Rethinking Analog Effects and Animation Practices
This issue aims to restore much-needed scholarly attention to analog effects and other hands-on approaches to filmmaking in analog and contemporary digital cinema. Special effects have become a growing area in film studies with the rise of digital cinema since the turn of the century, sparking renewed interest across academic writing, popular culture, journalism, and fandom. Scholars such as Warren Buckland, Stephen Prince, Charlie Keil, Kristen Whissel, and Julie A. Turnock have primarily focused on the cinematic realism of CGI and its ubiquitous use in Hollywood mainstream cinema. Furthermore, as Dan North, Bob Rehak, and Michael S.
