Hello scholars,

I had an abstract submitted and accepted by "Kinship in the Fiction of N. K. Jemisin: Relations of Power and Resistance" to be published by Lexington Books in 2022, but just found out all chapters must have a PhD author, and as such, I am looking for a co-author. 

Please view my abstract below, and know we can switch it up if you are interested in this project. Please submit a paragraph about your interest, and what ideas you have to contribute to the chapter jeanam@uidaho.edu *MUST HAVE A PHD*

word limit is 7 000 words including endnotes and bibliography

Abstract:

CFP: Literary Women: Global Encounters, Interventions and Innovations, 1750-1830 (Deadline 31st March 2022) Guest Editors

Dr Yi-cheng Weng (National Taiwan University, Taiwan)

Dr Gillian Dow (University of Southampton, UK) 

The previous decades have seen the publications of stimulating and ground-breaking works that seek to recuperate and reconsider British women writers of this period. Literary criticism and feminist literary history have celebrated the existence and achievement of women writers, and shown that they were crucial participants in facilitating changes, transitions, and innovations in social and cultural movements, as well as literary styles.

Queer(ing) Survival during the Sixth Extinction

Chair: Bradley Harmon (Johns Hopkins University)

Call for Papers: 

Description:

Ben Jonson frequently referred to his literary works as his ‘mind children’ in the paratext accompanying his printed plays, and he movingly reversed the analogy in his commemorative poem “On My First Sonne”: rendering tribute to the deceased child by styling him his father’s “best piece of poetry”. Jonson is associated with a bold renegotiation of authorship in the early modern period, but he was far from alone in turning to procreational metaphors in descriptions of his literary practice. Metaphors of this kind were useful to writers in suggesting a close relationship between author and text and to grapple with the notion of creative innovation vis-à-vis tradition.

THREE Women in French-sponsored sessions at NeMLA 2022 in Baltimore, March 10-13.   Proposed abstracts (~250 words) should be submitted to the NeMLA portal by September 30, 2021. 
 

Roundtable: Professional Issues around Women, Work and Care

August Wilson Journal is a peer-reviewed open access journal that promotes the ongoing study of Wilson's American Century Cycle. The journal seeks scholarly papers on all aspects of August Wilson career.

Selected topics include, but are not limited to, the following:

Literary Interpretation 

Performative Theory?Studies

Interdisciplinary Approaches 

Film Analysis of Fences and/or Ma Rainey's Black Bottom

Literary Theory 

August Wilson's Impact on Education (high school, college, etc,)

Comparative Literature Approaches

Historical Research

Biographical Research

Interviews

Paper Submissions

Simon Stone & Company 

Special Issue of Contemporary Theatre Review

Guest Editors
Emma Cole (University of Bristol)
Chris Hay (University of Queensland) 

Ticket holders to a new production of The Good Hope at Internationaal Theater Amsterdam (ITA), to be directed by the iconoclastic Australian-Swiss director Simon Stone, received an unusual email in September 2020: 

This CFP is for a roundtable session sponsored by the Women's and Gender Studies Caucus (WGSC) at NeMLA 2022. The convention will be held from March 10-13, 2022, at the Baltimore Waterfront Marriott.

Mentorship as Intersectional Feminist Practice

The paper will discuss the progression of media in the last 20 years and how journalism has deteriorated and misssppropriated news. Digital journalism and recirculation of images has made post truth more vivid and information more disruptive and toxic. Simulacra as an active device in propaganda creating conflicts and misleading the general mass

The Vampire Studies Area of the PCA welcomes papers, presentations, panels, and roundtable discussions that cover all aspects of the vampire as it appears throughout global culture. This year's conference will be held April 13-16 in Seattle, WA.

This year the Vampire Community celebrates the centenary of Nosferatu: A Symphony of Horror.  We welcome papers, panel presentations, or creative pieces about this classic genre defining film.  As well as this broad theme we also welcome papers, presentations, and panels that cover any of the following:

      The Non-Western Vampire (i.e. Black, Asian, Latino/a/x, African)

      The Horror Vampire Byronic vs Hedonistic, or Horror vs Romantic

In the recent years, foreign language teaching has advocated for an increasingly intermedial and interdisciplinary approach, one that enables instructors to expand course materials and integrate a wide array of popular and current cultural products. Advanced courses in literature and culture can develop curricula that more liberally incorporate popular culture into teaching. On the contrary, lower advanced and intermediate courses must combine cultural components with the introduction or the review of grammar structures. This session seeks contributions that address the following: What are the challenges of transitioning from grammar-based to culture-based instruction in language classes?

This special issue of Women’s Studies: an interdisciplinary journal invites submissions that address how women in contemporary Spain challenge the political system and claim space in the public sphere. We are especially interested in work that questions traditional neoliberal narratives of the Transition period and beyond, as well as scholarship that engages contemporary discourse around national identity, cultural memory and/or political practices in Spain. We anticipate a truly interdisciplinary issue with a variety of articles from fields such as, but not limited to, literature, film, media studies, theatre and performance studies, cultural studies, visual arts, history, philosophy, anthropology and sociology.

This panel will explore the varying visual representation of transgender people in film and television. Peter Lehman’s Running Scared: Masculinity and the Representation of the Male Body explains the visual shame of the male body and could also begin to understand the complexity of the transgender body. Lehman describes it as “men have managed to keep out of the glare, escaping from the relentlessness activity of sexual definitions” (6).  Newer shows like Sense8 and films like Hedwig and the Angry Inch, A Fantastic Woman, and The Danish Girl allow for characters that have visually and complex personalities along with their visual body. They explore trans struggles in storylines that do not end with death.