites papers exploring new subjects and approaches in the field of cognitive literary studies and, especially, cognitive poetics. We are interested in investigations of both the formal and the cultural/historical convergence of literary and cognitive research. What poems, novels, stories, etc. could be newly read and understood with the aid of insights and frameworks borrowed from such disciplines as experimental psychology and neuroscience? But also, why is it that literary scholars can turn to cognitive theories as plausible hermeneutical models in the first place? Where does the resonance between the concerns of writers and scientists, which today we seem to take for granted, come from?
NeMLA's 53rd Convention will be held in Baltimore, MD between March 10-13, 2022. More information here: http://www.buffalo.edu/nemla.html
This NeMLA panel invites abstracts between 200-300 words that engage with questions and frameworks of dissent that have erupted in the recent socio-political movements led by women and female identifying subjects in the time of the pandemic, and consider the possibilities of forging radical plurinational and intersectional feminist solidarities.
Please read the detailed CFP below:
Dr. Soumaya Bouacida, University of 20th August 1955, Skikda, Algeria
Conference Date: 20 th Decembre, 2021
-Dr. Robert Clarke is a senior lecturer in English studies, and Head of Discipline, English, in the school of Humanities at the University of Tasmania. He is the editor of several books and issues such as Celebrity Colonialism: Fame, Power and Representation in Colonial and Postcolonial Cultures(2009), “Travel and Celebrity Culture”(special issue in Postcolonial Studies), and The Cambridge Companion to Postcolonial Travel Writing (2018)
Horror films have long held a place in cinematic history as an expression of the monstrous, the un-nameable, and the unknown. They are a powerful point of catharsis in which viewers see their deepest fears played out onscreen, whether the threat is fully embodied or less concretely defined. As a result, grief and loss have always figured heavily in this genre.
13th Latina/o/x Communities Conference: Building Bridges/Construyendo Puentes
2021 Theme: Afro-Latinx and Caribbean Identities
West Chester University
Call for Presentations
In 2021 the LCC is holding a hybrid event, with one day of virtual presentations on September 29th and a second day of in-person celebrations, on September 30th.
Each year, our interdisciplinary conference provides a creative space to enhance the understanding of Latina/o/x issues, contributions, and cultures. We pride ourselves in serving as a link between academia and local communities, institutions and organizations
ROUNDTABLE NARRATIVES AND MENTAL HEALTH (South Atlantic MLA, November 4–6, 2021, Atlanta/Georgia)
Extended Deadline! Collection Mental Health Narratives – History, Concepts, Education, Practice
Edited by Ronja Bodola, PhD; Michelle B. Moore, PsyD; Cody Roi, D.O.
NeMLA 2022: Baltimore, Maryland. March 10-13
Panel Chair: Tania Nicolaou
How does contemporary fiction of the Americas and Caribbean explore practices of healing? This panel considers all aspects of healing, including but not limited to religion, indigenous practices and rituals, the spiritual, and through community and the collective. How does their depiction in literature allow for generative further discussion about identity, culture, and tradition, and what does this mean in the 21st century?
CFP: Space, Place, and Locus: Mapping the New Europe (Edited Collection)
Abstract Deadline: 16 August 2021 (500 words)
Chapter Deadline: 17 December 2021 (5000-6000 words)
Editors: Izabella Wodzka, Mathis Gronau, and Brittany Eldridge (UCL)
Early Research Academics (Those obtaining their PhDs, and those who have graduated within the past 5 years, are STRONGLY welcomed to apply. We are specifically looking for papers from those two groups as that is the mission of ERA. If you happen to see this and believe one of your students or friends is a good fit for our collection, please pass it on.)
Peter Lang Publishing
NeMLA conference in Baltimore, MD, March 10-13, 2022
CFP – Panel
'Littérature du déclassement': Social Descent in the Contemporary French Novel
53nd Northeast Modern Language Association (NeMLA) Convention
10-13 March, 2022
Deadline for abstracts: 30 September, 2021.
Conference: 30-31 August 2021
Conference online (via Zoom)
All details: https://www.freedom-conference.info/
Professor Wojciech Owczarski – University of Gdańsk, Poland
M.A. Marlena Hetman - Nicolaus Copernicus University in Toruń, Poland
Medieval in Popular Culture Sponsored Sessions for MAPACA 2021
Panels to run under the Medieval & Renaissance Area
2021 Annual Meeting of the Mid-Atlantic Popular & American Culture Association
Virtual Event, 10-13 November 2021
The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture seeks paper proposals related to the following three topics for inclusion in the Medieval & Renaissance Area sessions at the 2021 Annual Meeting of the Mid-Atlantic Popular & American Culture Association.
Julien Gracq : un écrivain géographe/ Julien Gracq : un écrivain géographe (NEMLA MARS 2022, Baltimore, USA)
JOSEPH CONRAD NETWORKED WITHIN THE CLASSROOM AND WITHOUT
JOSEPH CONRAD SOCIETY OF AMERICA
In literature and popular culture, the non-violent approach is vastly underrepresented as a viable philosophy. This is problematic because the stories we tell shape the imaginary we live out of. Part of the reason the pacifist position seems so untenable is precisely because it remains so unimagined. One thinks of the so-called canon with its repertoire of violent heroes: Homer, Shakespeare, Milton, Arthurian legend. Even today’s popular “canon” features heroes who consistently solve problems through violence: the Marvel Cinematic Universe, DC Comics’ films, the John Wick series, and the classic, decade-spanning Alien franchise. The myth of redemptive violence continues unabated.
With a growing social consciousness in the contemporary milieu, even large corporations such as Disney have begun to take an activist turn. Of late, Marvel has been especially sensitive to ongoing issues regarding race and gender. This is particularly evident in its latest incarnations available through Disney +: Wandavision and Falcon and the Winter Solider. Accompanying this messaging has also been a positive representation of mental health care and the effects of individual and collective trauma. These are not superheroes who take a beating and walk away unscathed; these are highly developed and nuanced characters whose arcs take shape over several different films and multiple episodes.
Women’s Suffrage in the United States:
Laws, Practices and Representations (19th-21st centuries)
Université du Mans (3L.AM) / Université Toulouse Jean-Jaurès (CAS)
February 3-4, 2022