Call for Contributions to edited volume

Reconciliatory Spaces:  Post-Conflict Interventions in Anglophone Women's Writing

Ed. Lourdes López-Ropero (University of Alicante, Spain)

Teaching literary analysis invariably includes learning activities involving reading, deciphering, and applying theory to a text understudy. For many undergraduate and dual- or cross-enrolled students, this activity is no small feat. Rather than tossing critical theory to the wayside as "too tough," we persevere! This session seeks presentations from educators who have had varying degrees of success bringing critical theory into their humanities courses. In order to render accessible to students the complex and insightful ideas sandwiched within the academic jargon of critical theory, how are we translating the rigor into palpable bites?

Surveying the absence on her shelf where Elizabethan women’s writing ought to be, Virginia Woolf (in)famously dismissed the possibility of Shakespeare’s sister ever finding “a room of her own” to develop her voice. Recent decades of literary scholarship have shown the invention with which early modern women built out their own textual “rooms,” finding voice in surprising places and forms (even in silence, as Christina Luckyj heard [2002]), in visions of new political subjectivities (in a radically equal imaginary, as seen by Mihiko Suzuki [2003]), and through networks of overlooked community (in coteries and in letters, as traced by James Daybell [2006]).

Memory in Exile: 80 Years since the Liberation of the Nazi Camps

Special issue of Word and Text, publication in December 2025

In 2025 there will be 80 years since the Nazi camps were liberated.

Critical Companions to Contemporary Directors SERIES

FILM REVIEWS FOR THE QUINT

FSNNA24 Call for ParticipationFan Studies Network North America Conference 2024 (virtual)October 17-20, 2024

*taps microphone*

Coming this October!

The greatest fan studies event of this year, or any other.

An academic event of such magnitude, its like will never be seen again.

Four days of research … discussion … and community building!

Hold onto your webcams and get ready for…

FSNNA PRESENTS:
THE MONSTERS OF FAN STUDIES
WORLD TOUR ’24

Submissions for the 2024 FSNNA Conference

Call for Papers

PAMLA 2024 Conference: November 7-10, at the Margaritaville Resort in Palm Springs, California, completely in-person

19249. Ecocriticism (co-sponsored by Association for the Study of Literature & Environment) (Panel / In-Person)

Ecocriticism and Science / Historical and Political Studies

Presiding Officer: Beatriz Rivera-Barnes (Pennsylvania State University - Penn State Worthington Scranton)

Concentric: Literary and Cultural Studies

Vol. 51 No. 1 | March 2025

Call for Papers

Reorienting Singapore Literature

Guest Editors

Angelia M. C. Poon (Nanyang Technological University)

Iping Liang (National Taiwan Normal University)

Deadline for Submissions: July 31, 2024

SAMLA 96: CFP for “Teaching Writing in College” Session

November 15–17, 2024

Hyatt Regency Jacksonville Riverfront, Jacksonville, FL

Please consider submitting a proposal to our panel "Teaching Against the Anthropocene," to take place at the Pacific Ancient and Modern Language Association (PAMLA) Convention in Palm Springs California (Nov. 7-10, 2024), and please share the cfp with colleagues who might also be interested!

Submit your proposal at this link before April 30th: https://pamla.ballastacademic.com/Home/S/19097

"Teaching Against the Anthropocene" will explore how we translate environmental media into our teaching practices and how we can encourage our students to reflect critically about environmental concepts like the Anthropocene. 

Announcing the 47th Ohio Valley Shakespeare Conference

October 24-26, 2024

Case Western Reserve University, Cleveland, OH

Conference theme: “Shakespeare and the Mind”

Building on the conference theme “Translation in Action,” this panel invites discussion on how Asia is represented and “translated” in modern and contemporary literature, literary criticism, and popular media, including, but not limited to, film, video games, visual novels, music, and fashion. Panelists are encouraged to engage with the following questions:

1. How is Asia and Asian-ness aesthetically and ideologically represented and “translated” by non-Asian authors and producers, e.g., Historia universal de la infamia (1935) by Jorge Luis Borges, La Chinoise (1967) by Jean-Luc Godard, Memoirs of a Geisha (2005) by Rob Marshall, and Civilization VI (2016) by Sid Meister and Firaxis Games?

“Seen and Unseen,” the theme of SAMLA 96, which will meet from 15 through 17 November in Jacksonville, Florida, focuses on the tasks of discovering, uncovering, and recovering material that may have escaped earlier notice. The study of adaptation sharpens this duality further. Cinematic and theatrical adaptations famously present visuals that audiences for literary texts have previously had to visualize for themselves. Adaptations that censor the texts they adapt seek to replace old ways of seeing with new by concealing matters they think better unseen. Reparative adaptations seek to heal cultural traumas by shining new light on old assumptions about power and status.