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- LITERATURE FOR PEACE: NARRATIVES OF CO-EXISTENCE
Call for Papers: Alizés 47 (2027)
Special issue edited by Talal Hochard (University of Reunion Island) and Zuzana Fonioková (Masaryk University)
Discursive Resistance in Contemporary Anglophone Literature and Public Discourse
Abstract submission deadline (400 words) and short biographical notes (150 words): September 1, 2026
Notification of acceptance: October 1, 2026
Full draft papers submission: February 15, 2027
Final papers submission: June 30, 2027
Virginia Woolf’s Mrs Dalloway (1925) remains a cornerstone of the modernist literary canon. Often celebrated as Woolf’s greatest novel, the plot is set in post-World War I London and revolves around a single day in the life of its protagonist, Mrs Clarissa Dalloway, as she prepares to host an evening party. Beneath its seemingly simple plot, the novel exemplifies a profound exploration of consciousness, time, and the inner lives of characters through its extensive use of the stream-of-consciousness technique. Although narrated in a third-person omniscient voice, the narrative primarily focuses on the inner consciousness of the characters.
I would like to invite you to submit an abstract to the TG07 Senses and Society session, “Outside the Climatic Environmental Bubble: Sensing Climate Change at the Margins”, within the XXI International Sociological Association World Congress of Sociology, which will be held in Gwangju, Korea, from July 4th - July 10th 2027.
Session Description
The International T. S. Eliot Society invites you to propose a conference paper for a guaranteed member society panel at The ALA (American Literature Association) Winter Symposium--"Music and American Literature" Jan 28-30 in Nashville, TN
Call for ChaptersProposals Submission Deadline: August 5, 2026
Full Chapters Due: October 28, 2026
Submission Date: October 28, 2026
NeMLA's 58th Annual Convention March 6-9, 2027 | Newport, RI
I'm seeking participants for an APPA panel on "Poets' Novels" at the upcoming ALA symposium "The American Novel: Forms, Genres, Traditions," to be held at the Drury Plaza Hotel in Santa Fe, NM, 5-7 November 2026.
Proposals on novels or experimental prose forms by writers who primarily identify or are recognized as poets will be welcome for this session. Our definition of "novel" can be as broad as your claims for it will support.
For best consideration, please send a precis of no more than 500 words to mrh@unm.edu by Sunday, 19 July
I'm seeking participants for an APPA roundtable discussion on "The Poet in the Novel" at the upcoming ALA symposium "The American Novel: Forms, Genres, Traditions," to be held at the Drury Plaza Hotel in Santa Fe, NM, 5-7 November 2026.
Proposals on novels or experimental prose forms that feature a poet as protagonist will be welcome for this session. Our definition of "novel" can be as broad as your claims for it will support. Samuel R. Delany is likely to feature significantly.
For best consideration, please send a precis of no more than 500 words to mrh@unm.edu by Sunday, 19 July
Please note: This CFP is for the SAMLA Conference in Atlanta, Georgia Nov. 5-7, 2026.
Please note: This CFP is for the SAMLA Conference in Atlanta, Georgia, Nov. 5-7, 2026.
Mental Health and Indian Literatures: Men in Representation
7th August 2026
Deshbandhu College, University of Delhi NAAC A++, NIRF Rank- 13 Department of English
Kalkaji, New Delhi-110019
Call for Papers
Religion, Politics, and Cognitive Warfare: Information, Interpretation, Conspiracy, and the Struggle for RealityDetails
Keynote Address: Militarizing the Mind: Cognitive Warfare from the Cold War to the Dark WebJason Ānanda Josephson Storm
For Reference:
https://europe.umgc.edu/content/dam/umgc-europe/documents/upload/cultura...
Cultural Constellations: A Journal of Literature and Art
How to Be a Global Humanist begins with the tension built into its title. The humanities, as an academic field, emerged through Western histories of learning and the institutions that made those histories legible as scholarship. Yet the practices gathered under that name exceed that narrow genealogy. Across the world, people have made meaning from language and image. They have preserved the past, taught inherited forms of wisdom, and argued over what human life is for. Such work does not need the construct of “the humanities” to authorize it. The better question is what the category reveals about the traditions it encounters, and what it renders difficult to see.
Host Institution: Sapienza University of Rome (Scientific Director: Prof. Federico Batini)
Conference Dates: December 2–3, 2026 (Rome) & December 4, 2026 (Perugia, Italy)
Official Website: www.sharedreadingaloud.com
Host Institution: Sapienza University of Rome (Scientific Director: Prof. Federico Batini)
Conference Dates: December 2–3, 2026 (Rome) & December 4, 2026 (Perugia, Italy)
Official Website: www.sharedreadingaloud.com
Panel on Bill Lawrence for SCMS 2027 Since Spin City, the shows of Bill Lawrence have navigated the complexities of workplaces, friendships, grief and family. This panel intends to explore the Bill Lawrence universe from a diverse range of angles, with the overarching aim of seeing the series as part of a collective body of work. Papers are welcomed on Scrubs, Scrubs: The Revival, Rooster, Ted Lasso, Shrinking, Spin City, Cougar Town and Ground Floor. Abstracts of no more than 250 words should be sent, with a 100 word bio to c.wilkins@bham.ac.uk by 20th July.
Call for Papers: Short Fiction in Theory & Practice
Special Issue: ‘Writing Across Languages: Anglophone Short Stories by Multilingual Authors’
Guest edited by Elsa Court (University of Oxford), Nina Ellis (The American University in Cairo), and Sonya Moor (Manchester Metropolitan University).
View the full call here>>
https://www.intellectbooks.com/short-fiction-in-theory-practice#call-for-papers
Hybrid: The session will be held in-person but a few remote presentations may be included.
This panel invites contributions that examine how food and foodways shape and reflect cultural knowledge across time and place, with particular attention to the relationships among foodways, memory, migration, identity, cultural heritage, and community formation.
Where and how does African American culture begin?
Every story has a beginning, yet every beginning is a choice: a conscious decision about where, when, and how to start. Beginnings are contextual constructions as are endings.
A few months into his second term, President Trump announced he would order a new census that excludes non-citizens. This unprecedented move in U.S. history threatened to erase millions of people from the map. It would reshape electoral outcomes, going against the 14th Amendment that requires counting all persons in each state to determine representation, and it could impact public policymaking by removing crucial data for infrastructure, health, or education.
Childhood is often imagined as a period of innocence, protection, and dependence. However, across many historical and contemporary contexts, children experience various forms of violence, including interpersonal abuse, structural inequality, displacement, war, and environmental harm. Recent scholarship in childhood studies has challenged the tendency to view children solely as vulnerable victims, emphasizing their capacity for agency, resilience, and political engagement. Understanding how cultural narratives represent these experiences is essential for examining broader questions of justice, rights, and social belonging.
Following the lead of activist and disabled writer Alice Wong, this panel “creates a
dialogue” and is, of itself, “an intimate act bringing us together across space and time”
(Disability Intimacy xx). It therefore invites papers engaged in the long genealogy of literary,
visual, and historical representations of a frequently overlooked, or gainsayed, symbiosis: that is,
between intimacy, broadly defined, and the disabled or “defective” bodymind in the early
modern archive. This might include considering how disability sparks desire, enhances pleasure,
The Teaching with Media and Technology session welcomes proposals on any topic related to the use of media and technology in any modern language, composition, or literature classroom. Papers that engage with this year’s conference theme, "Our Ruling Classes: Culture, Power, Conflict," are welcome but not required. PAMLA's annual conference is being held in Seattle, WA, 12-15 November 2026.
For submissions and more information, please visit https://pamla.ballastacademic.com/Home/S/20030
Past and present, the Pacific Northwest has functioned in literature as a dynamic space defined by transition, ecological precarity, and socio-political friction. This panel explores writers of fiction, poetry, memoir, and non-fiction whose work investigates the unique sense of place, history, and culture defining the region. We welcome papers that engage with the tensions between industry and preservation, indigenous sovereignty, labor movements, and the mythologies of the western wilderness.
Mid-Atlantic Popular & American Culture Association (MAPACA) 2026 Annual Conference, November 5-7, 2026 in Baltimore, MD
Women and/of the Empire(s): On the 150th Anniversary of Queen Victoria’s Proclamation as Empress of India (1876-2026)
29-30 October 2026
An international conference hosted by the Faculty of Arts and Humanities (Faculdade de Letras), University of Porto, Portugal
Confirmed keynote speakers:
Ana Cristina Mendes (Professor of English Studies, University of Lisbon, President of the Association for Cultural Studies)
Martin Hewitt (President of the British Association for Victorian Studies, Visiting Professor of English, University of Leeds, Editor of the Curran Index)
Congreso Estética(s) del Horror: Filosofía, Cine y Literatura.
Invitación a envío de propuestas. Congreso presencial
(English version below)
En los últimos años, el terror ha experimentado una renovada visibilidad cultural. El éxito del cine reciente, la consolidación de una auténtica edad de oro de las series televisivas y la aparición de nuevas voces literarias, impulsadas también por el trabajo de editoriales especializadas, evidencian que el horror ocupa hoy un lugar central en el imaginario colectivo y mantiene una extraordinaria capacidad para dialogar con las preocupaciones estéticas, sociales y políticas de cada época.
Resurgens Theatre Company, along with the Georgia State University Department of English, is pleased to announce our fourth biennial conference on early modern verse drama by Shakespeare and his contemporaries, “Shakespeare’s Apocrypha Now.” We’re calling for papers that examine some aspect of Shakespeare’s non-canonical plays, i.e., those dramatic works that have been or are currently attributed to Shakespeare (as a whole or in part) that have yet to receive widespread scholarly and/or theatrical recognition. We particularly welcome topics on canonicity, collaboration, and performance-oriented concerns regarding Renaissance drama and/or early modern print culture.
On January 19, 2022, Sheila Heti published the first of ten weekly installments of “A Diary in Alphabetical Order” in The New York Times. Each installment included an author’s note explaining that Heti had “loaded all 500,000 words of [her] journals into Excel to order the sentences alphabetically,” hoping to “see the self in a new way.” Over time, the project “grew into something more novelistic,” and the note concludes that “the self’s report on itself is surely a great fiction.” Heti is hardly the first author to challenge or destabilize autobiographical conventions.
Call for Chapters
Edited Volume: Rethinking M.R. James: Antiquarianism, Horror, and the Supernatural
Editor: Dr. Sakti Sekhar Dash, Fellow of Social Science Research Council
Introduction
The 98th annual SAMLA Conference is taking place Thursday, November, 5, through Saturday, November, 7, 2026, at the Wyndham Atlanta Buckhead Hotel & Conference Center in Atlanta, GA. For more information, see https://southatlanticmla.org/.
As we meet in Newport, an island at the edge of the Atlantic, this panel invites papers about ocean-based horror media. Oceans, seas, and other waterways have been central to human culture throughout history, offering both opportunities to build communities across the waves and the threat of lonely, painful death through drowning or isolation through shipwrecks.
Joyce Studies Annual invites submissions for a special issue featuring the topic of “Echo-Joyce: Reading Joyce in Relation” to be guest edited by Amadeo De La Pava, Faye Liu, and Jordan Smith.
Panel Proposal for the NeMLA Convention, Newport, RI, March 6–9, 2027
Planetary crises—climate change, toxic pollution, biodiversity loss, and energy transition—are profoundly uneven in their distribution. Their material consequences are shaped by infrastructures of class, race, colonial histories, state power, and global capitalism. Increasingly, literary, artistic, and cultural texts across the world foreground these asymmetries, framing ecological crisis not only as environmental catastrophe but as a question of justice: Who breathes polluted air? Who profits from green transformation? Who consumes melting ice? Who bears the social and environmental costs of planetary change?
OVERTONES EGE JOURNAL OF ENGLISH STUDIES
CALL FOR PAPERS
Annual deadline: September 15
Italian Teaching Symposium 2026 - II edition
“Creative Pathways in Italian Language and Culture Teaching”
September 25-26, 2026
St. Jerome’s University (University of Waterloo) & online
Call for Papers Extended: Edited Volume on Adoption in Popular Media
deadline for submissions:
July 31, 2026
full name / name of organization:
Stacy Fowler / St. Mary’s University
contact email:
This is a CFP seeking panelists for the 2027 Annual Conference of the Association for Asian Studies. We invite papers that examine racialization and ethnicization across Sinophone and Asian contexts in which local projects of improvement and rule are entangled with colonial and imperial systems and epistemologies, both Western and non-Western, external and internal, often sustained by local elites and intermediaries. We understand these contexts in broad terms, including transnational, diasporic, and colonial aspects. Processes of racialization and ethnicization, as well as resistance to and negotiation of such processes, could involve, but are not limited to, discussions of care, gender, and sexuality.
NeMLA annual conference: March 6-9, 2027, Newport Rhode Island. Panel is IN-PERSON
This special issue will highlight new work in queer ecology that engages and extends concepts of queer time developed by theorists such as Lee Edelman, Jack Halberstam, Elizabeth Freeman, José Muñoz, Kathryn Bond Stockton, Carolyn Dinshaw, and others.
The erotic is a point of infinite signification, a navel in humanity’s symbolic circuit. However, despite its resistance to formalization, it is always in the process of not being written. As Octavio Paz insists, the erotic is a metaphor indelible to the human. As such, it is unsurprising that the manifestations of the erotic in subjective embodied experience are variable and correspond to equally plural treatments of it across the academic panorama. This diverse archive is bound by certain distinguishable threads, in terms of the potentiality of the erotic, its singular relation to language, and to the sphere of sexuality.
How is everyone doing?
At a routine meeting of the Editorial Board of this journal in March 2026, this innocuous question erupted into disquiet, tension, unease. Speaking from vastly different parts of the world, there was an unmistakable sense of a planet slipping beyond available comprehension and unplugging us from work and life routines. As wars in the Middle East expand and fires spread from apartment blocks reduced to rubble to bombed oil refineries and shipping corridors, profound geopolitical, personal, even psychic rifts leave us grasping for the language and feel of the moment, the falling apart of things, the zeitgeist of an endangered now.
In Africa and the African diaspora, knowledge is often produced, circulated, and critiqued in “minor forms”—small-scale oral, visual, material, and digital ephemera such as proverbs, folktales, rites, images, social media, and other non-canonical modes of expression that structure everyday cultural life but are frequently marginalized within dominant academic and cultural hierarchies. While “major forms” such as the literary canon, the national archive, and peer-reviewed scholarship obscure the complexity and vitality of African cultural production, minor forms interact with, resist, coexist alongside, and reshape those dominant modes.
Cuteness is a twenty-first-century sensation—from the global expansion of Sanrio fandom to the rise of social capital around Labubu and Jellycat, from K-Pop stars (real or animated) to cute animals like the quokka and Fennec fox. This issue explores a “cuteness turn” found in many public realms around the world. The adoration of attractive or cheerful objects associated with childishness and youthfulness is part of the human experience. However, this issue does not examine cuteness as a transcultural aesthetic or psychological condition, but we focus on its larger political implications. Throughout history and around the world, this “universal” sentiment has often been manipulated for commercial and ideological purposes.
This special issue will explore current attacks on scholarship and scholars, and the multiple ways in which law, broadly conceived, is understood and deployed in these attacks with implications for who is allowed to shape and engage in the public sphere.
Call for Papers
The 2026 Multi-ConTEXT International Graduate Conference
“Interweaving Voices and Worlds:
English Studies in Transformative Contexts”
The Robert Lowell Society invites papers on the musical engagements of Confessional and late-Confessional poets with a view to sponsoring a panel at the ALA Symposium "Music and the American Literary Imagination" (January 28-30, 2027, Nashville, TN). Such papers could include inquiries into:
The musical forms of Confessional poets' verse—e.g., Sylvia Plath’s stark meters and her refrains, or John Berryman’s jazz-like syncopation, or Adrienne Rich’s and Frank Bidart’s use of musical metaphors and structures;