ACLA 2027 Seminar: Sinologising Witnessing: Trauma Theory and Chinese Literature and Film
Three decades on, the founding categories of trauma theory: belatedness, aporia, the unspeakable, the event that cannot be claimed, remain largely those of a single archive: European, modernist, post-Holocaust. Stef Craps’s decolonising critique (2010; 2013; 2014) has exposed the field’s marginalisation of non-Western suffering, its universalisation of a Euro-American psycho-diagnostic invention, its prescription of fragmentary modernist techniques as its defining form, and its neglect of the connections between metropolitan and other histories of violence. Yet that critique has been prosecuted largely through postcolonial and Anglophone Global South materials.
