Extended deadline for submissions: October 11, 2026 Northeast Modern Language Association Convention

Papers (in person only, Newport, RI, March 6-9, 2027) on any aspect of William Blake’s poetry and composite art are welcome on this 200th anniversary of his death

and the 270th of his birth. Some fruitful speculations might include: how the attempt to encompass Blake’s “indeterminate texts” (lack of a clearly definitive final edition) has led to

new approaches in criticism; how his combination of text and image that his self-devised and controlled “illuminated printing” allowed him to develop has broadened to encompass

The journal Gender Studies (see details about the journal here: https://reference-global.com/journal/GENST) invites contributions for a forthcoming special section on “Life-Writing and Gendered Trauma,” to be published in the 2027 issue.

issue 21 | Postcolonial Horror: Violence, Terror, and the Decolonial Imagination | fall 2027

Editors: Francesca Furlan (University of Padua), Marco Petrelli (University of Pisa), and Alice Salion (University of Padua) 

'witness'

We live in a media culture saturated with exposure: livestreamed violence, viral confession, algorithmic archives, state inquiries, surveillance footage, and ecological catastrophe rendered in real time. Testimony circulates rapidly, often before it can be contextualised or absorbed. Truth claims are asserted, contested, amplified, and undermined within institutional and digital infrastructures that shape what counts as evidence and who is recognised as credible.

The Kate Chopin International Society is seeking individual proposals for two sponsored panels at the 2027 American Literature Association conference in Boston, Massachusetts, May 26–29, 2027

The first panel, a roundtable on “Teaching Kate Chopin,” seeks short (seven- to eight-minute) papers/remarks that address any aspect of or strategy for teaching Chopin’s life or work to today’s students—to students of any kind at any level using any materials or technology in any educational environment anywhere. Proposals should include a title, your name and affiliation, and a paragraph about your proposed remarks. Roundtable chaired by Heather Ostman.

Call for Papers: John Kinsella – Writing Wrongs

A Special Issue of Antipodes: A Global Journal of Australian and New Zealand Literature

Guest Editors: Dr Nicholas Duddy and Dr Joseph Steinberg

Reading and discussing stories that include representations of sexual assault involves a paradox. There is a need to represent, expose, and challenge the ideologies and systems that enable such assault. At the same time, interacting with such representations can be an imposition on those who experience sexual violence, misogyny, and cisheterosexism. Because sexual assault trauma is often felt in the body in recurring reverberations throughout a person’s life, textual representations of it may trigger a trauma response. Rape culture ensures that sexual assault remains obscured by shame and victim-blaming, making it profoundly difficult to resolve sexual assault trauma.

Food is essential to the survival of the living, but its cultural significance does not cease at death. Across South Asia, death and mourning are accompanied by a range of food-related practices: cooking, offering, carrying, abstaining, fasting, feeding, sharing, distributing, refusing, burying, burning, or disposing of food. Meals may be prepared for mourners; particular foods may be offered to the deceased, ancestors, spirits, religious specialists, or members of the community; certain ingredients may be prohibited during mourning; and food may be placed beside the dead, carried to cremation or burial sites, offered at shrines or monasteries, distributed among participants, or consumed collectively as part of commemorative rites.

Consider the Radiance: On the Life and Poetry of A.R. Ammons

SYMPOSIUM ON THE WORK OF A.R. AMMONS

Cornell University, April 30, 2027

Join us in a celebration of the life and poetry of A.R. Ammons. This symposium will reflect the current state of scholarship on Ammons just as it will honor his life and career. Ammons, who taught in the English Department at Cornell from 1964 to 1998, was known for his book-length poems (Garbage, Tape for the Turn of the Year, Glare, andSphere) and for short, meditative lyrics, filled with the objects of everyday life.

The BRIDGS Initiative is now accepting applications to the Emergent Scholars Fellowship.  Applications due November 15th, 2

2027 Association for Asian American Studies Panel Proposal 

Sex, Sexuality, and Sex Work in the Shadows of Capitalism

Dance(d) Forms - Shakespeare and Dance - ESRA international conference, Bangor University, Wales, July 27-30, 2027

Call for Papers

ALFRED HITCHCOCK

Southwest Popular / American Culture Association (SWPACA)

48th Annual Conference, February 17-20, 2027

Marriott Albuquerque

Albuquerque, New Mexico

https://swpaca.org

Submissions open: September 1, 2026

Proposal submission deadline: October 31, 2026

Nocturnal Dissent: State Oppression, Control and Urban Resistance in Indian Literature and Cinema

(Call for Book Chapters)

Editors:

Subashish Bhattacharjee, Assistant Professor, Munshi Premchand Mahavidyalaya, University of North Bengal, India

&

Saikat Pradhan, Senior Research Fellow, University of North Bengal, India

To be published under a Book Series by a reputed international publishing house (Our first choices are Routledge and Bloomsbury)

About the book:

“The monster is born only at this metaphoric crossroads, as an embodiment of a certain cultural moment—of a time, a feeling, and a place. The monster's body quite literally incorporates fear, desire, anxiety, and fantasy (ataractic or incendiary), giving them life and an uncanny independence. The monstrous body is pure culture.” 

• Jeffrey Jerome Cohen. “Monster Culture (Seven Theses).”

Join us for 2027’s Dis/Junctions, a hybrid, graduate-run conference held March 4-5. The conference will feature both in-person and virtual panels and events. In-person programming will be hosted on the University of California, Riverside campus.

In recent decades, South Korean popular culture, commonly referred to as the Hallyu Wave, has taken the world by storm. Whether through K-Pop, K-dramas, or Korean cinema, this cultural phenomenon has eSountered a phase of “compressed modernity” (Kyung-Sup 1999, 2010), wherein the world appears smaller as Korean popular culture makes significant inroads not only across East Asia but also in countries such as the United States, Brazil, Argentina, various African nations, Europe, and South Asia.

Over the past three decades, fan studies have developed sophisticated accounts of participatory culture, collective intelligence, affective engagement, and transformative practices (Jenkins 2006; Booth 2015; Hills 2017). At the same time, scholarship has increasingly addressed the investigative dimensions of audience participation. Mittell’s concept of “forensic fandom” (2009), for example, highlights practices of close reading, clue collection, speculation, and collaborative interpretation in response to complex narrative worlds. Fans thus become active investigators who uncover hidden meanings, solve mysteries, and assemble fragmented information across media texts. More recently, such investigative practices have expanded beyond fictional worlds.

Dear Colleagues, and friends

We are holding the conference 'Late Bowie: Legacy, Mortality and the Archival Impulse' at Kingston university, in our state of the art Visconti recording studio, Kingston Hill, on Nov 5th and 6th of this year.

We have a really exciting programme with some great speakers and guests. These include Harriet Reed (Project Lead, Bowie Archive, V&A Storehouse East; Clare Watt (Bowie fellow, V&A); Peter Carpenter (author of Bowieland: Walking in the Footsteps of David [Octopus Books, 2025]); British film and TV producer Kevin Loader and Jonathan Barnbrook, graphic designer of Bowie;s albums from Heathen (2002) to Blackstar (2016).

International Conference on

Environmental Precarity and Planetary Aesthetics: Voices, Epistemologies, and Geopolitics of the Global South

25 & 26 February 2027

Organised by the Department of English, Bodoland University, Kokrajhar, India

Concept note

Renewed call for chapter proposals

Off the Stage: Performance Practices in Postcolonial India

(forthcoming in 2027)

The editor is pleased to issue a renewed call for chapter proposals for the edited volume Off the Stage: Performance Practices in Postcolonial India, scheduled for publication in 2027 by an internationally renowned UK-based publishing house. This renewed call has become necessary owing to a few last-minute withdrawals and the non-submission of some previously committed chapters.  

DEADLINE EXTENDED TO OCTOBER 11, 2026

NeMLA 

March 6-9, 2027

Newport, RI 

Submit paper proposals here: https://www.cfplist.com/nemla/Home/S/22354

Call for Papers

Imagining Italy: Transatlantic Encounters, Diaspora, and Cultural Belonging

Date: June 24-27, 2027

Location: University of Macerata

Abstracts & Proposals Due: Friday, February 26, 2027

Notifications Sent Out by Monday, March 8, 2027

Submittable Link:

PSi#32, İstanbul, Türkiye, Call for Proposals

(Turkish version follows below.)

Performance Studies international #32

Call for Papers

15–19 September 2027

İstanbul, Türkiye

Performance Studies international (PSi), in collaboration with Performistanbul in İstanbul, Türkiye, invites responses to the call for proposals for the PSi#32 Conference in 2027.

Conference Theme: MEYDAN

Call for Papers: British Literature, pre-1600 at CEA 2027

Apr. 1-3, 2027 | St. Louis, Missouri

The Westin St. Louis Hotel
https://cea-web.org/the-conference-hotel

The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations on British Literature, pre-1660 for our 57th annual conference. Submit your proposal at www.cea-web.org