The editors of Translation Review are inviting submissions. We are particularly interested translations of contemporary international writers into English and submissions that discuss the process and practical problems of translating.

We would also be happy to consider and interviews with translators, manuscripts that address the concept of translation in the visual and musical arts (intersemiotic or multimedia translations), as well as submissions that address issues of machine translation, AI translations, and translation in the digital age in general. 

Heidelberg Center for American Studies

Annual Spring Academy Conference

Heidelberg, Germany, March 18-22, 2024

Call for Papers

The Heidelberg Center for American Studies (HCA) invites applications for its annual Spring Academy on American Culture, Economics, Geography, History, Literature, Politics, and Religion to be held from March 18-22, 2024.

The HCA Spring Academy provides 20 international Ph.D. students with the opportunity to present and thoroughly discuss their Ph.D. projects.

Greetings!
It gives me great pleasure to announce my proposed CFP for the upcoming ACLA American Comparative Literature Association conference to be held from 14th - 17th March 2024. Interested presenters may send in their papers latest by 30th September 2023 by visiting the ACLA webpage
https://www.acla.org/annual-meeting/seminars/paper-add

The Call for Papers for proposed seminar:-

Dewdrops on Embers : Deconstructing the Chequered Tropes of Existential Agonies in Contemporary Arab American Poetry “

..Now we walk out into the tunnel of days And a million memories rustle..”
- Lisa Suhair Majaj, Geographies of Light

The poetic term “strophe” carries a long-standing implication of movement. It refers to the first part of an ode and is defined as a unit of movement with a song performed in Ancient Greek Tragedy by the chorus as it turned one way (strophe), then another (antistrophe) and then stood in its track (epode). In subsequent definitions, it came to be associated with the song of troubadours and became known for its flexibility in discussing poetic performance with music, dance, gesture and breath. Apart from strophe, movement is also implied in the description of other poetic terms.

We are seeking chapters for an edited book on the work of Alan Garner.

Described by Philip Pullman as ‘the most important British writer of fantasy since Tolkien’, Garner's importance and popularity deserve focussed critical attention.

This panel puts forward premodern disability as enhancement, surplus, or even reward, drawing from the concept of “disability gain,” coined by Rosemarie Garland-Thomson (Fox, Krings, Vierke, 2019), to reformulate disability as gain, instead of loss, or as a resource. The concept is based on H-Dirksen Bauman and Joseph Murray’s concept of “Deaf gain,” which approaches Deafness as a benefit that expands social, cultural, intellectual, and creative fields (2014). While this concept has yet to be applied to premodern disability, reading disability in premodern texts through the lens of “disability gain” may allow the modern scholar to reframe and discuss the premodern body outside of ethnocentric systems.

Stanley Kubrick and Conspiracy Culture: Call for book chapters

Please consider submitting a proposal for the following panel proposal for the Interdisciplinary Nineteenth-Century Studies (INCS) 2024 Conference, to be held March 21-24 in Cincinnati, OH:

This panel will discuss how the conception and operation of “crisis” intersect with issues of gender and the cultural codes of society. Assuming a broad temporal scope for the Middle Ages (c.500 CE–c.1500 CE), the panel is interested in examining how societal constructions of gender triggered and were, in turn, shaped and reshaped by disruptions and upheavals in religious life, literary culture, economic structure, and political organization. With its capacity to span the distance between private and public realms, can gender mediate the conceptualization of internal and subjective crises as well as large-scale social tensions and changes?

Next year marks the fiftieth anniversary of Patricia Nell Warren’s The Front Runner. I am planning an essay collection to commemorate Patricia (and already have an academic publisher that’s “definitely interested”). Pretty much any aspect on Patricia’s life and works would be welcome. There may also be a conference, but it would probably be a Zoom meeting. If you're interested, please contact me as soon as possible.

The Front Runner: athletics and homosexuality (the last taboo?), college life, fan mail, global reception, Olympic Games

The Fancy Dancer: Catholicism, smalltown homosexuality, Native American heritage

the Black Theatre Review (tBTR) is now accepting submissions for our fourth publication, 

Vol. 2 No. 2, to be published in January 2024.

Environmentalism

We are pleased to invite submissions that interrogate aesthetics, performativity, and matters of Environmentalism in Black and African Diasporic theatre history, contemporary performance and production, dramatic literature, digital art, artistic leadership, pedagogy and praxis, and nature-based religious and spiritual performativity. We invite authors to investigate, meditate and reflect on, and respond to:

Children's Literature Association 2024 Conference

May 30 - June 1, 2024

Madison Concourse Hotel & Governor's Club
Madison, Wisconsin

Theme: Looking Back, Looking Forward:  ChLA at 50

As we approach the 50-year anniversary of the Children’s Literature Association’s founding, we gather to reflect on the past, present, and future of our field. 

Event 2024 is an experiment in sustainable global conferencing, including monthly Zoom events, face-to-face hub events in September, and the asynchronous discussion of uploaded papers on COVE Conferences.

2024 International Congress of Medieval Studies (Kalamazoo)

This panel invites papers considering the global reach and expanse of Petrarch and Petrarchan concepts, as reflected in: 1.) the poet’s work itself, 2.) his engagement with other literary and linguistic traditions, and 3.) intertextual responses to his work. Countering longstanding perceptions of an “insular” Petrarch who primarily gazes inward while losing sight of other perspectives and horizons, this panel considers the sociopolitical, transhistorical, comparative, intertextual, interlinguistic, and plurilinguistic frameworks that permit an understanding of a more capacious Petrarch—a Petrarch who can be understood “globally,” so to speak, in both his Latin and vernacular writings.