NYU 2024 Cinema Studies Conference: holding the gaze
Since the fin de siècle, the ubiquity of the camera has disrupted notions of gazing at others and ourselves. Moving from the 20th century to the 21st, the camera’s gaze has taken on many overlapping and at times antagonistic roles: it archives, captures, testifies, interrogates, interrupts, imagines, distorts, exposes, imposes, and surveils.