RSA 2024 Chicago: Reading Lanyer Anew
Two volumes published in the late nineties—Susanne Wood’s notable monograph Lanyer: A Renaissance Woman Poet and Marshall Grossman’s edited collection Aemilia Lanyer: Gender, Genre, and the Canon—have largely shaped the trajectory of Lanyer scholarship. Following their lead, scholars in the past two decades have charted how Salve Deus Rex Judaeorum navigates intricate issues of gender, genre, patronage, courtly politics, religion, and poetic authority. This panel aims to expand this fruitful work by exploring new avenues for scholarship that consider Lanyer’s engagement with other contexts and discourses.