The third annual Geek/Art CONfluence, a comic con taking place through the School of Art at Syracuse University, is accepting proposals from both FACULTY/PROFESSIONALS and STUDENTS (grad and undergrad) on GEEK CULTURE-RELATED topics.
GEEK CULTURE includes comics/manga; sci-fi and fantasy books, magazines, and movies; cartoons and animation; gaming; fan culture such as cosplay and zines; and related topics.
Journal of Comparative Studies
Materialities of the Photobook
Deadline for submissions: July 31, 2022
David Campany (International Center of Photography/U. Westminster)
José Bértolo (U. Nova de Lisboa/Caldas da Rainha School of Arts & Design)
Joan Didion: Life and/with/through Words
University of Bamberg
April 29-30, 2022
“Life changes fast. Life changes in the instant. You sit down to dinner and life as you know it ends.” Vanessa Redgrave speaks these lines on stage, in the monologue play The Year of Magical Thinking, impersonating Joan Didion and quoting from her 2005 memoir on which the play is based.
The Department of English and Cultural Studies, School of Arts and Humanities, CHRIST (Deemed to be University), Bannerghatta Road Campus, Bangalore, India, invites papers for an annual postgraduate conference on Theory and Activism: Can the twain meet? on February 2nd & 3rd.
Criterion: A Journal of Literary Criticism seeks original, well-researched, and intellectually rigorous essays written from diverse critical perspectives and about texts from any time period or literary tradition.
Submissions should be between 3000 and 6000 words (not including the bibliography). All submissions should be double-spaced, written in English, and formatted according to the most recent MLA guidelines. Submissions should be uploaded as MS Word files through our website and online submission system. (https://scholarsarchive.byu.edu/criterion/)
32nd Annual Conference of the Association for Anglophone Postcolonial Studies (GAPS)
Goethe University Frankfurt, 26-29 May, 2022
Sinan Antoon (Iraq/USA) | Abubakar Adam Ibrahim (Nigeria) | Blessing Obada (Germany/Nigeria) | Yvonne Adhiambo Owuor (Kenya) | Michael Rothberg (UCLA) | Arundhati Roy (India)Extended deadline for individual papers and panels: 15 February 2022
The International David Foster Wallace Society invites you to attend DFW 2022 in Austin, Texas. Special events at the Harry Ransom Center (home to Wallace’s archive), social events, and other presentations will be included, in addition to a wide variety of panels of Wallace criticism and commentary.
Panels will be held at the University of Texas Glickman Conference Center. The keynote address by Pulitzer winner Jennifer Egan will be held at Jessen Auditorium in Homer Rainey Hall on Thursday, June 2. The keynote, sponsored by the Harry Ransom Center, is free and open to the public.
Two hundred years ago, P. B. Shelley wrote in his Defence of Poetry that the language of poets ‘is vitally metaphorical; that is, it marks the before unapprehended relations of things.’ Poetry, which is ‘not like reasoning, […] creates anew the universe, after it has been annihilated in our minds by the recurrence of impressions blunted by reiteration.’ In this way, Shelley gave enduring expression to what S. T. Coleridge had hinted at three years earlier, when he complained in Pope of ‘matter and diction […] characterized not so much by poetic thoughts, as by thoughts translated into the language of poetry.’ Poetry apprehends, formulates, creates, and cognizes in a manner unique to itself and irreducible to any other forms of reasoning or reflection.
****DEADLINE EXTENDED 31 JANUARY 2022****
The peer-reviewed, open access e-journal Revenant: Critical and Creative Studies of the Supernatural is inviting submissions for its special issue: Supernatural Cities.
Guest Editors: Alicia Edwards (Manchester Metropolitan University), Dr Rachael Ironside (Robert Gordon University)
In Episode 9 of James Joyce's Ulysses, “Scylla and Charybdis,” Stephen Dedalus develops a theory about the origins of Shakespeare’s works that is both original and controversial. It is in the National Library of Ireland that Dedalus, in a wild and winding conversation, develops his ‘Hamlet theory’. The episode stages the strong and sometimes comic appeal of a biographical approach to Shakespeare’s works and, at the same time, casts Dedalus – Joyce’s alter ego – variously as Hamlet, Hamlet’s father, Shakespeare, and as a modern-day Ulysses.
Organizer: Mi Jeong Lee
Co-Organizer: Seohyon Jung
CFP: Food and the American Dream
Proposals due February 28, 2022
The Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University is pleased to announce its annual Graduate Student Conference to be held on 24–25 March 2022. This conference is a space for graduate students to present their original work in a welcoming and stimulating environment.
Conference Call For Papers: Games in/between China and the West
12 and 13 April 2022
NEW VISIONS OF JULIAN OF NORWICH
Somerville College, Oxford, 15th-16th July 2022
Organisers: Antje E. Chan (Lincoln College, Oxford), Godelinde Gertrude Perk (Somerville, Oxford), Raphaela Rohrhofer (Somerville, Oxford), Alicia Smith (English Faculty, Oxford)
Call for Papers:
Multitudes: Teaching Bob Dylan
I. A Moment
The English Graduate Students’ Association (EGSA) solicits proposals for its upcoming Annual Graduate Student Conference. The EGSA invites proposals from graduate students, early career researchers, and established academics working in any discipline, period, or geographical region. The conference will take place bimodally on the 4th, 5th, and 6th of March, both in Ottawa and via Zoom. To present, please send a 250-word abstract and a short bio by January 10th, 2022 to email@example.com.
Give him a mask, and he will tell you the truth.
Philip Jenkins has drawn attention to the emergent “new faces of Christianity”—believers and faith communities from across the Global South that have gained prominence amid declining European and North American religious groups.
Femspec - an interdisciplinary feminist journal dedicated to science fiction, fantasy, magical realism, surrealism, myth, folklore, and other supernatural genres - seeks submissions for critical essays to be published in the upcoming issue 22.1. Submissions are welcome on any topic related to feminist and speculative themes. Please refer to https://www.femspec.org/submission-guidelines for submission guidelines and https://www.femspec.org/submission-form for the submission form. The deadline is February 15, 2022. All contributors who submit their work to the journal must be subscribed to the journal; as Femspec is a peer-reviewed journal,
As illustrated even recently by the French magazine America, the « special » relation between France and US literature is long-standing. In the World Republic of Letters (2004 for the English translation), Pascale Casanova developed the idea of Paris as a “Greenwich meridian” of world literature while emphasizing the importance of “[t]he great, often polyglot, cosmopolitan figures of the world of letters [who] act in effect as foreign exchange brokers, responsible for exporting from one territory to another texts whose literary value they determine by virtue of this very activity” (21).
“Two roads diverged in a yellow wood, and I took the one most travelled by,” Aunt Lydia sardonically muses in The Testaments. “It was littered with corpses, as such roads are. But as you will have noticed, my own corpse is not among them.” Following the Margaret Atwood Society's 2022 MLA’s panel, "Wilderness (and Other) Tips: Concepts of Survival in Atwood’s Works," the 2023 edition of Margaret Atwood Studies will have the same theme.
Call for book chapters: Reading the River in Shakespeare’s Britain
Edited collection, publisher TBC.
Editors: Lisa Hopkins and Bill Angus
- Deadline for submitting chapter proposals (400 words): 31 March 2022
- Notification of acceptance: 30 April 2022
- Deadline for final submissions (6000-8000 words): 31 August 2022
The Comics Arts Conference is now accepting 100 to 200 word abstracts for papers, presentations, and panels taking a critical or historical perspective on comics (juxtaposed images in sequence) for a meeting of scholars and professionals at Comic-Con International, in San Diego, CA, July 21–24, 2022. We seek proposals from a broad range of disciplinary and theoretical perspectives and welcome the participation of academic and independent scholars. We also encourage the involvement of professionals from all areas of the comics industry, including creators, editors, publishers, retailers, distributors, and journalists. The CAC is presently scheduled to take place in person, and presenters should not submit proposals if they do not plan to attend physical
With the 30-year anniversary publication of Patricia Hill Collins’ Black Feminist Thought, MELUS invites papers that consider historical and contemporary meanings of Black Feminist Thought in terms of ideological, cultural, and literary practice in multi-ethnic American texts. Submit titled proposals (250 words), a brief CV, and AV needs.
journal of culture, politics and innovation
call for papers
“Glocalism”, a peer-reviewed, open-access and cross-disciplinary journal, is currently accepting manuscripts for publication. We welcome studies in any field, with or without comparative approach, that address both practical effects and theoretical import.
Conference: 3-4 March 2022 (online)
Professor Wojciech Owczarski – University of Gdańsk, Poland
Professor Polina Golovátina-Mora – NTNU, Norwegian University of Science and Technology
Journalism in Fake News Era
12-14 October 2022 , Örebro University, Sweden
Welcome to the 26th Arab US Association for Communication Educators Conference (AUSACE). The conference will be hosted by and held in Örebro, Sweden between 12-14 October 2022.
The aim of this year’s conference is to explore and critique how journalism is redefining its identity and reimagining its practices against the economic, cultural, and technological challenges especially in a fake news era.
Bodies and Mobility in Wharton and Her Contemporaries, ALA 2022 -- EXTENDED DEADLINE
The Edith Wharton Society invites papers that explore how Wharton and her contemporaries represent bodies and mobility in their work. Panelists are especially encouraged to consider comparative analyses of Wharton’s work on this subject in relation to her contemporary writers. All theoretical approaches are welcome. Proposals might consider (but are not limited to) the following questions: