18th ESSE Conference (European Society for the Study of English)
31st August – 4th September 2026
Santiago de Compostela, Spain

Call for Contributions to the ESSE Panel "Infrastructures of Feeling: The European City in Contemporary Literature and Visual Media"

Shakespeare exists across and between multiple worlds today. After centuries of circulation in Asia, Shakespeare inhabits all locales and cultural formations in ever-changing forms, but is contained by none. Neither completely virtual nor concretely embodied, long dead yet very much alive, inhabiting past, present and future in equal measure, Shakespeare continues to thrive in the act of playing, teaching and thinking. Recent Asian Shakespeare scholarship has critically reflected upon, yet ultimately celebrated such cross-cultural, international, world-wide flourishing, bringing together new arrangements, forms and collaborations of Shakespeare’s work across art, performance and cultures.

Contributions on varied dimensions of Popular Literature in the Nineteenth Century are invited for Volume XIII of Critical Imprints (ISSN: 2319-4774), the annual peer-reviewed journal of the Department of English, Loreto College, Kolkata.

Potential topics include, but are not limited to:

The African American Literature and Culture Society invites abstracts (of no more than 250 words) for presentations at the annual conference of the American Literature Association (http://americanliteratureassociation.org/). We will also consider a limited number of panel proposals (of no more than 500 words).    

CfP New issue: Essence & Critique: Journal of Literature and Drama Studies (ISSN: 2791-6553) deadline for submissions: November 15, 2025 full name / name of organization: Essence & Critique: Journal of Literature and Drama Studies (ISSN: 2791-6553) contact email: essencecritiquejournal@gmail.com 

Essence & Critique: Journal of Literature and Drama Studies invites submissions for the New ssue of the journal - a general issue on Literature and Drama Studies. 

Indexed by MLA and EBSCO databases.

Sustainable Shakespeare

Exploring Human-Nature Interconnectedness in the Plays of William Shakespeare 

Edited by 

Prof (Dr) Seema Raizada, Professor and Head, Govt MLB Girls PG Autonomous College, Bhopal, 9827055738

Prof (Dr) Rolii Agrawal, Professor and Head, Jagran Lakecity University, Bhopal, 9425148782

Email –sustainableshakespeare@gmail.com

Concept Note:

ContactZone (http://www.aisff-starfiction.com/journal) Special Issue "Unruly Bodies and Astral Corporealities in Science Fiction Cinema and Television Series"

Edited by Giuseppe Balirano and Oriana Palusci

Call for Book Chapters

Title: Women in Motion: Perspectives from the Indian Subcontinent

Socio-cultural factors such as gender, class, caste, ethnicity, etc. determine the motion of an individual, making the discourse especially relevant when it comes to articulating experiences of motion by/of women in the Indian subcontinent. Studies interplaying ‘motion’ and ‘female bodies’ continue to be an important avenue of exploration, illuminating how women have been navigating motion – spatially, temporally, corporeally, cognitively, socially, culturally, historically.

We are pleased to announce our upcoming graduate conference, Mutations, which will take place at the University of California, Berkeley on February 12–13, 2026, with our prestigious Keynote Speaker Prof. Christy Wampole from Princeton University. You’ll find the conference abstract and further details below.

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Call for Papers

Emily Thomas

Southwest Popular / American Culture Association (SWPACA)

47th Annual Conference, February 25-28, 2026

Marriott Albuquerque

Albuquerque, New Mexico

https://www.southwestpca.org

Submissions open: September 1, 2025

Proposal submission deadline: October 31, 2025

Call for participation

Performing Ends 2026

University of Antwerp

Belgium

October 28–30, 2026

We are pleased to announce that the International Conference The Prism of Festivals and Performance Studies: Open Historiographical Questions, organized within the framework of the PRIN 2022 project – Theatre of Festivals between the Local and the Global. Rethinking the Italian Stage between the 1950s and the 1970s, involving the Universities of Rome “Tor Vergata” and Parma, will take place in Rome, at the University of Rome “Tor Vergata”, on 9–10 October 2025.

All details, including the full program and the Book of Abstracts, are available on the dedicated page of the MAP – Interuniversity Research Centre for the Memory of the Performing Arts website at the following link:

Victorian SoundingsAuckland University of TechnologyAuckland, Aotearoa/New Zealand, 25-26 June 2026 

Scholars of the nineteenth century have produced ground-breaking work in the interdisciplinary field of sound studies since its inception, and continue to as they help push the boundaries of the field and expand it in intriguing ways. Scholars are now exploring the importance of sound in connection to other areas, such as the interdependence of speaking, writing, reading, and listening; the sonic interconnections between the arts, science, and new technologies; and acoustic mediations in imperial encounters with indigenous peoples.

CRS Graduate Student Conference 2026

April 3rd - 4th, 2026

Sprockets/Selvage/Shores

Human-Animal Studies and Literary Animal Studies in German Narratives
Book Series: Interdisciplinary Studies on German Philology

About the Series

The book series Interdisciplinary Studies on German Philology (Istanbul University Press) explores intersections of German literature, culture, and society with broader interdisciplinary fields.

Irish Studies: Legacies and Futures

Special Issue 3/2026

Studia Universitatis Babeș-Bolyai Philologia

philologia.studia@ubbcluj.ro

Guest editors

Brian Ó Conchubhair (University of Notre Dame) boconch1@nd.edu

Erika Mihálycsa (Babeș-Bolyai University) erika.mihalycsa@ubbcluj.ro

THE BEAUTY OF KILLING FASCISM 

We invite scholars to submit an abstract to ACLA (American Comparative Literature Association), which is an academic society of scholars that focuses on cross-cultural literary studies to promote interactions between literature and other forms of study, such as the arts, sciences, philosophy, and cultural artifacts. 

The conference will take place at the Palais des congrès de Montréal, Montréal, Québec, Canada 

During February 26 - March 1, 2026.

We will begin accepting abstracts between August 26th - October 2, 2025.

Bridging Caribbean Literature and Digital Humanities

Call for Papers: Special Issue of Anthurium: A Caribbean Studies Journal 

Special issue editors: Gabrielle M. Jean-Louis, Michael Soriano, and Kelly Baker Josephs

Deadline for abstracts: 1 December 2025

Full papers due: 15 March 2026

Issue to be published: Fall 2026

This special issue of Anthurium: A Caribbean Studies Journal seeks articles, interviews, and digital project reviews on the critical use of digital humanities methodologies to deepen the study of Caribbean literary works. 

Please Join Salem State University and Bridgewater State University for the 6th annual Master's in English Regional Conference: New England (MERC)

The conference will take place on February 28th, 2026 in person at Salem State University. Directions will be uploaded on our website in the coming weeks. Accepting works in literary studies, critical theory, English education & teaching, creative writing, professional writing, communication, TESOL & Linguistics, as well as rhetoric & composition

Since the 1990s, comics and graphic narratives have emerged as an emphatic media form for exploring the embodied experiences of disability and identity (e.g., Alaniz, Chute, Czerwiec, Dolmage, and Refaie). To date, much scholarship has focused on Anglophone or Euro-American paradigms, leaving significant gaps in our understanding of how disability intersects with race, gender, class, and colonial histories in graphic narratives from diverse contexts. To bridge the gap, this seminar brings together international scholars from multiple disciplines (e.g., comics narratology and 4EA cognition, graphic medicine, posthumanist studies, history, and visual studies) to discuss both established and emerging works, especially those from the Global South.

We invite short abstracts (100-200 words) in response to our call for contributions for an edited volume, ‘The Medieval in Museums’. Please send abstracts by 5pm GMT on Monday 3 November to Fran Allfrey (University of York) and Maia Blumberg (QMUL) fran.allfrey@york.ac.uk ; m.blumberg@qmul.ac.uk. Please be in touch with us to discuss your idea more informally should you wish.

[AAAS 2026] Asian American Literature and the Law

Asian American literature has emerged as a critical site of representation and resistance within the context of over 150 years of exclusionary legal policies targeting Asian communities in the United States. Beginning with the Page Act of 1875 and the Chinese Exclusion Act of 1882, federal legislation systematically constructed Asians as perpetual foreigners, legally ineligible for citizenship and fundamentally “unassimilable.” These exclusionary frameworks extended beyond immigration to encompass alien land laws, antimiscegenation statutes, and labor restrictions that relegated Asian Americans to legal and social marginality.

“When seeking knowledge of a work of art or an art form, it never proves useful to take the receiver into account”: thus begins Walter Benjamin’s foundational essay on the study of translation. This seminar proceeds against Benjamin’s injunction, paring translation studies with recent inquiries into reading practice and readerly attention to ask how modernist writers use translation to modulate readerly difficulty. How do modernist translators adjust difficulty both to safeguard and to enhance the reader’s imagination of an original text from which they are withheld? Do moments of difficulty in translated modernist texts – whether Victorian archaisms in C.K.

In a recent article (2021), Sue-Im Lee observes a rising phenomenon in Asian American formal criticism: the proliferation of aesthetic concepts such as “opaque, transparent, fragmented, linear, nonlinear, discordant, or lyrical” (690).