The recent “affective turn” derives from a Spinozist interpretation and complication of the dualist mind-body binary. The mind’s power to think is intimately entangled with and correlated to the body’s power to act. Affect refers to the body’s capacity to affect and be affected, to its sensitivity and connection to other bodies. Recent interpretations of affect link it to everyday modes of production, circulation, and consumption as well. For example, for Sara Ahmed affects, just like emotions, “stick” as they circulate between bodies and thus produce subjectivities that disrupt or reconfigure a status quo.

Coined by Cedric J. Robinson in his magnum opus Black Marxism (1983), the term “racial capitalism” refers to the simultaneous and interdependent rise of global capitalism and racial classification and stratification. Robinson’s principal goal is to identify a tradition of radical thought and practice among Black intellectuals and activists in sites of colonial exploitation. He therefore decenters Marxist history by shifting our attention away from metropolitan Europe as a site of political radicalization. Black Marxism begins, however, in the European Middle Ages, which in Robinson’s view gave rise both to modern myths of whiteness and to the racialization of the proletariat.

Keynote speakers:

Dr. Mishuana Goeman

Professor of Gender Studies and American Indian Studies, UCLA

Dr. Robert Warrior

Distinguished Professor of American Literature & Culture, University of Kansas

44th Annual Comparative Drama Conference

October 14-16, 2021

Orlando, Florida

Deadline: March 17, 2021

Disability in Dramatic Texts and Performance

Papers are sought for a special panel series on the subject of disability in dramatic texts and performance. We invite research utilizing Disability Studies in any dramatic period. Panels will showcase discussions on representation, image, symbolism, societal regulation or construction of disability, casting, and depictions of the disabled in playtexts and dramatic performance.

PAMLA 2021 LAS VEGAS: "CITY OF GOD, CITY OF DESTRUCTION" (Thursday, November 11 - Sunday, November 14, 2021 at Sahara Las Vegas Hotel, hosted by University of Nevada, Las Vegas)

Session: Cult America

Contacts: Craig Svonkin, Metropolitan State University of Denver (director@pamla.org)

From Celluloid to Streaming: Conservation and Circulation of Small Cinemas
12th edition of the Small Cinemas Conference
Santiago de Compostela October 28-29, 2021

Keynote Speakers:Mette Hjort is Chair Professor of Humanities and Dean of Arts at the Hong Kong Baptist University, Affiliate Professor of Scandinavian Studies at the University of Washington, and Visiting Professor of Cultural Industries at the University of South Wales.

Elena Neira is lecturer in the degree of Communication Studies in the Universitat Oberta de Catalunya, and member of the research group GAME. She also teaches Audiovisual Distribution in the Universitat Internacional de Catalunya.

The Rising Asia Journal invites academic articles  on  Film Studies focusing on the North East of India, South East Asia , China, the Koreas, Taiwan, and Japan within the following fields :
History, Literature, Postcolonial Studies, Literary Theory, Film Theory , Culture , Cultural Studies, and International Relations and War & Society.
The papers must provide a new perspective and a fresh interpretation.They must  be original, supported with scholarly research, and the must not have been published or under consideration for publication in any media in print or online .

Call for Chapters for Edited Collection

Difficult Death: Challenging Cultural Representations of Death, Dying and the Dead in Media and Culture

Deadline: Monday 1 May 2021

Dear Friends and Colleagues,

Update on the 41st APEAA Conference at the University of Aveiro - 21-22 May 2021 

First of all we would like to thank everybody for their patience and understanding when the 41st APEAA Conference at the University of Aveiro had to be cancelled due to the pandemic!  

Given the ongoing uncertainty around the Covid pandemic, we have decided the best course of action is to hold the APEAA Conference entirely online, using Zoom. The new date is 21-22 May 2021, during Portuguese working hours. 

This is of course disappointing, since we will be unable to see our colleagues face to face to exchange views at greater length, but circumstances dictate this format. 

CALL FOR PROPOSALS FOR BOOK CHAPTERS
Teaching Performance Practices in Remote and Hybrid Spaces

an edited collection, full proposal currently in peer review

EDITORS

Jeanmarie Higgins, PhD and Elisha Clark Halpin, MFA
The Pennsylvania State University School of Theatre
teachingperformancebook@gmail.com

OVERVIEW

Douglas Coupland and the Art of the ‘Extreme Present’Virtual Conference, 23-24 April 2021CFP DEADLINE NOW EXTENDED TO 20TH FEBRUARY 2021

The author of thirteen novels, two collections of short stories, seven non-fiction books, and a prolific and celebrated visual artist, Douglas Coupland’s oeuvre is inherently concerned with what it means to be living in our ‘extreme present’. Marking the 30th anniversary of the publication of Coupland’s first novel, Generation X, this virtual international conference – the first on Coupland’s work – seeks to explore the richness of Coupland’s engagement with contemporary life across writings and visual culture.

European Judaismis pleased to announce a call for papers for a special issue devoted to the Man Booker-Prize-winning novelist, Howard Jacobson.

As David Brauner writes in his recently published monograph, Howard Jacobson is a protean figure:

            A Leavisite moralist with a puritanical streak, and a chronicler of dark sexual obsessions and perversions; a highly serious humanist intellectual and a hilariously comic provocateur; a passionate polemicist and an ardent advocate of ‘ambiguity and contradiction’; the author of (in his own words) ‘the most Jewish novel that has ever been written by anybody, anywhere’, whose literary heroes are Jane Austen and D.H. Lawrence, Jacobson revels in ambivalence.

CALL FOR BOOK CHAPTERS

The Language of the Narratives: Myth, Ithihāsa and Purāṇa

“The notion that name and essence bear a necessary and internal relation to each other, that the name does not merely denote but actually is the essence of its object, that the potency of the real thing is contained in the name—that is one of the fundamental assumptions of the mythmaking consciousness itself’’ (Cassirer, 2012: 04).

CFP: Dystopia and Utopia in Contemporary German Literature and Film [PAMLA, Virtual Panel] [15. April 2021]