NON

A JOURNAL OF ALTERNATIVE SEXUALITIES

IN ANCIENT AND MODERN LITERATURE AND THE ARTS

Issue 3 – 2025

Call for Papers

Call for Papers: Journal of Italian Cinema & Media Studies

Special Issue: ‘The Tyranny of Truth: The Cinema of Gillo Pontecorvo’

CFP for a guest-edited issue of the Journal of Italian Cinema & Media Studies

Guest-editor Fabio Pezzetti Tonion

Museo Nazionale del Cinema

View the full call here>>

https://www.intellectbooks.com/journal-of-italian-cinema-media-studies#call-for-papers

Indigeneity is a complex and dynamic concept that encapsulates the identities, cultures, and rights of Indigenous peoples worldwide. It (Indigeneity) has historically been defined through rigid legal and anthropological frameworks established by nation-states and colonial powers. These frameworks often rely on lineage, territorial ties, and historical continuity to grant recognition, land rights, and resource access. Such definitions create fixed distinctions between Indigenous and non-Indigenous communities, reducing indigeneity to static identity markers (Perreault, Bridge, & McCarthy, 2015).

Return to the South: The Complexities of Southern Culture in Ryan Coogler’s film Sinners. 

On April 18, Warner Brothers released Ryan Coogler’s long anticipated film Sinners. Since its release, the film has achieved both critical acclaim and popular resonance, marking a significant entry in contemporary Southern cinema. Critics and audiences praise Sinners for its nuanced treatment of inter/intra-racial dynamics, spirituality, and regional identity. In addition, the film has prompted sustained cultural discourse, and now, academic interest in the South. Its layered narrative and atmospheric rendering of the South position Sinners as a vital text for examining the complexities of Southern culture and history.

Femspec seeks both scholarly and creative submissions for its upcoming Issue 25.2

Femspec is an interdisciplinary, peer-reviewed feminist academic journal dedicated to science fiction, fantasy, magical realism, surrealism, myth, folklore, and other supernatural genres.  Femspec publishes both academic scholarship and creative writing.

Creative writing submissions could include short fiction, poetry, or experimental forms.

We are now accepting submissions for our next regular issue.

Manuscripts in MS Word (5,000–10,000 words) adhering to the MLA formatting guidelines should be sent to editor@jcla.in by 31 July 2025.

Wikipedia: en.wikipedia.org/wiki/Journal_of_Comparative_Literature_and_Aesthetics
Website: www.jcla.in
Current Issues: https://jcla.in/journal-of-comparative-literature-and-aesthetics/current...

PULSE – the Journal of Science and Culture

VOL 12 (2025)

CALL FOR PAPERS AND BOOK REVIEWS

Accent: Music and Sound in Australian Cinema

The University of Western Australia (UWA) Conservatorium of Music is pleased to announce a call for papers for a conference on sound and music in Australian cinema. The conference will be held on the 29th-30th November 2025 at UWA. This event will bring together scholars, practitioners, filmmakers, and sound/musicology theorists to interrogate the ways in which Australian cinema’s soundscapes serve as sites for political, historical, and cultural theorisation.

Possible papers may explore, but are not limited to:

2025 marks the 35th year since the passage of the Americans with Disabilities Act. Though ADA advances have often been celebrated in mainstream media and the rights they support taken as secured, it has come under attack through rollbacks since 2016, and most recently by removing DEIA initiatives within the Department of Education. At the same time, national and international discourse community efforts through conferences and other open forums have grown more diffuse.  With this in mind, this conference, “New Directions in Disability Studies,” will reflect on where disability studies has come from and what it will be in the future.  

As readers of Milton know, Milton’s writings are often humorous, titillating, outrageous – extra in today’s colloquial parlance. Of course, they are also challenging, but this too can be pleasurable. Studying Milton involves, simply put, serious fun. How might we rethink our affective approaches to Milton’s poetry and prose to spotlight not only their difficulty but also their recreation? What is at stake for Milton and for us in the pleasures derived from, for example, an over-the-top invective or a sarcastic God? What are sustaining and enlivening potentials in critical and creative practices, such as speculation, auto-criticism, and parody? And how might we mobilize these potentials in our writing and teaching to engage new audiences?

Main theme: “Listening to Each Other’s Voices”

In his work AI Ethics, Mark Coeckelbergh describes humans as “meaning-making, conscious, embodied, and living beings whose nature, mind, and knowledge cannot be explained away by comparisons to machines” (36). Machine-assistant writing tools and other technologies have become increasingly prevalent as teaching tools in humanities classrooms, which means it is more imperative than ever we find ways to differentiate human and non-human meaning making and knowledge creation. Our panel is interested in exploring and mapping potential futures for the humanities as technology becomes an increasingly significant presence in how we teach and present our work in the classroom. 

Description: 

I would like to organize a session at the AWP Conference, March 4-7. I would like to present the research I am currently developing for a book called "Writing Erudite Speculative Fiction". I hope to find other presenters who would like to discuss strategies about formulaic, genre-based, or other types of fiction writing strategies, especially aimed at the literary or sophisticated marketplace. This session is tailored for professors of creative writing who want unique approaches to teaching. The rules are: