The Journal of the International Arthurian Society (JIAS) welcomes submissions for a special issue (2022, volume 10) on Arthurian medievalism, or post-medieval adaptations, re- imaginings and recreations of medieval Arthurian texts, artefacts and spaces (real or imagined). The guest editors seek especially interdisciplinary and co-disciplinary explorations of how Arthurian myth makes meaning in a range of media, including (but not limited to) literary texts, television, film, games, visual arts, architecture, commodity culture, experiential medievalism, the heritage sector, and geographical spaces.

Saudi women have always been perceived distinctly in both Arab and global communities. It’s not a secret that Saudi women have occupied the focus of international interest for a long time. Although this interest may come across as “care,” leading political global forces hide behind the promises of “caring” about women’s rights to achieve political gains. In the latter sense, this concept is manipulated and misused. The misuse of “care” has led to Saudi women’s “hypervisibility” as oppressed, powerless, inferior, and unheard while their true power is still invisible. Evidently, to communicate their unique perception of “care,” Saudi women have utilized different tools ranging from publishing traditional genres to posting on social media.

This panel holds space for depictions of embodied practices/practices of agency in bodies of women of color, queer, nonbinary, trans, and other subjectivities in postcolonial literature and literatures of the Global South. What is the relation between the body and exercising agency? How might we think of these practices as embodied and embodying: as practices done in/through/by the body, as well as practices that reify the body? What are the limitations of these projects, and to what degree are they successful? How might these practices be adopted by readers outside of the text?

CALL FOR PAPERS

Stanley Cavell: A Retrospective

Vita-Salute San Raffaele University of Milan

Palazzo Arese-Borromeo (Cesano Maderno), September 23th - 24th 2021 

Website: https://cavellretrospective.wixsite.com/september2021

The conference will take place physically at Palazzo Arese-Borromeo in Cesano Maderno (25 minutes from the city center of Milan), but will also be streamed on Microsoft Teams.

To attend online, click on the following links:

Laverne Cox’s debut role in Orange Is The New Black seemed to usher in a new era for trans representation. In 2014, TIME decreed that the “Trans Tipping Point” had arrived and heralded a path to trans acceptance through visibility on the screen. Yet this increase in visibility has not formed an antidote to rampant transphobia. In 2021, thirty-three states have introduced 117 bills to limit and curtail the rights of trans people across the United States. Public incidents of transphobia are on the rise. In this panel, we consider the effects of hypervisibility in a time of public transphobia across media, and critically consider what the task of representation entails.

**DEADLINE EXTENDED! Proposals Welcome Until Sessions Are Filled**

Please note: This cfp updates and expands the parameters of the session previously titled "Nnedi Okorafor: Destruction and Wholeness." We now welcome papers encompassing other authors of Africanfuturism and Africanjujuism, and Afrofuturist authors dealing with similar themes. The deadline has also been extended.

118th Pacific Ancient and Modern Language Association Annual Conference, Las Vegas: "CITY OF GOD, CITY OF DESTRUCTION" (Thursday, November 11 - Sunday, November 14, 2021 at Sahara Las Vegas Hotel, hosted by University of Nevada, Las Vegas)

2022 Hwa Kang International Conference

on English Language & Literature

Conference Theme:

Disruption, Transition, and Transformation

Organizers:

Department of English Language and Literature, Chinese Culture University

Language Teaching & Learning Center, Chinese Culture University

Date: May 7, 2022

Due to a high volume of requests, we have extended the Call for Papers deadline until 12 September 2021. For more information on the conference and on potential themes, please visit the dedicated website. 

CFP – Panel: 53rd annual NeMLA Convention

Baltimore, MD (10-13 March, 2022)

 Connecting Characters

in Modern and Contemporary French-Language Fiction

 

Abstract deadline: September 30, 2021

Hello scholars,

I had an abstract submitted and accepted by "Kinship in the Fiction of N. K. Jemisin: Relations of Power and Resistance" to be published by Lexington Books in 2022, but just found out all chapters must have a PhD author, and as such, I am looking for a co-author. 

Please view my abstract below, and know we can switch it up if you are interested in this project. Please submit a paragraph about your interest, and what ideas you have to contribute to the chapter jeanam@uidaho.edu *MUST HAVE A PHD*

word limit is 7 000 words including endnotes and bibliography

Abstract:

CFP: Literary Women: Global Encounters, Interventions and Innovations, 1750-1830 (Deadline 31st March 2022) Guest Editors

Dr Yi-cheng Weng (National Taiwan University, Taiwan)

Dr Gillian Dow (University of Southampton, UK) 

The previous decades have seen the publications of stimulating and ground-breaking works that seek to recuperate and reconsider British women writers of this period. Literary criticism and feminist literary history have celebrated the existence and achievement of women writers, and shown that they were crucial participants in facilitating changes, transitions, and innovations in social and cultural movements, as well as literary styles.

Dear Colleagues, 

Queer(ing) Survival during the Sixth Extinction

Chair: Bradley Harmon (Johns Hopkins University)

Call for Papers: 

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