This session invites proposals on topics that will (as a session as a whole) embrace the plurality of Feminisms, enlivening current critical practice across languages, literatures, time periods, and genres. In particular, we welcome proposals that approach Feminisms through a transhistorical and/or global lens. We welcome proposals both related to the conference theme, "Palimpsests: Memory and Oblivion," and those not related.In their 2022 book Public Feminism in Times of Crisis: From Sappho’s Fragments to Viral Hashtags, Leila Easa and Jennifer Stager “examine the public practice of feminism in the age of social media and analyze the deep histories threaded through this new(er) enactment” (2).

Call for papers

PORNOGRAPHY IN BABEL

Translation, sexuality, obscenity

International bilingual conference

23–24 October 2025

University of Antwerp, Belgium

MORE PRIDE, LESS PREJUDICE: JANE AUSTEN AT 250

Faculty of Arts and Humanities I University of Porto

2-3 October 2025

Keynote Speakers

Fiona Stafford (University of Oxford) 

John Mullan (University College London)

Novel: A Forum on Fiction is accepting submissions. Founded in 1967 at Brown University, Novel is a peer-reviewed journal devoted to the best new criticism and theory in novel studies. After several decades under the editorship of Nancy Armstrong, Kevin McLaughlin took over as the chief editor in Summer 2023. Novel holds to these general principles:

This special issue of Horror Studies aims to address female empowerment (cis- and transgender women) in literary and cinematic horror from 2010 to the present. The issue will showcase horror media (literature, films, television, and gaming) created by women. An intersectional approach should be applied to analyses, stressing categories of race, gender, sexuality, class and/or age in submissions. While we are interested in submissions focused on various forms of horror media, we are eager to receive submissions that foreground literary texts.

Space is not defined objectively, but in relation to bodies, as it is a manifestation of their needs, intentions, and desires. It is not a container in which objects exist but is intertwined with the body’s orientation in the world and its movements within the space. Human body, therefore, is at the centre of all spaces, which are more than a geometrical concept in abstraction. Individual bodies apprehend and appropriate space differently and give meaning to embedded systems and institutions through established and evolving associations. Any assumption of personalised space, whether private or public, is embedded with historical, cultural, and social meanings which help curate embodied experiences.

The 19th International Conference of Taiwan Association of Classical, Medieval, and Renaissance Studies (TACMRS)November 6-7, 2026National Central UniversityTaoyuan City, Taiwan---- 

For at least the last fifty years, critics, commentators, and celebrity cognoscenti have repeatedly resounded the death knell of camp. First, facing the political crucibles of the queer civil rights and feminist protests of the 1960s and 1970s, gay men, lesbians, and trans folks were supposed to abandon the shameful practice and kill their darlings. Yet, twenty years later, they found camp coming gloriously back into vogue, striking a pose on the ironic drag stages of the queer 1990s. Now, come forward another twenty years, when self-conscious postmodern parody and biting double entendre are the fuel that makes meme culture go, and we are obliged to wonder at camp’s ubiquity and to question its possible utility.

Call for Papers: Marianne Moore Generations Conference October 23 and 24, 2025
Organizing Committee: Jon Tadmor (Stanford), Celine Shanosky (Harvard)
Speakers: Elizabeth Gregory (University of Houston), Virginia Jackson (UCI), Cristanne Miller (University at Buffalo SUNY)
Location: Stanford Humanities Center

The Marianne Moore Generations Conference is an invitation to join in consideration of one poet in the broadest sense, and with a spirit of experiment. How does Moore contribute, or not contribute, to a variety of fields and approaches within literary studies? How might this poet be carried forward?

Call for Book Chapters
on Fans, Fandoms, and Tabletop Roleplaying Games

Deadline for submissions: Sunday, June 15, 2025

Contact email:fans.fandoms.and.ttrpgs@gmail.com 

Editors: 

Maria K. Alberto, University of Utah

Adrianna Burton, University of California – Irvine

We are seeking proposals for chapters to be included in a peer-reviewed edited collection on fans, fandom(s), and tabletop roleplaying games (TTRPGs). The University of Michigan Press has expressed interest in this collection and the book proposal is currently underway. 

Drawing on the theme “Underground,” this proposed panel considers the hidden, unearthed role of nineteenth-century forms of education. We think of education broadly here, including textbooks, expositions, World’s Fairs, newspapers, public history, and other print and material culture with didactic purpose. The panel will consider how these forms of education challenge or uphold prevailing nineteenth-century historiographies, as well as how they engage with counternarratives, reveal buried histories, reshape public memory, or critically construct belonging.

Medieval Times in Early Modern Texts

Tuesday, April 8, 2025  

The Institute of History of the Slovak Academy of Sciences and the international research group Scientiae are pleased to invite you to participate in the conference:

Medieval Times in Early Modern Texts

that will take place on 3–5 December 2025 in Bratislava, Slovakia.

National Seminar

on
"Art, Architecture, and Culture of Odisha: Bridging Traditions and Global Narratives"

18th and 19th September, 2025

Organised By 

POST GRADUATE DEPARTMENT OF ENGLISH, 

S.C.S. AUTONOMOUS COLLEGE, PURI, ODISHA, INDIA

This year’s Latinx Literature and Culture session welcomes paper proposals centering on any aspect of Latinx literary studies, cultural studies, and film or media studies. Topics could include but are not limited to: the U.S./Mexico Borderlands, migrancy and the diaspora, Chicanx/Latinx Feminisms, Queer Latinidades, Translation Studies, Central American and Caribbean studies, Chicanx/Latinx Poetics, and anything else that may broadly fit under the umbrella of Latinx/Chicanx studies. We welcome proposals that maneuver through disciplinary boundaries and thoughtfully engage with a variety of artifacts (theatre, performance, popular culture, children’s literature, memoirs, and autobiographies).